Lisa, you're one of a kind.  
@faerytale 

Vocals, cello and musical arrangement: Faerytale
Composition and Dutch lyrics: Bas Kooman
Translation: Hans Bouman & Bas Kooman

JULIAN by Faerytale

A rock song about sticking together in a harsh world

LYRICS:

In time, we find the long way
is the better solution
Remind me that I did say
you'd get a shot on your own
Behind another birthday
is another year wasted
We find it hard to relay
what we're aiming for
We don't even know

Inside a private boardroom
a plan is created
To hide the truth of our doom
in propaganda and lies
We climb upon the next step
with our heavy heads clouded
by wine and drugs and excess
and tomorrow we'll do it again

The storm, when it comes
will batter all before it
Arising for the people
with less than you have ever had
No fear of crossing
Because the waves are nothing
No fear of crossing
We can sink or swim together
Or you can man the beaches alone

The waves are nothing
No fear of crossing

In time we find the long way
is the right way
and the only way to do it alone
Because the waves are nothing
If we steady the course
then we can focus on building our home

We can sink or swim together

Sink or Swim

A song about doing what you want

LYRICS:

3, 2, 1
Take a deep breath
and come join the fun
You gotta learn to enjoy yourself
In the morning
In the morning
it'll all be over and done

10, 9, 8
Take a good look
and take what you want from the plate
It'll make you appreciate something
Something
you might not experience ever again

You learned to run before you can walk
and you're far too young to get away with that talk
It's appalling
what you're calling me
You're not welcome inside this house anymore

Your life plan is a clog in the drain
It's a stain on the pane of the window
that you're trying to look out from
You're a burden
Or so you keep on telling yourself anyway..

Let's be appalling
We'll dig a ditch and fall in
Let's be appalling every morning
Let's be appalling every morning

7 (Appalling)

Play on Spotify

Interstellar Limit

ALFONSO LLORENTE: LYRICS, VOCALS, ACOUSTIC GUITAR, ELECTRIC GUITAR, STRINGS & CELLO

Sometimes it´s just a long goodbye.....

OUR LONG GOODBYE

It´s time to go, it´s time for our long goodbye
You won´t see me anymore, but I´ll be a memory of love in you
The days we spent together will remain
To recall that I never left, it´s just our long goodbye

We´ll meet on the other side of the river
We´ll fly to the moon to see the sunrise together
We´ll find our last port in the sea of oblivion
And meet our dreams together

Yes, we´ll play our tune on the moon
While we come to you for our long goodbye
To sleep in your dreams.
Just close your eyes to see we´re there
While the music flows in your mind
It´s our long goodbye

We´ll meet on the other side of the river
We´ll fly to the moon to see the sunrise together
We´ll find our last port in the sea of oblivion
And meet our dreams together

It´s time to go, it´s time for our long goodbye
You won´t see us anymore, but we’ll be a memory of love in you
The days we spent together will remain
To recall that we never left, it´s just our long goodbye

Our long goodbye, our long goodbye

OUR LONG GOODBYE (Alfonso Llorente)

Plot thickens

Slippery Slice - Combstead / Robert Grigg

Uma Pequena Dose De Finalidade

There was a man.
Who sailed to sea.
What the fuck? he could be any body.
He could be me.
But i'm not he. 

Oh, there's a place.
Where i could go.
I'm just making sure that you're the one who knows.
I'll never, though.
Unless i'm shown. 

Oh, there's a land.
Not far away.
They keep a watch over the things you do and say.
Oh, they know.
So you stay. 

In your mind,
You hide away.
They say youre better off with devil's than to pray.
The ones you know.
Are here to stay. 

Over hills across the oceans.
Ever westward, pushing on.
Over feilds and through the forest.
Ever westward, pushing on.
Over hills across the mountains.
Ever westward, pushing on.
Over wasteland over desert 
Ever westward, pushing on.
Over frozen waste and tundra.
Ever westward, pushing on.
Over hills across the oceans.
Ever westward, pushing on. 

Here they come.
From the east.
Taking over, but they're doing it in peace.
Unleash the beast.
Cut loose the leash. 

You see the hill,
You look around,
You see, you're floating on the earth that's spinning round.
You feel the ground.
The world goes round. 

No one's in charge,
No one can be,
When each and every  one of us is free.
You are not me.
Could never be. 

Over hills across the oceans.
Ever westward, pushing on.
Over feilds and through the forest.
Ever westward, pushing on.
Over hills across the mountains.
Ever westward, pushing on.
Over wasteland over desert 
Ever westward, pushing on.
Over frozen waste and tundra.
Ever westward, pushing on.
Over hills across the oceans.
Ever westward, pushing on. 

Forget it all.
Forget the sun.
The day is done.
But you don't have to tell no one.
Here they come. 

Oh, look, the stars.
That one there is procyon.
It shines like the tip of a diamond in the winter sky.
Just over there.
The red top of orion.
That means that it's cold.
And, the end could be nigh.
The bottom is propped up.
By the bright shining dog star.
Sending people mad.
Making other folk glad.
And boring into your minds eye. 

They rise in the east.
And they go somewhere that way.
But one these nights.
They'll no longer be light.
When they end for you personally. 

A space is a spade.
And a shovels a shovel.
A stars just a point...
Of light in the sky.

Star Song

„Silence is Good for Me“ ist ein treibender, bassfokussierter Electronic-Track, der dunkle Atmosphäre mit kraftvoller Club-Energie verbindet. Der Song beginnt mit einem ruhigen, fast schwebenden Intro – weiche Pads, ein leichter Hallraum und minimalistische Percussion erzeugen ein Gefühl von Distanz und Erwartung.

Nach einem spannungsvollen Build-up bricht der Track in einen massiven Drop auf, in dem die tiefen Sub-Frequenzen und verzerrten Basslines die Hauptrolle übernehmen. Der Sound ist dicht, druckvoll und elektronisch geprägt – ein Mix aus aggressiven Synth-Leads, modulierten Bass-Growls und rhythmischen Stabs, die an modernes Dubstep, Riddim oder Hybrid-Trap erinnern.

Im Mittelteil kehrt der Track kurz zur atmosphärischen Stille des Intros zurück, bevor ein zweiter, noch intensiverer Drop folgt, der den Song zu einem energetischen Höhepunkt führt. Die Produktion wirkt digital, präzise und cluborientiert – perfekt für Bass-Heads und für Sets, die auf maximalen Druck ausgelegt sind.

Der Titel „Silence is Good for Me“ bekommt im Song eine doppelte Bedeutung: Die Ruhe ist nur die Vorbereitung für noch größere Wucht.

ThorBass --- Silence is good for me

Static Hearts is the pulse of love and connection in a world of interference.

For Taryn Del Laney, emotions flicker like broken signals—love, loss, and longing compressed into glitches and digital echoes. Every heartbeat collides with uncertainty, every word is caught between distortion and clarity. If paired with Mayzon, their duet reflects generational resonance: his lived scars meet her viral intensity, their hearts static but synchronized.

This track explores the tension between vulnerability and performance, intimacy and spectacle. By the final chorus, even amid the crackle and noise, there’s a spark: the connection endures.
Static hearts don’t fade—they transmit.

static hearts

Songs in English on https://soundcloud.com/seb-mankoo