Bravo Tounky is a musician and wine worker from Pélussin, France, and a member of a few bands such as Sierra Manhattan, Dhavali Giri or Lento Violento. Co-founder of the independent label AB Records in 2011, he's also a resident dj on the new-born Turkish radio « Root ».

Bravo Tounky [17.08.2021]

carved yourself into the wall

Raw melody from our new and amazing new synth SOFTPOP SP2

SOFTPOP SP2 RAW MELODY

LEU 2021.9.19 MIRA新伝統 (DJ set)
https://soundcloud.com/mira-shindento

Pansonic - Gravitoni
Muslimgauze - Every grain of palestinian sand
Kangding Ray - These are my rivers
Mirror of perception - sorcery
Tzusing - Circa Taipei
Lei - Unfiltered Session
Heron Fisher - FTW DAMFS
Nara - There is no sky
Onleash - ten thousand horses
Antishift - Intangible Spectrum
Onleash - Trendsetters
Fetish mag
SUKUBRATZ
Anti shift - Intangible spectrum
Pasvake - impulser
Tsumutsumu - Incantation 
Diana Azzuz - Recursive Gesture
Ye Gods - Flames fall from the sky
Ancestral vision - Ragequit

LEU 2021.9.19 - MIRA新伝統 (DJ set)

BURIAL HEX 'Gauze' CD (CSR301CD)

Horror Electronics and Phantasmagoric Post-Industrial usher in the brand new ritual offering from Burial Hex.

The impulse for Gauze is to be a prophylactic talisman and ward for the families directly involved with the Burial Hex project, though it can be effective for anyone who needs an extra layer of defense. The art, lyrics and sound were all layered together with supersensible content generated specifically for this purpose. Beyond just protection and defense, Gauze is an invitation to transcend sclerotic ways of experiencing incarnation, by freely juxtaposing increasingly divergent forms, and reconciling all with warmth and passion. Such has been the work of the Burial Hex project since its inception, striving towards a gestalt of timeless and enduring realms via a benign spiritual interaction with conflicting beings.

With Gauze we hear the mouths of Burial Hex spit in the face of those who would reduce psychic experience and spiritual feeling to material processes, penetrating the density of human denial and cracking the electronic shell which crushes much of our humanity. CD in digipak.

RIYL: Coil, SPK, Psychic TV, Trepaneringsritualen.

Track Listing:

1. Lost Sailor (4:05)
2. Lion's Breath (3:34)
3. Treasure Spirits (3:48)
4. Auspices (6:32)
5. Sed Libera Nos A Malo (3:48)
6. Double Scorpio (7:55)
7. Gauze (4:55)
8. Two Rivers (7:38)

https://coldspring.co.uk/csr301cd

https://coldspring.bandcamp.com/album/gauze-csr301cd

Listen:  https://soundcloud.com/coldspring/sets/burial-hex-gauze

Watch: 
'Gauze' Album Promo: https://youtu.be/tKMvcxgyCD0
'Lost Sailor' Video: https://youtu.be/6SDrAlON8hA
(Videos by Abby Helasdottir)

BURIAL HEX:

https://burialhex.bandcamp.com
https://soundcloud.com/burial-hex
https://www.facebook.com/burialhexofficial
https://coldspring.co.uk/burial-hex

....................................................................................

Out 11th March 2022

BURIAL HEX Lions Breath

bus ride wee

A new work form Mo H. Zahreei.

"More than a decade ago, I made a piece of beat-based electronic music and titled it "Middle Eastern IDM" for a course assignment. After listening to it in class, my professor asked what was Middle Eastern about it. It was only a year after I had left Iran to study in the US, and I didn't know that I could say "I am. I made the piece". So I went back and superimposed a sample of Egyptian protest chants on top of the piece, to make it "sufficiently Middle Eastern".

What prejudiced conservatism and performative liberalism share are gatekeeping practices that box one in a preconceived state of otherness. While the former overtly regards that otherness as inferior, the latter exoticises it through patronising paternalism. To me, it is especially troubling when exclusionary practices are driven by some form of overzealous "diversity and inclusion" agenda. If you don't fit the diversity box they've made for you, too bad. It's your fault for being "insufficiently diverse". "Poor thing, you've been colonised!", they tell you, as they claim ownership over a collection of frequencies and rhythms. When you look at who gets to decide if something's indigenous enough, you see how decolonisation itself has been colonised.

When you listen to this piece, I'm very happy for you to keep in mind that it was made by someone from Iran. But I might need to clarify that this piece has nothing to do with sufism and the whirling dervishes, the interweaving patterns of the Persian carpet, the poetry of Rumi, or Islamic architecture. And if you hear those moments of "non-western" sonorities, that is because I have constructed this piece from samples of a piece of Iranian traditional music – an overplayed piece that was all over TV and radio while I was growing up Iran, one that I never found particularly inspiring or interesting. Here, I have tried to make it more interesting by completely taking it apart and reconstructing it through my personal compositional techniques, aesthetic preferences, and a wide range of musical influences. So in short, while this piece might not sound like your archetypical Iranian music, I assure you that it is Iranian enough."

Mo H. Zareei aka mHz is an Iranian sound artist and electronic musician based in Wellington, New Zealand. Using custom-built hardware and software, his artistic practice aims to highlight the beauty in the basics of sound and light production and reductionist audiovisual elements that draw inspiration from physical and architectural principles. He has exhibited his work at international venues such as ISEA (Montreal/Vancouver/Dubai), SETxCTM festival (Tehran), NIME (London), Modern Body Festival (The Hague), ICAD (New York), and NZ Festival (Wellington), to name a few. His installation “Rasping Music" was the recipient of the 1st prize for Sound Art at the last iteration of the international Sonic Arts Award in 2015 (Italy). 

Under the moniker mHz, Zareei’s electronic music projects have been published via LINE (US), Important Records (US), leerraum (CH), and Kasuga Records (DE).
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head to www.pyramidclub.org.nz for more.

Made with the support of Creative New Zealand

Proof Of Identity - MHz

Windows Expé #26 w/Terra86

Tracks by: 
Axel Kolb
Chico Naral
Lumpex
Maria
Syanide
Tapiwa Svosve

Mastering by Tomas Putruele

Commissioned as part of zurich moves! Forever Imbricated

Part of the Flying Lodge anthology

SOFTPOP SP2 RAW MELODY

Bastl