The Swiss - Kiss To Kiss (Breakbot Remix)

VIDEO : https://youtu.be/2kOmNTfbJ3M
Musiciens : Noochi (guitare), Tetsu (Basse), Théo Pace (piano), Henri Denis (batterie, Raphael Bonafos (trompette).

🌙 Follow Joe la panic : linktr.ee/Joelapanic

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😋 Follow Cookie Records 
https://linktr.ee/cookierecords

© Copyright: 2023 Cookie Records
℗ Production: 2023 Cookie Records

Joe La Panic - Tendresse Crack (Live Session)

Naoya Matsuoka - Primavera (FF Edit) (Japan, 1988)

Buy vinyl

Marcel Vogel & LYMA - Cruisin'

Nu-Disco and 4/4 music mix from a bunch of different countries - From SA to Greece to Brazil to Italy to India.

Tracklist:

1. Letta Mbulu - Nomalizo (Richard the Third Edit)
2. Tendts - Cosmic Swimmer (Soulwax Remix)
3. Helio Matheus - (Mais Kriola (Yuksek Remix)
4. YUNG PRADO -  Los Dos
5. Stanton Warriors - Da Antidote (Richard the Third Remix)
6. Discodeine - Singular (feat. Matias Aguayo)
7. Fatima Yamaha - What's a Girl to Do?
8. Will Saul - Copicat
9. Rupa - Aaj Shanibar (Richard the Third Edit)
10. Daniele Baldelli & Dionigi - Love's Coming (Dionigi & Baldelli Mix)
11. Peggy Gou - Starry Night
12. Dimitri From Paris & Aeroplane - Can't Get Enough (feat. Leela D) [Dubstrumental]

Remember, in times of stress and anxiety you must know you always have Disco.

Glo Boptic Disco

112 KBPS FILES - DON'T BE A DUNCE!

Stream & Buy - https://razor-n-tape.fanlink.to/hiattdb

Hiatt dB makes his debut on RNT with a 6 track mini-LP of sweaty, sleazy dance floor cuts. Born in San Antonio and raised in the South, Hiatt delivers a unique offering with “11pm-’Til’” that bridges the gap between House, Breaks, Acid, Disco, Funk, and Boogie.

Having established his name with releases on Rhythm Section, 13th Hour, and his own Mystery Zone Records label, this record is his strongest musical statement yet, packed with live instrumentation, and vibrant organic productions that make for both a perfect listen and a groovy club spin!

--

www.razor-n-tape.com​
www.razor-n-tape.bandcamp.com

11pm - ‘Til

Stream & Buy

Hiatt dB - Take The Low Roads Home

Buy / Stream it here: orcd.co/notraffic

Enter the realm of Illa J, the musical force shaking the foundations of the industry. His latest offering, 'No Traffic', is a testament to his boundless talent and versatility, showcasing his singing, production and rapping abilities on 19 tracks written and produced entirely by Illa J himself. This album marks his debut on BBE Music and a new chapter in his musical journey.

Meet Illa J: a musical prodigy raised in a family of talented musicians. With a jazz bassist father and a gifted singer mother, it's no surprise that Illa J was destined for greatness. He's best known as the younger brother of hip-hop legend J Dilla and has made a name for himself as a former member of Detroit's iconic hip-hop group, Slum Village. With a lifetime of exposure to quality music and top-tier musicians, Illa J is a force to be reckoned with.

Created amidst the chaos of the pandemic, Illa J's 'No Traffic' serves as a beacon of hope, a roadmap for creatives seeking their path. He enlists the help of Detroit legends Amp Fiddler, Frank n Dank, British soul sensation Harleighblu, and introduces the rising stars of Detroit, Serious, Joz B, Maine Soul, and more, all matching Illa J's energy and passion on the tracks.

The focus track of the album, "Star Struck", is a prime example of Illa J's signature style. The astral pentatonic soundscape and precise drum programming transport you to new heights, while Illa J's beats, melodies, and bars will leave you in awe.

'No Traffic' is a musical journey that takes you to a place where Illa J's playful and versatile sound reigns supreme. The album is expertly mastered by Grammy-award nominated The Carvery Studio and is a refreshing experience of a true artist reveling in their artistry. Don't miss out on this once-in-a-lifetime opportunity to delve into Illa J's musical realm."

Illa J - OG Funk (Instrumental)

"Whitey on the Moon" est un poème parlé de Gil Scott-Heron de 1970.
Enregistré sur un simple accompagnement de rythmiques, il évoque les dettes médicales, les impôts élevés et la pauvreté vécue à l'époque de l'alunissage d'Apollo.
Le poème critique les ressources consacrées au programme spatial alors que les Noirs américains subissaient des disparités sociales et économiques dans leur pays.
"Whitey on the Moon" a été repris dans le film biographique de Damien Chazelle en 2018 sur Neil Armstrong, First Man.
Il a connu un regain d'intérêt en 2021 à la suite des vols spatiaux des milliardaires Jeff Bezos et Richard Branson, qui ont été considérés comme emblématiques des inégalités mises en évidence par le poème.
Du coup j'en ai fait un remix.
Enjoy !

[English]
"Whitey on the Moon" is a spoken-word poem by Gil Scott-Heron from 1970.
Recorded to a simple rhythmic accompaniment, it evokes the medical debts, high taxes and poverty experienced at the time of the Apollo moon landing.
The poem criticizes the resources devoted to the space program at a time when black Americans were suffering social and economic disparities at home.
"Whitey on the Moon" was featured in Damien Chazelle's 2018 biographical film about Neil Armstrong, First Man.
It received renewed attention in 2021 following the space flights of billionaires Jeff Bezos and Richard Branson, which were seen as emblematic of the inequalities highlighted by the poem.
So I made a remix.
Enjoy!

Lyrics :

A rat bit my sister Nell
But Whitey's on the moon
Face and arms began to swell
And Whitey's on the moon

I can't pay no doctor bills
But Whitey's on the moon
Ten years from now
I'll be payin' still
While Whitey's on the moon

You know the man
Just upped my rent last night
Whitey's on the moon
No hot water, no toilets, no lights
But Whitey's on the moon

I wonder why he's uppin' me?
'Cause Whitey's on the moon
I was already givin' him like 50 a week
Whitey's on the moon

Taxes takin' my whole damn check
Junkies makin' me a nervous wreck
The price of food is goin' up
And if all that crap wasn't enough

A rat bit my sister Nell
With Whitey on the moon
Her face and arms began to swell
And Whitey's on the moon

Was all that money I made last year
For Whitey on the moon?
How come I ain't got no money here?
Hmm, Whitey on the moon

You know I just 'bout had my fill
Of Whitey on the moon
I think I'll send these doctor bills
...
Taxes takin' my whole damn check
Junkies makin' me a nervous wreck
The price of food is goin' up
And if all that crap wasn't enough

A rat bit my sister Nell
With Whitey on the moon
Her face and arms began to swell
And Whitey's on the moon

Was all that money I made last year
For Whitey on the moon?
How come I ain't got no money here?
Hmm, Whitey on the moon

You know I just 'bout had my fill
Of Whitey on the moon
I think I'll send these doctor bills

Airmail special ...

... To Whitey on the moon

Gil Scott - Heron Ft Leon Bridges First Man - Whitey On The Moon (Rena Majore Edit)

Titre: Vision
Compositeur : Valentin Walker
Saxophoniste: Benoit Black

Mastering: Emrod production

#deephouse #house #jazzhouse #groove #saxophone #funk #nujazz #nudisco

Date de publication :
5 janvier 2024

"Vision" est le fruit de la collaboration avec mon ami Benoit Black, saxophoniste. Cette track incarne la rencontre entre la musique Mao et l'instrumental, offrant plus qu'une simple composition, mais une expérience humaine.

À l'introduction de "Vision", la voix distinctive de Jim Morrison prise lors d'une interview en 1969, annonce avec une clairvoyance déconcertante, le futur de la musique.
Une vision avangardiste et anticipatrice, remettant en question la notion même de création musicale dans un monde futuriste informatisé.  

Ce titre serait un appel à la réflexion sur la musique contemporaine.

Loin d'être un outil limitant, j'aime présenter celle-ci comme un catalyseur d'innovation, une toile sur laquelle également l'âme créative peut s'exprimer sans entraves. 

Sur une atmosphère musicale mystique et émotive, incitant l'auditeur à plonger dans une introspection musicale profonde, ce titre est une ode à la créativité, une célébration de la diversité artistique qui émerge lorsque les genres se rencontrent.

Une invitation à explorer les infinies possibilités de la création musicale dans un monde en constante évolution.

Title: Vision 
Composer: Valentin Walker 
Saxophonist: Benoit Black 
Publication date: January 5, 2024 

"Vision" is the result of the collaboration with my friend Benoit Black, saxophonist. This track embodies the encounter between Mao music and instrumentals, offering more than just a composition, but a human experience. At the introduction of "Vision", Jim Morrison's distinctive voice taken during an interview in 1969, announces with disconcerting foresight, the future of music. An avant-garde and anticipatory vision, questioning the very notion of musical creation in a futuristic computerized world.
This title would be a call to reflection on contemporary music. Far from being a limiting tool, I like to present it as a catalyst for innovation, a canvas on which the creative soul can also express itself without hindrance. Set to a mystical and emotive musical atmosphere, prompting the listener to dive into deep musical introspection, this track is an ode to creativity, a celebration of the artistic diversity that emerges when genres meet. An invitation to explore the infinite possibilities of music creation in an ever-changing world.

Vision

Valentin Walker Feat. Benoit Black - Vision

Five years have gone by since the last Flashbaxx release LIVINGROOM ADVENTURES. In the meantime, the title track appeared on dozens of compilations all over the world, among these giants like JAZZANOVA, TOSCA and MO' HORIZONS, just to name a few. But stagnancy is strange to Daniel Stenger: he worked as remixer and producer (PNFA, KayGrove, NUDE), performed sets
as DJ and live gigs with his electronic live act SONIC SOUL DIVISION, founded his custom sound company BAXXBEATMUSIC, produced and licensed music for TV-commercials and image movies (Riu Hotels, BAT, Deutsche Bank, Trekstore etc... ), released the debut album HERBST with the post-rock band FITZCARRALDO and toured 40 cities in three countries.

In January 2008, the label division has been added to BAXXBEATMUSIC. The upcoming release FLASHBAXX – The Changing Tides EP is the first BAXXBEATMUSIC artist release and also marks a big change in Flashbaxx' musical style: the tides have changed..

Goodbye Soundscape – Hello Groove!

Far away from exchangeable Chill Out productions without any soul, THE CHANGING TIDES EP impresses with a fresh organic mood, with smooth beats and an invincible passion for sampled instruments or instruments played by the boss himself. Whereas some kind of „sound fatcap“ is used for one track (IMU), the other shows off with great focus on details (VOODOO THERAPY).
Artfully programmed NuJazz breaks meet a deep Rhodes Piano (CHANGING TIDES), and the simple lick of a semi-acoustic Hohner guitar turns a Lounge track into a catchy tune (STAINLESS). The audience slides from Hip-Hop to House flavoured tracks, but actually never changes the genre. The record perfectly suits the living room as well as the dance floor. With THE CHANGING TIDES EP Daniel Stenger aka Flashbaxx has doubtlessly released a great album. With its playing time of 40 minutes it can't be called EP anymore. But we, at BAXXBEATMUSIC, don't give a damn about that, as long as the music is as good as this one right here!

Flashbaxx - IMU

Erykah Badu - Real Thang (Mark Wayward Remix)

We are a small label from Aschaffenburg
We do sound branding
We do music production
We do band recording
We do publishing
We love music - not genres!

Flashbaxx - IMU

BaxxBeatMusic