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In Between Revisited: Jazzanova Live

Days to Come (Little Big Beat Studio Live Session)

No Use (Little Big Beat Studio Live Session)

Featuring the combined talents of Allysha Joy, Hidden Spheres AKA Tom Harris and Finn Rees the single ‘Trust the Feeling’ is the first release from the trio’s upcoming album Solina and is a track that gives us a very real insight into the Balearic House, Street Soul, Alternative RnB and Jazz influences that interweave throughout the album to create a musical landscape that speaks to the heart, spirit, body and mind with intention.

Trust the Feeling is a track that persuades us to slow down to make love, to make sense of yourself, to be in connection to others, in connection to life, an intimacy with all things, as a way of moving with closeness and in deep breath, where light touches and draws us closer.

All three artists have an amazing musical pedigree having between them worked as part of such innovative acts as 30/70 Collective, Close Encounters and on numerous collaborations with bands, artists and producers from across the globe. All have had releases on highly regarded international and independent music labels and have played and appeared on major festival line-ups including We Out Here.

Trust the Feeling is the first digital single release on BBE Music from the Joy Spheres Rees album, Solina, upcoming on vinyl and digital.

CLICCK HERE TO PURCHASE THE FULL ALBUM (VINYL / DIGITAL)  - https://orcd.co/solina

Trust The Feeling [BBE Music]

n an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Marca Passo releases on limited edition blue, red & black vinyl LP editions, CD and digitally on the 6th June 2025, via Far Out Recordings, supported by European and North American tours.

Azymuth - Andaraí

Listen everywhere: https://idol-io.ffm.to/honeywine
Pre-order on Bandcamp: https://sholto2.bandcamp.com/album/sholto-live-at-total-refreshment-centre
Listen to the DeepMatter Catalogue: https://tinyurl.com/dm-catalogue


Pre-order the EP

SHOLTO -  Honey & Wine  (In Session at TRC)

Proudly presenting ‘Transe’ the first single taken from Zé Ibarra's forthcoming second album. You may be familiar with the hypnotic entrancing tones of Zé’s vocals, through his work in the four-piece, Latin Grammy award-winning Brazilian powerhouse, Bala Desejo and the band Dônica. Zé has also toured with Brazilian legend Milton Nascimento on vocals and guitar, a real honour but also a reflection of Zé's craft to be selected in the band by such a musical titan.

A classic singer-songwriter, 'Transe' sees Zé starting as the song would have been written, simply an acoustic guitar and his voice flowing in an intimate dance. It’s an instantly comforting tone reminiscent of classic Brazilian songs from the past (think Caetano Veloso), before the song builds with ghosty string arrangements, vocal overdubs, and percussion. The energy in Zé's voice intensifies to a climax, as the dial swings in a more contemporary direction powered by a grooving bassline. 

Speaking about the song, Zé mentions, “This song represents, at this moment, a side of me that is still little explored and more intimate. It moves between pop and conceptual, creating an experience closer to a film than a traditional song. This effect is reinforced by the guitar and bass of Frederico Heliodoro, who is also part of Milton Nascimento's band."

‘Transe’ therefore shows a more experimental side to Zé beyond the scared partnership of voice and guitar. Mixing elements of jazz, MPB, and progressive rock, it’s rich and dynamic with a cinematic feel that is full of suspense. A stunning single and a taste of what is to come from one of the finest modern-classic musicians in Brazil’s blooming contemporary scene.


Transe

new single/music video out: ffm.to/youdontwannafeedthefireanymore
________

Goldwash makes Existential Funk

Mastered by Alex Vourtsanis
Artwork by Darren Oorloff

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But U Won't

Janet Jackson - Alright (Kaytranada Flip)
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Janet Jackson - Alright (Kaytranada Flip)

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Bootsy Collins - Rather Be With You (Alphabets Heaven Edit)

Flippidiflip time

Shouts to my man www.k-stoff.de for the artwork.

Free Download

MJ - Rock With You (Evil Needle Remix)

Buy on 12" vinyl: https://www.bbemusic.com/downloads/paz-back/
Buy digital / stream the album: https://BBEmusic.lnk.to/PazRBack

Recorded during the summer of 1980 and originally released in 1982 on Spotlight Records, ‘Paz are Back’ was the second (and arguably the finest) album by the London jazz collective, founded by vibraphonist, composer and arranger Dick Crouch. Known for their original jazz-funk and Latin stylings, the band held a weekly Sunday residency at The Kensington pub in Holland Park for over 8 years, becoming a fixture at many London venues throughout the 70’s and 80’s, most notably Ronnie Scott’s.
For Paz, band leader Dick Crouch assembled a group of the finest jazz musicians working in London at the time. Piano, keyboard and synth player Geoff Castle was a mainstay of the band throughout the years, as well as playing and recording with George Coleman, Ian Dury & Georgie Fame to name but a few. He also composed the highly original and energetic track ‘Moonchild’, featured on this album.
Sax and flute player Ray Warleigh enjoyed a successful three decade career (sadly, he passed away in 2015), playing alongside Dusty Springfield, Marianne Faithfull, Scott Walker and Stevie Wonder as well as 9 years with PAZ. The full breadth of his musical dexterity is on display here, from the gritty alto sax solos featured on ‘Laying Eggs’ to his eerie home-made panpipes on ‘Horrors’.
Guitarist Ed Speight also worked extensively with Ian Dury and the Blockheads, as well as performing ‘Tubular Bells’ with Mike Oldfield on the QEH and BBC2. Now an Associate of the Royal Academy of Music, Ed taught guitar and keyboard harmony between 1988 and 2010.
Bass player Ron Mathewson is best known for his years spent working with Ronnie Scott, but he also recorded with Stan Getz, Joe Henderson, Ben Webster and Bill Evans (to whom the stunning ‘I Can’t Remember’ is dedicated). His absence on one album track is noted in its title ‘Where is Ron?’, so called because he realised the song required no bass-line (as the original liner notes stated: “this awareness of when not to play is part of his genius”).
Appearing with the band for the first time on ‘Paz are Back’, drummer Frank Gibson was perhaps better known for accompanying Leo Sayer, David Essex and Dusty Springfield, although jazz was always his first love. Following his time in the UK and touring the world, Frank returned to his native New Zealand, where he won three ‘Best Jazz Album’ awards and performed at the 1990 Commonwealth Games opening ceremony.
Capturing a group of prodigiously talented musicians at the height of their powers, ‘Paz Are Back’ features timeless original compositions from almost all the band members, as well as a unique cover of ‘Everywhere Calypso’ by Sonny Rollins and a truly frenetic, heavily improvised version of jazz standard ‘Dancing In The Dark’. A band who remained steadfastly resistant to being pigeonholed, incorporating a multitude of influences before ‘fusion’ became fashionable, Paz’s music stands the test of time magnificently, as evidenced by the staggering demand for original copies of this album.
Remastered and packaged with the original artwork, BBE are excited to make the magic of Paz available to a new generation of fans.

Paz - Iron Works

Download: https://horatioluna.bandcamp.com/album/cultural-warriors

We're proud to present the first listen from the third instalment for La Sape;(SAPE003) is from one of 30/70’s founding fathers. Melbourne bassist, composer and producer Horatio Luna. The left-leaning jazz musician known for boldly experimental compositions moves towards a soulful house sound on Cultural Warriors with a nod to Moodymann.

This record features the innovations of jazz-soul-bap producer/instrumentalists Nap King Cole (Silent Jay x Jace XL), Perrin Moss(Hiatus Kaiyote) and Ziggy Zeitgeist(Zeitgeist Freedom Energy Exchange) who have each, in there own right, re-created and re-invented the ideology of what it means to be a jazz musician in the modern age.

Cultural Warriors came about by accident. A chance recording of a jam session curated in conjunction with Melbourne selector Eddie Mac. Each track has Horatio Luna’s signature organic, lo-fi, loose sound characteristic to a warm personality; chopped and stretched into four grimy, soulful house jams.

From Horatio Luna: “The audio from the desk was raw, dirty and peeking but the ideas were so strong I had to use it... I’m thankful that the genius engineer was MIA most of the night, sleeping in the booth, it made for a beautiful dirty aesthetic. On the gig we took things to the future, playing for hours and just jamming out on what we were feeling... It was like a dream! Completely improvised house music. Serene Favero and Milan Ring came through, as they were out on the town, everything bumped up a level from there!”

Horatio Luna - Bass Guitar/Programming
Ziggy Zeitgeist - Drums
Nap King Cole - Keyboards
Perrin Moss - Percussion
Syrene Favero - Vocals

Produced at the Mandarin Dreams Studio
Releases May 11th 2018

Horatio Luna would like to thank Nap King Cole and Perrin Moss for their continued guidance, compassion, inspiration and creative integrity. As well as, Ziggy Zeitgeist and Thhomas for believing in the music, believing in me and having my back.

Horatio Luna - Work It Out (Cultural Warriors 12" - SAPE003)

New fresh sounds. Hope you like it.

Feel free to Download, Favorite, Share and Blog etc. 

-M

Miste @ Facebook: http://www.facebook.com/MisteMisteMiste 
Miste @ Twitter: https://twitter.com/#!/iamMiste 
Miste @ Youtube: http://www.youtube.com/MisteMusic

Miste - Autumn Leaves

SESSION VICTIM – ‘NEEDLEDROP – REMIXED’
NIGHT TIME STORIES
JUNE 12TH 2020
Buy stream: https://LateNightTales.lnk.to/needledropremixed

1. Needledrop (Laurence Guy Remix)
2. Still High (Jackmate's Juke Rework)
3. Isle of Taste (Patrice Scott Remix) OUT NOW
4. Jazzbeat 7 (Dday One Remix)
5. No Sky, Blue Sound (Panoram Rework)

Following the release of the ‘Needledrop’ album via ‘Night Time Stories’, Session Victim announce ‘Needledrop Remixed’, set for release this June. Featuring Laurence Guy, Jackmate (aka Soulphiction), Patrice Scott, Dday One and Panoram, Patrice Scott’s remix of ‘Isle Of Taste’ is released today.

“For the remix EP of our album ‘Needledrop’, we got 5 artists on board who play and work in quite different areas and genres but all have had a substantial impact on us, musically and/or personally over the years.” – Session Victim

Expanding upon the album’s blend of jazz, electronic and downtempo, each of the remixers instill their own production styles to reimagine one of underground music’s most intriguing and genre-crossing acts into a new listening experience. From Laurence Guy’s melodic yet driving remix of ‘Needledrop’, to Jackmate’s transformation of ‘Still High’ into 5-minute, experimental rework, ‘Needledrop Remixed’ continues to reaffirm the original album as Session Victim’s most eclectic LP to date.  

With each remixer personally selected by Session Victim, the EP channels a deeper exploration of the album. Patrice Scott 90’s influenced take on ‘Isle Of Taste’ is a longer and more contemporary offering, whilst Dday One’s remix of ‘Jazzbeat 7’ adds a sinuous saxophone solo to fully embrace the experimental spirit of the original. The neo-jazz feel of ‘No Sky, Blue Sound’ is flipped to a slower tempo by Panoram, yet retains the explorative guitar solo heard on the album.

Released in March, ‘Needledrop’ is Session Victim’s anticipated 11-track album. With industry support from the likes of CRACK, Dummy, Mixmag, DJ Mag, Resident Advisor, XLR8R and more, the album was released on 'Night Time Stories’, the London based sister label to the coveted ‘LateNightTales’. Marking a notable shift towards the downtempo dynamic of artists like Nightmares on Wax, DJ Shadow and Portishead, ‘Needledrop’ provides a suite of both uplifting and easy-listening moments, refined and understated individually, yet cohesively crafted with the honest musicianship and inarguable credentials that we know of the production duo Session Victim.

‘Needledrop’ focuses on a large arsenal of influences across long-forgotten vinyl, 90’s computer games and beyond, rediscovering the intuitive and playful sides of their production personalities, while also demonstrating their cherished music knowledge.

Session Victim - Isle of Taste (Patrice Scott Remix)

// Label: Ltd, S/Sided
// SoundCloud: @ltdssided | @ltdwlbl
// Cat#: LTDSSIDED003
// Release date: July, 2020
// Limited Edition of 300
// Hand stamped black vinyl of 140g
// Comes in white paper sleeve
// Support it: ltdwlbl.bandcamp.com/album/ltdssided003

Mail: mail@ltdwlbl.com
Web: www.ltdwlbl.com
Facebook: www.facebook.com/ltdwlbl
SoundCloud: www.soundcloud.com/ltdwlbl
Youtube: www.youtube.com/ltdwlbl
Instagram: www.instagram.com/ltdwlbl

PREMIERE: Unknown Artist - Scrutinized Tune [Ltd, W/Lbl]

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Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

Almost a Dj. A liker of things. Dancefloor hopper. Good Music enthusiast. Learner. Dreamer. Believer. Lover. Fighter.Cosmic Composition. African Princess. A part of the greater all. Rolling stone. Fresh Steeze Biko

Paz - Iron Works

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