BBE Music is thrilled to announce the release of Modern Love, a diverse compendium of specially commissioned cover versions of rarities and classics in tribute to David Bowie.

Featuring an array of artists such as Jeff Parker, We Are KING, Meshell Ndegeocello, Helado Negro, Khruangbin, Matthew Tavares, Nia and more, Modern Love seeks to champion Bowie’s lesser-known connection to soul, R&B, jazz, funk, and gospel. The prominent jazz influences throughout Bowie’s final album, Blackstar, were a key inspiration for curating this collection of reimagined Bowie songs with these artists. The resulting album is an eclectic tribute featuring a group of artists who not only fit together creatively, but who, like Bowie, straddle different worlds musically, with soul and jazz at their core.

Modern Love offers a fresh look at Bowie’s trailblazing career, aiming to highlight the often overlooked relationship between his back catalogue and musical genres traditionally pioneered by artists of color. The project was curated by music executive and DJ Drew McFadden, alongside BBE Music founder Peter Adarkwah. “I felt that the connection between Bowie and R&B, jazz, funk, gospel and all things soulful, had never really been explored before — at least not so much in covers, which tend to lean more towards rock and pop,” says McFadden. “Certainly, there’s been plenty of Bowie covers over the years, but none that have really tapped into what seems to have been a big part of his core musical
style and direction.”

Modern Love is an interactive sonic map. Here, seventeen artists make their way into the varied regions of his sundry catalog and circle back with seventeen unique re-imaginings of both his cornerstone and lesser-known tracks. Some, in atmosphere, feel like a sly alternate take from original sessions (Khruangbin’s ethereal, funk infused version of “Right” from Young Americans); others nod at the source, then wink before diving into the deep waters of another musical stratosphere (Sessa’s sexy Tropicalia-drenched “Panic in Detroit” from Aladdin Sane). Still others take tunes down to the studs and then re-arrange the moody interiors: Meshell Ndegeocello’s pensive “Fantastic Voyage” from Lodger and Tavares’ clever take on “Heroes” which is restructured into a kinetic hardbop-esque backdrop, fronted by ice-cool, held-back vocals. The bullseye these artists aim for is Bowie’s fearlessness. “Fame was an incredible bluff that worked,” he once reflected. “Very flattering. I’ll do anything until I fail. And when I succeed I quit too.”

Modern Love packs us off on a journey that balances on risk’s sharp blade. Track-to-track, it explores what happens when a musician throws out notions of should and safe and stretches beyond the known. These artists use Bowie both as a guide and a prism: A way of being and seeing. Their offerings, widely divergent, explore the inheritance from an artist who freed himself from labels, genres and, consequently, pigeonholes. While he was at it, he decimated fixed notions about territory (or terra) itself; boundaries hemmed-in his creative process, but his essence remained free to roam. He may have vanished in earthly form, yet, as he also promised in the lyrics of “Modern Love,” But I never wave bye-bye . . .” This compilation assures us that his spirit swirls around us. His force is alive to all of us and, here, it is summoned with an incantation that celebrates possibility.

Khruangbin - Right

Buy /  Stream the album here: https://orcd.co/yebo

1. THE APARTHEID BOYCOTT
In the 80s, the world – rightly – stepped up its boycott against South Africa’s apartheid government.

But this had unexpected and sometimes adverse consequences for South Africa’s music professionals and consumers.

Musicians still needed to work live shows both at home and abroad, and to make and sell records. The youth still aspired to clubbing and partying at the weekend after hard, poorly paid jobs under the thumb of an oppressive government. Music was their sanctuary: specifically, African- American inspired soul, jazz, boogie, disco and funk.

2. UNIQUE DIVERSITY
Producing musical excellence was nothing new for South Africa, even in the 80s: both traditional and jazz music of various genres had been performed, showcased and recorded for decades with the assistance of some of the most skilled and ingenious sound-engineers
and producers in the world, the jazz players rivalling their American peers in many cases.

But what makes Mzansi 80s popular music unique is that it had to – and, for the most part, did- appeal to a multi-ethnic, multilingual population almost like no other in the world, for its geographical size.

There may have been many tribal and political differences between Zulu, Sotho, Xhosa, Tsonga and others day-to-day, but when it came to the weekend, those differences often melted away for a while on the dancefloor. Paul Ndlovu had kwaZulu fans as well as
Shangaan followers; Black Moses and the Soul Brothers had followers and fans with everyone… and so on.

And everyone -detractors and lovers alike- were content to settle on the monicker ‘Bubblegum’ as a general description.

3. MZANSI TOOK DISCO- AND SLOWED IT DOWN A BIT…
…exactly as 90s and early 2000s South African DJs and mixers took House- and slowed it down a bit to develop Kwaito, Gqom and – later Amapiano.

The Roland TR-707 sampler came along in 1985 – at just the right time for the flowering of Mzansi disco and boogie. And in the artful hands of arrangers, engineers and producers such as Peter “Hitman’ Moticoe, whose work figures on several of the tracks here, it became
something unique to South Africa.

‘Yebo! Rare Mzansi Party Beats from Apartheid’s Dying Years’ compiled by John Armstrong is out BBE Music on x3 vinyl set in a gatefold sleeve, CD, and across digital platforms for download and streaming.

The Angels - Johnny Boy

Buy / Save the EP here: https://orcd.co/feedthefire

Feed the Fire is the lead single from multi-instrumentalist Audrey Powne's forthcoming From the Fire LP and what an introduction it is to the Melbourne based artist's much anticipated debut album. Building on Audrey's already impressive international reputation as a performer and session musician, she has received plaudits from Gilles Peterson, Maceo Parker and Masta Ace amongst others.

With music and lyrics composed by Audrey, Feed the Fire is a track written in response to the Australian bushfires of 2019 and their undeniable link to the climate crisis and the Government's unwillingness to acknowledge this connection.

Combining dramatic strings with a powerful and emotion fuelled vocal, a dark harmony and a climactic trumpet solo Feed The Fire is a track that fuses a Neo-Soul and Jazz feel with a tough drum break and a production that is reminiscent of the quality of a Charles Stepney track. With Audrey combining composition and lyric writing duties with trumpet, vocals and string arrangements on Feed the Fire, it is very much her production values evident here.

This wonderful single package will also include the instrumental version not available on the vinyl LP and remixes by BBE stalwarts Atjazz and the New York maestros musclecars. Both remixes showcase Atjazz and musclecars signature styles at honing in on moods and rhythms in Audrey’s composition and translating them into certified dancefloor bangers. Definitely tracks needed for any serious DJ's cannon in 2024.

Audrey Powne - Feed the Fire (Atjazz Remix)

Introducing "Cut The Cheque" - the groundbreaking single from the highly anticipated sophomore album by The Brkn Record, The Architecture of Oppression Part 2. This album is set to delve deep into the human condition and shed light on the impact of systemic racism.

Featuring the incredible talent of Hip Hop stalwart Percee P and the emerging artist Great Okosun, "Cut The Cheque" is a powerful track. Percee P delivers thought-provoking lyrics, addressing the long overdue recognition and reparations owed to the true builders of the British and Western Empires. As he passionately raps, "Melanated people need to be celebrated not relegated to something hella hated... cut the cheque."

This track oozes the richness of a vintage public enemy Bomb Squad production, showcasing The Brkn Record’s exceptional musicianship. This is an organic record made with organic instruments, rich arrangements and visceral playing.

Adding even more depth to the song is the 24-year-old Great Okosun, who flawlessly cuts to the chase and eloquently tackles the issues of racial bias and the institutionalisation of racism.

‘Cut the Cheque means that we no longer sit by and let our lives be Used for Free’ Great Okosun.

"Cut The Cheque" is a must-listen for anyone seeking music that tackles important social issues head-on. Get ready to be moved and inspired by this standout track from The Brkn Record - Architecture of Oppression Part 2.

The Brkn Record - Cut The Cheque (featuring Percee P & Great Okosun)

Buy / Stream it here: https://orcd.co/roydelfonic

Experience a fresh take on Roy Ayers’ classic track “What The T,” masterly remixed by Delfonic – you won’t realize how much you needed it until you hear it! We’re talking a seamless blend of funk and disco, raising the original tempo to a groovy 120BPM with a worthwhile extension of 80 seconds. Ideal for DJ sets aiming to keep the jam rolling.

This edit, staged for a digital release, is a must-have for every Roy Ayers aficionado and fervent DJ. Featuring an ensembled jazz squad, including the iconic drummer Bernard Purdie and bassist William Allen, Delfonic’s revolutionary spin breathes a whole new life into this timeless masterpiece.

Riding the wave of his professional DJ career since 2004, Delfonic – Markus Lindner in the real world – has decked his mastery across Berlin and wider Europe. His zeal for the groove is unquestionable, seamlessly blending genres drawing from his hip-hop roots. His unconventional DJ approach, open-minded music taste, and flawless flow have made him a crowd favourite.

Delfonic calls upon his vast musical palate, versatile DJ skills, and a deep-seated love for all things music. This has positioned him as a major trendsetter in modern music. He’s the mastermind behind labels – OYE Black Label, OYE Edits, and Money $ex Records, which gave rise to talents like Max Graef, Glenn Astro, Alex Seidel, and more. Now a staple at esteemed Berlin venues like Paloma Bar and Club Gretchen, Delfonic has proven to be the model DJ that consistently electrifies the dancefloor.

Don’t miss out on this mesmerizing Delfonic Edit of ‘What the T?’ – a fresh spin on a cherished classic bound to elevate your funk and disco set!

Roy Ayers - What's The T? (Delfonic Edit)

Introducing "The Architecture of Oppression Part 2" - the highly anticipated follow-up to Jake Ferguson's critically acclaimed debut album - Part 1. Ferguson is recognised as the ‘other half’ of The Heliocentrics, producing his solo work under the moniker, The Brkn Record. Effortlessly merging the realms of music and activism, he has created a groundbreaking album, which is set to be one of the most important bodies of work that illustrate ongoing systemic racism this side of the millennium.

Ferguson takes the listener to a world where artistry and social consciousness intersect. Crafting an array of captivating soundscapes and themes. This album showcases the vocal talents of both established artists and hidden gems discovered through Ferguson's day-job as a former charity CEO and community activist.

While Part 1 served as a rallying cry to dismantle oppressive systems, Part 2 offers a compelling soundtrack of a Pro-Black world reclaiming its destiny. This thought-provoking art piece invites listeners to envision alternative paths while avoiding the pitfalls of past paradigms.

Unlike a broken record, this The Brkn Record album keeps pushing boundaries—

By enlisting the voices of The Global Majority, The Brkn Record creates a platform for genuine expression through sound. Renowned for his production skills, Ferguson has captured the admiration of industry heavyweights including Nas, Madlib and Kanye West. However, rather than seeking popular features, he chooses to amplify the authentic perspectives of the talented youth he collaborates with in Hackney.
One such initiative supported by Ferguson, Account Hackney, introduced him to two gifted artists showcased on this album – Great Okosun and Yolanda Lear.

‘This album serves as a visceral demonstration of my anger at the racially founded status quo in this country and globally. The continued oppression of people on the basis of their race is beyond evil, it's common place and needs to end. Simple as.’
The album also sees Ferguson joining forces with award winning laureate Anthony Joseph and legendary hip-hop MC Percee P - their dynamic and thought-provoking lyrics seamlessly intertwine with expertly produced musical landscapes.

"The Architecture of Oppression Part 2" is not just an album; it is a transformative journey that challenges the listener and wants you to ‘feel’. It’s Art. A musical experience that inspires, compels, and empowers. Over to you!

Format: 2LP / Digital
Release Date: May 31st, 2024

The Brkn Record - Why Do They Fear Us (featuring Yolanda Lear) [BBE Music]

Following the great success of BBE’s 2023 reissue of Remi Kabaka’s 1976 lost masterpiece 'Son of Africa' comes yet another neglected and hitherto-hidden slice of pure Kabaka goodness: 1980’s 'Roots Funkadelia'.

While the 1976 album was recorded at Island Studios London, roots was recorded and mixed in L.A. in the midst of a golden period for the Motown studios, and the sheer quality of the mix shows in spades. An unexpected but welcome bonus is the appearance throughout of the ‘mean machine’- Motown artists the commodores’ brass section alter-ego.

Released in 1980 on Polygram Nigeria with no international distribution deal, and lurking almost unnoticed in a handful of dedicated afro vinyl collections, this is the first-ever reissue outside Africa of an album that regularly fetches £500 plus on the ‘those who know’ market’.

Remi Kabaka - Funky Lagos [BBE Music]

Buy / Save it here: https://orcd.co/brknrecordbelieve

“Believe” is the second single from The Brkn Record’s upcoming album, “The Architecture of Oppression Part 2”, brought to you by the widely cherished BBE Music. As The Brkn Record, Jake Ferguson concocts a sonic masterpiece that fuses traditional Jazz tempo akin to Sun Ra's "Space is the place" with a grounded futuristic perspective, embedding compelling radical musings and positive affirmations.
His creation is more than just music – it's an artistic expression thoughtfully crafted to challenge and uplift your perception on individual freedom. A profound endeavor to redefine the conventional understanding of liberty.

This narrative is poetically encapsulated in the intro and outro by Toyin Agbetu, a scholar of African history and politics with the innate ability to succinctly draw understanding on systemic racism, the struggles Black People endure within it, and hint towards viable solutions.
“Our freedom must be attached to our desire to be free, to remember and manifest what it means to be free and not freed.”

"Believe" also showcases the uniquely talented polymath Ugochi Nwaogwugwu, award winning poet, reputed musician, poetry mentor, and the heart behind Spirit Speaks Inc. With "Believe", Ugochi gives a mesmerizing performance in the vein of June Tyson (Sun Ra) merging impeccably with Toyin's powerful words and the futuristic production spawned by The Brkn Record. Ferguson once again expands the pantheon of multi talented creatives he has selected to bring us “The Architecture of Oppression Part 2”.

The Brkn Record - Believe (featuring Ugochi Nwaogwugwu & Toyin Agbetu)

By / Save it here: https://orcd.co/chipi

"Chipi" is primed to take the club scene by storm, standing out as a monumental instrumental track within the Amapiano genre. Crafted by the collaborative genius of DandyLisbon, Amzin Deep, Buru’Vera, and DrummeRtee942, this track is not just music—it's an experience designed to energize and captivate from the very first beat.

DandyLisbon, a name synonymous with innovation in both the fashion and music scenes of Portugal, lends his visionary touch to "Chipi," infusing it with a unique blend of cultural influences and a flair for the dramatic. His background as a footballer-turned-fashion icon- turned DJ has imbued him with a unique perspective on artistry, one that he fully brings to bear on this track.

The involvement of Amzin Deep, promises a depth of musical craftsmanship, with Buru’Vera's established Amapiano credentials offer an authentic slice of the genre's South African roots. DrummeRtee942's precision in rhythm and beat-making ensures that "Chipi" delivers on its promise as a club banger that's as intricate as it is infectious.

Beyond the pulsing beats and mesmerizing melodies, "Chipi" represents a fusion of talents that speaks to the global appeal of Amapiano. It's a testament to the genre's capacity for evolution and its ability to resonate on dance floors across continents. DandyLisbon and his collaborators have not just created a track; they've engineered an anthem that exemplifies the spirit of Amapiano — joyful, vibrant, and utterly compelling.

As "Chipi" rolls out to listeners around the world, its distinction as an instrumental masterpiece is clear. This isn't just another addition to the Amapiano catalog; it's a milestone in the genre's journey, marking a moment where international influences and local flair collide to create something truly remarkable. With "Chipi," DandyLisbon and his team invite you to lose yourself in the rhythm, embrace the beat, and become part of the Amapiano movement that continues to take the world by storm.

DandyLisbon - Chipi

Alright, listen up, you maniacs. Magnetic Machines, the duo that's been tearing up the dance scene like a pack of rabid wolves, they've got their debut EP out, and it's going to melt your face right off your skull. This self-titled masterpiece is a shot of pure adrenaline straight to the heart, a sonic cocktail that'll have you tripping balls and begging for more.

Magnetic Machines - People (Club Edit)

The Brkn Record - Cut The Cheque (featuring Percee P & Great Okuson) Clean Edit GBEQT2400051

 DJ Spinna Presents The Sound Beyond Stars ( The Essential Remixes ) buy iTunes:http://geni.us/SoundBeyondEssRemixes
or direct from www.bbemusic.com

Few if any producers have managed to make the transition between hip-hop and house as successfully as Vincent Williams, a.k.a. DJ Spinna. But until now his hip-hop career has been better documented. Here, for the first time, is a collection of the cream of Spinna’s house remixes, a collection likely to win a place in the homes of anyone who loves their house music with a deep and soulful twist. 

http://djspinna.com/  || twitter @djspinna || www.facebook.com/djspinna

Shaun Escoffery - Days Like This (Spinna & Ticklah Club Mix)

 DJ Spinna Presents The Sound Beyond Stars ( The Essential Remixes ) buy iTunes:http://geni.us/SoundBeyondEssRemixes
or direct from www.bbemusic.com
#soundbeyondstars
Few if any producers have managed to make the transition between hip-hop and house as successfully as Vincent Williams, a.k.a. DJ Spinna. But until now his hip-hop career has been better documented. Here, for the first time, is a collection of the cream of Spinna’s house remixes, a collection likely to win a place in the homes of anyone who loves their house music with a deep and soulful twist. 

http://djspinna.com/  || twitter @djspinna || www.facebook.com/djspinna

Alison Crockett -Crossroads- (DJ Spinna Remix)

Buy / Stream: https://orcd.co/theshiningep2
On February 10th, 2006, the world of Hip Hop lost J Dilla aka Jay Dee.
James ‘J Dilla’ Yancey leaves behind an impression on Hip Hop that will last the test of time. A bridge between Hip Hop’s underground and mainstream, Dilla’s contributions ranged from single- handedly defining Detroit Hip Hop as a founding member of Slum Village to providing his production talents to Common, D’Angelo, Busta Rhymes, Erykah Badu, A Tribe Called Quest, The Pharcyde, The Roots, Janet Jackson and Macy Gray.

The Shining marked the reunion of J Dilla & BBE, who had released Welcome 2 Detroit, J Dilla’s debut album. The Shining serves as a showcase of J Dilla’s talents which features him not only as a producer, but also as a rapper, singer and musician. Featured guests on this album include Busta Rhymes, Common, Pharoahe Monch, D’Angelo, Madlib, Black Thought, Medaphor aka MED, and Guilty Simpson.
jdillafoundation.org/

The Shining

J Dilla - Won't Do

Buy on iTunes: geni.us/1f3R
On February 10th, 2006, the world of Hip Hop lost J Dilla aka Jay Dee.
James ‘J Dilla’ Yancey leaves behind an impression on Hip Hop that will last the test of time. A bridge between Hip Hop’s underground and mainstream, Dilla’s contributions ranged from single- handedly defining Detroit Hip Hop as a founding member of Slum Village to providing his production talents to Common, D’Angelo, Busta Rhymes, Erykah Badu, A Tribe Called Quest, The Pharcyde, The Roots, Janet Jackson and Macy Gray.

The Shining marked the reunion of J Dilla & BBE, who had released Welcome 2 Detroit, J Dilla’s debut album. The Shining serves as a showcase of J Dilla’s talents which features him not only as a producer, but also as a rapper, singer and musician. Featured guests on this album include Busta Rhymes, Common, Pharoahe Monch, D’Angelo, Madlib, Black Thought, Medaphor aka MED, and Guilty Simpson.
jdillafoundation.org/


The Shining Instrumental

So Far To Go

J Dilla - So Far to Go (Feat. Common & D'Angelo)

E=MC2

J Dilla - E=MC2 (Feat. Common)

Get it NOW via WhatPeoplePlay: http://bit.ly/1CNRQiC
Pre-order via iTunes: http://geni.us/1wCB

Sandy Barber's beautiful soul/disco classic remixed by the brilliant Opolopo!

I Think I'll Do Some Stepping (On My Own)

Sandy Barber - I Think I'll Do Some Stepping On My Own (Opolopo Rework)

Buy the album via iTunes: http://geni.us/20YearsHenryStreet
Incredible as it seems, this year marks twenty years since the launch of Johnny D’Mairo’s Henry Street Music label. To celebrate, BBE is marking the occasion with a sumptuous five- disc CD retrospective, a fitting tribute to one of the most important of all house labels. This is one of the most extensive grand summations yet done of a dance label.
Henry Street Music exemplified its era as much as Trax and Nu-Groove had theirs. Come the mid-‘90s, the disco cut-up became ubiquitous, as thousands tried to emulate the success of Henry Street’s first big killer, The Bucketheads’ Tha Bomb –still a dancefloor staple two decades on.
Many of the movers and shakers of the day had their best moments on Henry Street, and they’re all here: Johnnick, Armand Van Helden, DJ Duke, DJ Sneak, Dirty Harry, Davidson Ospina, Todd Terry, Mateo and Matos, Brutal Bill, Josh Wink, even the UK’s own Ashley Beedle, and many more –a veritable roll-call of the premiere-league of dance at the time, an era when dance music still seemed incredibly fertile and the link with its own past was still vital.
Some of the American originals can struggle to get props among the countless mutations of house out there vying for attention in today’s digitalized dance scene, but the real house-heads always knew to check them, and will recognize this as quality product, through and through.

Henry Street (named after Brooklyn homeboy Johnny’s neighbourhood) always had a ‘New York’ vibe, and even when drawing its producers from further afield, the label encapsulated the city’s melting-pot of talent and raw, bristling energy... energy captured here, and exploding off these remastered tracks like it’s 1999 all over again!

Alongside the massive dancefloor anthems from the likes of Kenny Dope and Armand Van Helden are some real gems that got away, some exclusive mixes, and the thoughts of Johnny D, one of the prime-movers of the New York dance scene even before he came up with his own label, responsible for countless hits as promotions man and as dance A&R at Atlantic. Never one for the limelight, Johnny’s own story is nonetheless inextricably bound up with the transition from disco through house to the ubiquity of dance music today.
So... dust off those dancing shoes, and get ready to feel the heat, it’s one more time for the Henry Street Hustle!


Kenny "Dope" presents The Bucketheads 2 - The Bomb! (These Sounds Fall Into My Mind)

Taken from the album: 'From The Archive compiled by Volcov'
Buy digital: https://BBEmusic.lnk.to/VolcovArchive
Vinyl available soon at: http://www.bbemusic.com
Producing under the moniker Isoul8, as well as teaming up with Domu under the Rima alias for the incredible jazz/fusion album 'This World', Volcov is a truly important player in the underground music scene. Remixing artists such as Frankie Valentine, Azymuth & Taylor McFerrin, running his two labels Archive and Neroli, as well as DJing all over the World has given Volcov a rare knowledge of soul, funk, disco and deep house music; knowledge which is very apparent throughout this album.
'From The Archive' comprises a lovingly chosen collection of obscure Funk, Disco & Boogie tracks, alongside three very special edits produced by the man himself. From Chez Damier's sun-drenched remix of The Urban Crew's 'Go' to Bembe Segue's emotional 'Sun On My Back' via Shuya Okino's disco epic 'Still In Love', this record takes the listener on a joyful journey deep into Volcov's musical mind.

...From The Archive compiled by Volcov

Shuya Okino feat. Navasha Daya - Still In Love

Taken from 'Kon & The Gang 12" Sampler' available now from the BBE store: https://www.bbemusic.com/downloads/kon-truccy-timeless-closer/

Introducing Kon‘s forthcoming compilation album ‘Kon & The Gang‘, we are delighted to present this 12″ sampler featuring two incredible cuts taken from the LP, as well as an exclusive remix from Kon

Opening track ‘Timeless’ could hardly be more aptly named. Sublime, smokey piano touches on the intro give way to an uplifting, languid disco track, jammed full of sunshine. Catchy vocal snippets, rock solid bass and guitar licks build up the groove beautifully alongside Kon‘s trademark staccato, squelchy synth chord stabs. On the flip-side Kon presents a remix of his own track ‘Timeless’. Highlighting piano loops and synth stabs from the original version, his rework moves the track seamlessly into Deep House territory, with smoothly rolling percussion and a hypnotic arrangement.

Truccy (better known as Compost’s Rainer Trüby and Corrado Bucci) close out proceedings with ‘Closer’, another sun-drenched groove with definite Balearic touches. Jazzy chords and touching vocals (performed by the duo themselves with assistance from Nicolas “Michael Ellis” Rogoll) lend the track a distinctly ‘live’ feel.

A delicious taste of what’s to come from ‘Kon & Gang<‘, this limited 12″ is surely going to be essential listening this summer.

Kon & The Gang 12" Sampler

Kon - Timeless

Taken From: BBE20 Anniversary Mix Series #1 by Chris Read
Buy / Stream: https://bbemusic.lnk.to/ChrisReadBBE20

Celebrating 20 years of Barely Breaking even, independent UK record label presents a series of exclusive DJ mixes to mark the occasion. Available in both mixed and unmixed formats, the series includes a stellar lineup of DJs, selecting their personal favourites and obscure gems from BBE's bounty of classic titles.

The first BBE20 mix in the series comes from highly respected UK DJ and mix-tape specialist Chris Read, the man behind BBC New Music Award winning electronica outfit Maylight and compiler of BBE's 2012 album 'Latin Concrete', which was featured as 'Album Of The Week' by the Independent newspaper. The first of two mixes produced by Chris in celebration of BBE's 20th birthday, the first installment guides the listener on a journey through some of BBE's sultry downtempo and hip hop cuts, steadily making its way toward warm soul and disco, expertly building up momentum over the course of 23 genre-hopping tracks in the mix's 65 minute run-time.

Julien Dyne feat. Parks - Falling Down

Buy / Stream: https://bbemusic.lnk.to/Yesking
Three years on from the release of Rhys Adams aka YesKing's 'Re-Record… Not Fade Away', we are delighted to live up to the album's title by presenting two previously unheard remixes of standout tracks 'Hardground' and 'Overproof'.
Featuring heart-stopping vocals by Mel Uye-Parker & Rioghnach Connolly, 'Hardground' was the album's lead single and it's easy to see why. Bittersweet, understated atmospheres call to mind vintage Massive Attack and Portishead, while Rhys's deft arrangement builds the track into a horn and drum-laden epic. Providing a vintage version in their own unique style, legends in their own bath-time Crazy P are first up on remix duties. Surely one of the best live acts on the planet right now, the UK outfit's rework is full of funky guitar licks, classic piano chords and live percussion, creating a disco-crossover anthem of sizeable proportions. Staying in the disco/house arena, engineer and producer O. De Lanzac turns in a silky-smooth version, with eerie chords underpinned by a rock-solid bassline, calling to mind the eclectic, soulful brilliance of her 2012 BBE debut ‘Uncut’. 
Displaying an affectionate tip-of-the-hat to 'Ghost Town' by The Specials, 'Overproof' is surely one of the best loved and most-played cuts on 'Re-Record… Not Fade Away'. DJ and edit maestro Sam Redmore raises the tempo a little whist somehow smoothing the track out at the same time, retaining the blissful dubbed-out vibe of the original version. Listen to Sam's subtle retouch of 'Overproof' and it's clear to see why the Birmingham native can count Craig Charles and Gilles Peterson among his ever-growing number of fans.

For Fans Of: Portishead, DJ Vadim, Mark Ronson, Nightmares On Wax, Prince Fatty.

YesKing - Hardground (Original)

Buy / Stream: https://bbemusic.lnk.to/Yesking
Three years on from the release of Rhys Adams aka YesKing's 'Re-Record… Not Fade Away', we are delighted to live up to the album's title by presenting two previously unheard remixes of standout tracks 'Hardground' and 'Overproof'.
Featuring heart-stopping vocals by Mel Uye-Parker & Rioghnach Connolly, 'Hardground' was the album's lead single and it's easy to see why. Bittersweet, understated atmospheres call to mind vintage Massive Attack and Portishead, while Rhys's deft arrangement builds the track into a horn and drum-laden epic. Providing a vintage version in their own unique style, legends in their own bath-time Crazy P are first up on remix duties. Surely one of the best live acts on the planet right now, the UK outfit's rework is full of funky guitar licks, classic piano chords and live percussion, creating a disco-crossover anthem of sizeable proportions. Staying in the disco/house arena, engineer and producer O. De Lanzac turns in a silky-smooth version, with eerie chords underpinned by a rock-solid bassline, calling to mind the eclectic, soulful brilliance of her 2012 BBE debut ‘Uncut’. 
Displaying an affectionate tip-of-the-hat to 'Ghost Town' by The Specials, 'Overproof' is surely one of the best loved and most-played cuts on 'Re-Record… Not Fade Away'. DJ and edit maestro Sam Redmore raises the tempo a little whist somehow smoothing the track out at the same time, retaining the blissful dubbed-out vibe of the original version. Listen to Sam's subtle retouch of 'Overproof' and it's clear to see why the Birmingham native can count Craig Charles and Gilles Peterson among his ever-growing number of fans.

Re-Record... Not Fade Away

Yesking - Hardground (Crazy P Remix)

Taken from 'BBE20 Anniversay Mix Series #6 by Richard Earnshaw', available here: https://bbemusic.lnk.to/RichardEarnshaw

Soulful house maestro and one half of chart-topping outfit Spiritchaser, Richard Earnshaw delivers the 6th instalment of our anniversary mix series. Delving deep into BBE's back catalogue, Richard selects vintage cuts from label mainstays Masters At Work, DJ Spinna and Kon, as well as spotlighting lesser known titles from Vaitea & Ghostchant. Far from a 'straight-up' House mix, Earnshaw explores a variety of flavours and tempos, glued together with that vital, highly distinctive musical touch with which he's made his name.

About the BBE20 Mix Series:
Currently celebrating 20 years of Barely Breaking Even, independent UK record label BBE announces a series of DJ mixes to mark the occasion. Available in both mixed and unmixed formats, this series features a stellar lineup of DJs selecting their personal favourites and obscure gems from BBE's bounty of classic titles.

DJ Spinna feat. Shaun Escoffery - Music In Me (Come Alive)

Taken from 'The Men In The Glass Booth'; a new compilation charting the history of the first DJs to enter the recording studio during disco's heyday. Buy or stream the album here: https://BBEmusic.lnk.to/MITGB

In May 1976 a record was released that would have an unforeseen and lasting impact on the music industry “Ten Percent” by Double Exposure was an early release on the New York independent label Salsoul Records. America was in the grip of a disco explosion with new clubs opening on a weekly basis; Salsoul saw what was happening and swiftly created a sound for their label, heavily influenced by the music then coming out of Philadelphia, aimed directly at New York’s dance-floors. Records like “Salsoul Hustle,” “Tangerine” and “You’re Just The Right Size” by The Salsoul Orchestra borrowed heavily from the beautifully orchestrated Philadelphia International records but added a more percussive, bass heavy depth that New York’s DJs loved.
So what was so special about this particular single then? Double Exposure was, after all, just another band, “Ten Percent” just another song; one of many “disco” records released that week. First of all Salsoul became the first record label to make a twelve inch single available to Joe Public - the exotic format was previously only available to DJs as promotional items or bought under the counter at certain record stores. Not only that though, the extended version was created by Walter Gibbons, a DJ at New York’s Galaxy 21 who’d built his reputation making exclusive versions of tracks to play in his sets.
In 1976 it was unheard of for a DJ to set foot in a recording studio, being seen as little more than living jukeboxes by the serious music industry. Recording studios were strictly the domain of recording artists and producers so Walter found himself in a unique position, gaining access to a world no DJ had been granted before.
Or so we thought...

The Men In The Glass Booth

Skip Mahoney - Janice (Don't Be So Blind To Love) (Bobby DJ Guttadaro Remix)

Buy / Stream the single: https://bbemusic.lnk.to/SeizeTheDay
Announcing forthcoming album ‘Bring Out The Sound’, their first in five years, legendary live hip hop outfit The Herbaliser present single ’Seize The Day’ featuring London vocalist Just Jack.

Haunting orchestral and cinematic atmospheres underpin Just Jack’s distinctive Camden twang, which makes way for uplifting trumpets and strings (arranged by Ninja Tune legend Chris Bowden) worthy of a Bond theme as the track builds and builds.

Best known for his 2007 anti-pop anthem ‘Starz In Their Eyes’ which reached number 2 in the UK charts, London vocalist Just Jack has issued 3 well received studio albums, last year releasing ‘Life Lessons’, his first new material in over seven years.

Issued on independent label BBE, home to many a musical trailblazer, perhaps most notably J Dilla, ’Bring Out The Sound’ is scheduled for release in February 2018. Jam-packed with that trademark, horn-laden Herbaliser goodness, the album is further bolstered by standout vocals from Rodney P, Stac & Mark Keds.

Seize The Day

The Herbaliser - Seize The Day feat. Just Jack

Buy on 7" vinyl or digital formats: https://bbemusic.lnk.to/BrighterDays

BBE are excited to present the first in a new series of strictly limited 7” pressings exploring some of the most iconic House tracks of all time, as chosen by DJ Spinna and Kai Alce. With global interest in ‘45s on the rise, ‘Foundations’ aims to fill those frustrating gaps in all our collections by releasing specially crafted edits of classic house tracks on 7” vinyl for the very first time.

Part one of the ‘Foundations’ series celebrates Chicago producer Cajmere’s early masterpiece ‘Brighter Days’ featuring Dajae. Best known in recent years by his ‘Green Velvet’ moniker, Curtis Jones has been blazing a trail through House and Techno since launching his Cajual imprint back in ’91. Reaching #2 on Billboard’s dance chart in 1992, ‘Brighter Days’ was Cajmere’s breakthrough hit and continues to educate and inspire producers, DJs and dancers to this day.

With artwork lovingly adapted from the original 12”, the record’s ‘North Side’ features a deft Kai Alce edit of the monstrous 10 minute Masters At Work ‘Brighter Days’ remix. Introducing those distinctive skipping, syncopated rhythms later adopted by UK Garage pioneers, Louie’s MAW mix has lost none of its dance-floor impact over the last 25 years. Lurking on the ‘South Side’ you can find the raw, potent ‘Underground Goodies Mix’, a production credited by Rashad and other pioneers as the catalyst for Chicago’s ‘footwork’ movement.

Cajmere feat. Dajae - Brighter Days - Masters At Work Mix (Kai Alce's Edit)

Cajmere feat. Dajae - Brighter Days (Underground Goodies Mix)

Perception Productions, a New York based label that ran from the late 60s through until 1974, was a strangely eclectic affair. Its roster stretched from a radical Afro-American poet through to the pop band King Harvest whose hit ‘Dancing In The Moonlight’ became a massive hit for the UK band Toploader a couple of decades later. The inbetween points covered jazz, funk, vocal harmony soul and proto-disco. In fact distilled down into this compilation the label provides us a view of Manhattan’s black music scene of the period, from the established greats to the fresh young things who would make their mark in the coming years. The two men who ran the label, President Terry Phillips and Boo Frazier burned brightly for that half a decade before almost entirely disappearing from the music scene.

Matrix - Dizzie Gillespie

You And I - Black Ivory

Order the 7" vinyl: http://www.bbemusic.com/downloads/dj-spinna-kai-alce-present-foundations-part-3-chip-e-like-this/
The third volume in Kai Alce and DJ Spinna ’s ‘Foundations’ 7” vinyl series traces the roots of House music back to 1985, with Chip-E and K-Joy’s DJ International classic ‘Like This’.

Appearing on a ’45 for the very first time, ‘Like This’ exemplifies the early Chicago House sound that Chip-E pioneered during the early 80’s. Featuring raw, distinctive vocals from K-Joy, the track also stars a young Frankie Knuckles speaking the track’s title, in possibly his first ever studio session (it would be two years before Chip-E would bring him back into the studio to have a go at making a record of his own, but that’s another story).

BBE Music’s 7” reissue features an exclusive edit of the original extended 12” version of ‘Like This’, a cut which still simply can’t fail to move a dance-floor or bring a big smile to the face of any respectable house-head, more than three decades on from its creation. On the flip side, Kai and Spinna selected the ‘DDDub’ mix, a percussive and rugged, stripped down workout, which has stood the test of time brilliantly.

About The Series:
BBE Music is excited to present ‘Foundations’, a series of strictly limited 7” pressings exploring some of the most iconic House tracks of all time, as chosen by DJ Spinna and Kai Alce. With global interest in ‘45s on the rise, ‘Foundations’ aims to fill those frustrating gaps in all our collections by releasing specially crafted edits of classic house tracks on 7” vinyl for the very first time.

Chip E feat. K-Joy – Like This (House Mix)

Available now on vinyl /  CD / digital: https://bbemusic.lnk.to/FromtheArchive2
Neroli record founder Volcov returns with the second volume of compilation series ‘From The Archive’ on BBE Music.
It’s been a busy two years for Enrico Crivellaro (Volcov) since the release of ‘From The Archive Vol. 1’. His Neroli label has seen stellar releases from Dego (2000 Black), Lars Bartkuhn, Trinidadian Deep and Alton Miller among others, leading to a hectic schedule of DJ sets across the globe.
In ‘From The Archive Vol. 2’, Volcov’s musical roots are once again evident in a jazzy collection of hidden gems spanning genres and continents. As Volcov puts it: “the spirit and the sound of this album follows the first volume: choosing more songs that i thought were overlooked and deserved more attention. This time, with such a crowded marketplace for reissues and compilation of 70s-80s music, I decided only to focus on songs from the last 10-15 years.”
‘From The Archive Vol. 2’ features several tracks never before released on vinyl, including ‘Afterlife Vol.2’ by ‘Black Renaissance’ composer and Roy Ayers collaborator Harry Whitaker and Ron Trent’s homage to French violin genius Jean-Luc Ponty, ‘Ori Space’. Taking in intimate downtempo soul, extraterrestrial jazz sounds and straight up club music, ‘From The Archive Vol. 2’ paints a vibrant and eclectic musical picture, autographed with a couple of signature edits by Volcov himself.

Quentin Kane & Simon Sheldon feat. TK Blue – The Blue Room (Kaidi Tatham’s Shokazuku Remix)

Stream / Download the remixes: https://bbemusic.lnk.to/HolidayBenRau
Berlin native and Inkal founder, Ben Rau delivers two brand new mixes of the Roy Ayers classic ‘Holiday’.
Titled after his record label ‘Inkal‘, Ben’s first pass of ‘Holiday’ makes use of the original’s distinctive piano motifs over a bouncy and urgent big-room house groove; surely destined to become a summer essential for house DJs all over the globe.
Taking its name from his brand new imprint, the ‘Meta’ mix goes deeper, with afro-tinged percussion and rolling, techno-inspired drums leading the way toward an original organ solo over warm bass and hypnotic chords.
Recorded in the late 70’s, unearthed by BBE and issued on the second volume of unreleased Virgin Ubiquity recordings, ‘Holiday’ is a languid, sun-drenched jazz- funk classic; vintage Roy Ayers. The track was previously reworked in 2005 by Kenny Dope and DJ Spinna to global acclaim.

Release date: September 21st 2018

Roy Ayers - Holiday (Ben Rau Meta Remix)

Available on 7" vinyl / digital: https://orcd.co/rockwitu

7” vinyl imprint Alim Music revisits Osunlade’s distinctive versions of Jazzy Jeff’s classic cut ‘Rock Wit U feat. Erro’, with special ’45 edits of both the ‘Yoruba Soul Mix’ and ‘Yoruba Soul Dub’ created specially by Osunlade himself.

Appearing on Jazzy Jeff’s 2002 BBE debut album ‘The Magnificent’, ‘Rock Wit U’ started life as a smooth and soulful R&B cut, featuring sultry vocals from Erro (Eric Roberson). Back in 2001, production hero Osunlade remixed the track, taking this slow jam into dancefloor territory, where it became an underground hit, championed by the likes of Joe Claussell and Masters at Work.

Jazzy Jeff feat. Erro - Rock Wit U (Osunlade Yoruba Soul Dub)

Production heavyweight Rhys Adams returns with his second LP under the ‘YesKing’ moniker and his debut for the BBE label. Produced entirely by Adams, ‘Re-Record Not Fade Away’, marks a coming of age for the seasoned studio head and a sonic departure from the outfit’s 2008 debut ‘Rock This World’ (co-produced by Mark Rae of Rae & Christian fame). 

Borrowing it’s name from the strap line appearing in Scotch Video Tape’s 1980s TV adverts, ‘Re-Record Not Fade Away’ is both a metaphorical reference to the longevity of music produced with passion and a literal reference to Adams’ studio techniques - in particular his preference for recording live to a 1960s 1/4 inch ferrograph tape machine, a process which Adams describes as ‘integral’ to the album’s sound providing a ‘unique and authentic’ feel with a firm nod to the Dub and Reggae traditions which permeate the album. 

Featured artists provide a wealth of variety to the album’s underlying themes: Guitarist for The Soothsayers and Jerry Dammers’ Spatial aka Orchestra, Patrick Hatchett plays on much of the album also co-writing several tracks becoming, in Adams’ words, ‘central to the Yesking sound’. Togo born singer Kodjovi Kush adds afrobeat flavour to ‘One More Time’ with a vocal performance which displays his musical journey to East London via Ghana, Israel and ‘90s Central London cultural hotspot, the Africa Centre. ‘Rock This World’ collaborators make a welcome return in the form of Kenny Knotts, a UK dancehall vocalist with a string of top ten hits to his name and rapper Mystro, a seasoned veteran with a list of collaborations under his belt that reads like a who’s who of the UK scene. Representing the new generation of UK dancehall artists is Toddla T and Sticky collaborator Lady Chann providing unique sound system swag on ‘Secret King’. Decca signing Annie Bea adds a sweet summer feel to ‘Just Like Me’ and new voices Mel Uye Parker, Rioghnach Connolly offer accomplished vocals to lead single ‘Hardground’, a track which Adams is happy to describe as one of his proudest productions.  All in all a rich mix thrown in to the sonic melting pot via that all important tape machine mixdown! 

[The very tape machine to which the album owes so much is central to the album’s cover art produced by Adams together with artist Paul Curtis.]

 


Re-Record Not Fade Away - Instrumentals

Devil Inside

Yesking Devil Inside

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Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

Popular tracks by BBE Music