Carl Moore, is what we call a true definition of a working musician. A person who’s continuing to have an expansive career spanning over 4 decades. From the late 70s being part of funk group ‘Split Decision Band’ through to the early 80s and working in Japan. Aswad and Carl discuss the makings of his elusive limited EP ‘Chance’ released in 1984, and celebrating the music 40 years later as see the reissue of ‘Carter Lake’ and It ‘Must Be The Beat’ via Sam Don's new record label adventure — Sweet Free Association.

Carl Moore

Introducing "The Architecture of Oppression Part 2" - the highly anticipated follow-up to Jake Ferguson's critically acclaimed debut album - Part 1. Ferguson is recognised as the ‘other half’ of The Heliocentrics, producing his solo work under the moniker, The Brkn Record. Effortlessly merging the realms of music and activism, he has created a groundbreaking album, which is set to be one of the most important bodies of work that illustrate ongoing systemic racism this side of the millennium.

Ferguson takes the listener to a world where artistry and social consciousness intersect. Crafting an array of captivating soundscapes and themes. This album showcases the vocal talents of both established artists and hidden gems discovered through Ferguson's day-job as a former charity CEO and community activist.

While Part 1 served as a rallying cry to dismantle oppressive systems, Part 2 offers a compelling soundtrack of a Pro-Black world reclaiming its destiny. This thought-provoking art piece invites listeners to envision alternative paths while avoiding the pitfalls of past paradigms.

Unlike a broken record, this The Brkn Record album keeps pushing boundaries—

By enlisting the voices of The Global Majority, The Brkn Record creates a platform for genuine expression through sound. Renowned for his production skills, Ferguson has captured the admiration of industry heavyweights including Nas, Madlib and Kanye West. However, rather than seeking popular features, he chooses to amplify the authentic perspectives of the talented youth he collaborates with in Hackney.
One such initiative supported by Ferguson, Account Hackney, introduced him to two gifted artists showcased on this album – Great Okosun and Yolanda Lear.

‘This album serves as a visceral demonstration of my anger at the racially founded status quo in this country and globally. The continued oppression of people on the basis of their race is beyond evil, it's common place and needs to end. Simple as.’
The album also sees Ferguson joining forces with award winning laureate Anthony Joseph and legendary hip-hop MC Percee P - their dynamic and thought-provoking lyrics seamlessly intertwine with expertly produced musical landscapes.

"The Architecture of Oppression Part 2" is not just an album; it is a transformative journey that challenges the listener and wants you to ‘feel’. It’s Art. A musical experience that inspires, compels, and empowers. Over to you!

Format: 2LP / Digital
Release Date: May 31st, 2024

The Brkn Record - Why Do They Fear Us (featuring Yolanda Lear) [BBE Music]

https://hanlitzgroup.bandcamp.com/album/the-universe-is-magic-feat-kid-sublime

Han Litz ft. Kid Sublime - 'Flute Passion'

lullaby

Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit. 

A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra. 
 
Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘UP’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’. 
 
Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps.
 
Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle.  
 
Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label. 
 
Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.

Transmission Towers - Affirmation Of Love

Download/Stream - fanlink.to/FusionMovesKTI
Subscribe - @reelpeoplemusic

Reel People Music breathes new life into its gleaming vault of back catalogue classics with brand new series Fusion Moves. The series will offer talented music-makers the opportunity to remix and reinterpret label releases of their choosing, kicking off with soulful progressive Kaidi Tatham in the hot seat.

Tatham’s modus operandi is clear from the get-go. Opening selection Sebb Junior feat. Paula’s All Of My Life flows dreamily upon that trademark Tatham mix of organic beats, polished horns and immersive keys. As Paula rightly sings, “the beautiful can happen.” And keep happening…. Reel People feat. Mica Paris’ reworked I Want To Thank You gains elegant funk and boogie bounce, a bubblin b-line and those upweighted backing vocals adding new urgency and depth, whilst some extended bass-end manoeuvrings on the collective’s 2020 hit Save a Lil Love provide a hugely effective counterpoint to Eric Roberson’s super-smooth vocals.

Tatham switches things up for his re-take of The Realm x Atjazz x Kelli Sae’s deep afro-house burner On The Road, adding wonderfully carefree jazz-funk flow ‘n’ feeling replete with sweet synth solos and guitar licks. The snappy syncopated rhythms propelling Daz-I-Kue feat. Hadiya George’s Pedigree and Monkey Brothers feat. Sean Escoffery’s stunning Losin’ My Head align to the rich broken beat heritage for which most admirers associate him but, true to form, he continues to glide compellingly between mood and moves….

From the loose bass-guitar groove of Eric Ericksson & Reel People feat. Debra Debs’ Don’t Hold Back On Love and sultry strut and swagger of AAries’ Don’t Give It Up to Sebb Junior feat. Muhsinah’s infectiously jammin’ Special – lovingly framed by nimble jazz-piano play – and the liberatingly upbeat dressing applied to Tony Momrelle’s seminal Fly, Tatham’s sonic upholstery right across Fusion Moves is as skilful as it is impactful. One expert body of work built upon another.

“I know Reel People Music’s discography so well that I had a pretty immediate sense of the tracks I wanted to work with once they gave me the keys to their kingdom,” Tatham explains. “For each song I closed my eyes, imagined playing them live on stage and let the chords and musicality fire from there. My sound incorporates so many different styles, from hip-hop and broken beat to soul and disco. It’s a perfect fit for Fusion Moves. The Reel People team share my mission statement to make people dance, smile and think.”

Based in Belfast, Kaidi Tatham is the multi-instrumentalist, producer and DJ who helped to define West London’s iconic broken beat sound during the late Nineties but who has continued to operate beyond genres and pigeonholes – be that via albums including In Search Of Hope, Bandana and Don’t Rush The Process, his dance music-focused pseudonym Agent K and a raft of collaborations including those with Bugz In The Attic, 4Hero, Amp Fiddler, Amy Winehouse and Slum Village.

Reel People Music is a label borne out of the soulful success of acclaimed collective Reel People but representing so much more. Launched in late 2009, the imprint has built a fiercely loyal international fanbase through its passion for artist development, musicianship, song-craft and soulful groove. Label alumni include Tony Momrelle, Portia Monique, The Layabouts, Kelli Sae, Sebb Junior, Opolopo, Angela Johnson, Emmaculate and Mothers Favorite Child.

Expect to hear further Fusion Moves in the coming months. Fresh twists on quality songs and sounds. Always with soulful authenticity at the heart.

Fusion Moves (The Instrumentals)

Special (Kaidi Tatham Instrumental Remix)

Stream/Download

Sebb Junior feat. Muhsinah – Special (Kaidi Tatham Instrumental Remix)

The magic of sounds and musical inspiration merge in one stream, creating the unique atmosphere of Tree Threes. His new three-track release "More Progress EP" on the Rewind LTD label is a skillful combination of languid and deep variations of Deep House and Broken Beat. Every note and every beat is imbued with the talent of the performer, who flawlessly transports us into a world of musical splendor. Tree Threes is not just an artist, he is a master who can combine the influences of house and broken beat into one whole, creating exceptional soundscapes that make hearts beat to the beat of his melodies.

@treethreesmusic
@rewindltd

Tree Threes - Change With Me (Rewind Ltd)

Two hours of sharing music and talks by Music Is My Sanctuary's Lexis and his guest of the month, Montreal mainstay and community worker Scott Clyke. 

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com 

Outsiders: Lexis (Music is My Sanctuary) w/ Scott C @ Kiosk Radio 15.05.2024

Set to ignite dance floors and elevate spirits worldwide: "Umoja (Joaquin's Sacred Rhythm Dub)" is New York City house music royalty Joaquin Joe Claussell’s rework of the title track from Italian jazz maestro Nicola Conte’s latest album Umoja.

Claussell’s trademark brand of deep, afrofuturist house combines with the spiritual jazz dance magic of Conte’s original for an extended mix of ecstatic club music, teasing the wider release of Nicola Conte - Umoja (Joaquin Joe Claussell’s Sacred Rhythm Music & Cosmic Arts Dubs): 10 tracks of comprehensive rearrangements - featuring additional percussion, guitars, keyboards, synthesizers and drum programming - whereby Claussell excavates the source music, re-recording many of its parts under the auspices of his Sacred Music & Cosmic Arts banner.

Claussell's collaboration with Nicola Conte and Far Out Recordings helps mark the label’s 30th anniversary, as Claussell joins fellow producers such as Theo Parrish, Ron Trent, Kenny Dope and 4hero in remixing music from the label’s catalogue.

Nicola Conte - Umoja (Joaquin Joe Claussell Sacred Rhythm Music & Cosmic Arts Remixes) releases on double vinyl LP, CD and digitally on 28th June 2024 on Far Out Recordings.

Umoja (Joaquin Joe Claussell Sacred Rhythm Music & Cosmic Arts Remixes)

Nicola Conte - Umoja (Joaquin's Sacred Rhythm Dub)

Suncut w/ Cut Chemist, Quantic & Everything is Everything - 25th July 2016

An exciting release from talented upcoming DJ and producer and one of our favourite people on the UK scene, Echo Juliet.

Following last month's ‘Eating The Rich (Gold Panda Remix)’ release, on May 23rd Echo Juliet is set to release another reworked version of one of the tracks from her Abandon Reality EP. This time, Echo Juliet has teamed up with Midlands-based poet Growing Nai to revamp her track ‘We Move’. The single’s b-side is a remix of ‘Red Sun’ by London-based Chinese DJ and producer Stella Z.

Growing Nai was born out of Nai’s need to ‘grow’ her circumstances after being left a single mother with complex PTSD following an incredibly abusive relationship. Nai’s poem, ‘Alone’, which she performed on top of Echo Juliet’s ‘We Move’, speaks of her experience of loneliness, and using that loneliness to grow stronger. 

Echo Juliet tells us, "Nai and I were introduced by the brilliant Alex Carr of Amplify Sounds, who asked us to collaborate for Birmingham Festival 23. We had never met before, had no rehearsal and were just thrown together on-stage but it was amazing! I loved Nai’s energy so it has been great to capture it in this collaboration. I love how the message of her poem ‘Alone’ adds a new layer of meaning to ‘We Move'". 

At the end of 2023, Echo Juliet released Abandon Reality, her debut mini-album, via her own label Invisible IDs. The release saw fans and critics drawing comparisons to electronic luminaries like Floating points, Four Tet, Bonobo and Gold Panda, and earned the project early support from tastemakers and DJs including the BBC’s Tom Ravenscroft, Steve Lamacq, Deb Grant, Cerys Matthews and Elizabeth Alker.

Exclusive Premiere: Echo Juliet "We Move (Alone)" Feat. Growing Nai [Invisible IDs]

Join the BBE Mailing List: http://eepurl.com/yfBFX

Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

The Brkn Record - Why Do They Fear Us (featuring Yolanda Lear) [BBE Music]

BBE Music

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