In Between Revisited: Jazzanova Live

Days to Come (Little Big Beat Studio Live Session)

Artist ➤ Balaphonic
Title ➤ Oxum feat. Ocean Waves Brasil
Label ➤ NuNorthern Soul

Release Date ➤ 2025-04-25

💬 Read more: https://www.deepershades.net/premieres/premiere-balaphonic-oxum-feat-ocean-waves-brasil-nunorthern-soul.html

📥 Get the track:
https://www.juno.co.uk/products/balaphonic-resolution-revolutions-vinyl/1081657-01/?msockid=3edbb24aa24c61411fc1a1caa31c6084

👉 Follow the artists:
➤ https://balaphonic.bandcamp.com/
➤ https://oceanwavesbrasil.bandcamp.com/
 



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PREMIERE: Balaphonic "Oxum feat. Ocean Waves Brasil" [NuNorthern Soul]

Dances Of The Red Planet (A Vision Of Panorama Remix)

Dances Of The Red Planet (A Vision of Panorama Remix)

Fatback Band - Chillin' Out (Kon_s Cool Out Remix)

Putting a fresh spin on two tracks from New Regency Orchestra’s standout debut album, Momoko Gill and Samtheman, step up to the plate on remix duties. Two exciting and innovative names rising out of London’s next generation of artists they’ve reimagined NRO’s Afro-Cuban jazz vibrancy in their own personal and distinctive way. Blurring the lines between remix and new production, Momoko turns ‘Para Los Papines’ into a meditative, transportive, percussive cut laced with her ethereal vocals, as Sam flips ‘Sambaroco’ into an Afro house styled groover with Caique and P Wavey on the mic.

London-based drummer/producer/songwriter and vocalist, Momoko Gill, provides the first of the remixes. With an explorative ear and a rejection for imitation, her unique style has seen her collaborating with artists including Matthew Herbert, Coby Sey, Tirzah and Alabaster DePlume. Nourished by elements of NRO’s take on David Amram’s ‘Para Los Papines’, Momoko’s clever sampling of the bass, percussion and horns melds this track into a new dimension. Drawing from a Buddhist myth, her lyrics and intimate voice provide a celestial, mythological touch to the remix.

Talking on the remix Momoko says: “I wanted to make something that feels more like a recontextualization of the original and a continuation of the conversation. Unlike the original which sounds looser and starts with the more jazzy orchestration, NRO’s version kicks straight into the vamp and has a more linear structure, where the orchestrated bits serve as a release of tension as well as a destination. I enhanced that by making a new line through sampling the double bass which, in retrospect, sounds almost like a line you’d hear in grime and used vocal sampling to drive the groove.”

Next up, Samtheman, co-founder of the label/collective Brighter Days Family, takes on ‘Sambaroco’. Sam’s genre-bending productions are both inspired by, and experimenting with, sounds from around the globe. Reworking the groove into an Afro house rhythm, Sam invites two emerging young artists with ties to Brighter Days Family, Caique and P Wavey, to take to the mic and add a new, vocal-led flavour to the remix. 

Sam mentions, “Together in the studio, we listened to the original version by Tito Puente, Caique came up with a phrase inspired by the name of the tune. “Ela me faz samba roco, Ela me faz samba loco…” Then the rest of the vocal parts started flowing. Continuing to use the name of the original for inspiration, P Wavey begins his verse with, “Sambaroco-ni, now everybody just follow me…” In my mind, the original is a salsa song that is about carnival, or a salsa interpretation of carnival, in particular Brazilian carnival hence the title of the song.”

More than just reworks, these tracks are conversations, between continents, cultures, and genres, through the forward-thinking lens of two of London’s rising stars.


New Regency Orchestra - Sambaroco (Samtheman Dub Mix Ft. Caique & P Wavey)

Kicking off a new edit series on É Soul Cultura, head honcho Luke Una hands over the keys to three secret weapon edits of transcendental dancefloor tackle. Having spent a lifetime getting his hands dirty digging in crates, Luke’s collection of off-the-beaten-track gems is second to none. For this three-track É Soul edit release, Luke delivers a one-way ticket to the outer reaches of the universe soaking up sounds from Trinidad, the UK and Cameroon along the way. Strap in for a triple threat of signature Luke Una edits reworking Ella Andall, Slick Mission and Manu Dibango for the modern dancefloor.

Up first, Luke twists and tweaks the Caribbean radiance of Ella Andall ‘My Spirit Is Music’, enriching this high-energy heater. Speaking about the track he said, “It’s a remarkable, ‘90s, swerve ball, machine soul, afrobeat groove from Trinidad. Incredibly rare, but most importantly it’s a wonderful fusion of drum machine and this almost carnival-like feel to this afrobeat rhythm that just turns it into the outer cosmos.”

Following that, Luke gets suitably cosmic on the dub dials with his 5am Shabeen Proto House Edit of Slick Mission ‘Times Up’. Produced by Jerry Pike of Atmosfear / Elite Records fame, Luke recounts, “This is a very much missed slice of UK house pressure which has its foot firmly in a proto-house feel. Very DIY, rough and raw – it’s an absolute gem. This is one that has definitely escaped most eyes.”

Last but not least, it’s a stop in Cameroon shining a light on the legendary Manu Dibango and his cover of ‘Jingo’ featuring King Sunny Adé. “Their version of ‘Jingo’ takes the original classic into a whole new level of outer space, afro brilliance. It’s such a beautiful cover and really turns the track into something else. The musicianship and vibes just scream out. Oddly no one really seems to know it.”

Three certified winners from Luke’s underground arsenal, reworked, refined and ready to be deployed on any dancefloor when the feeling hits.

Ella Andall – My Spirit Is Music (Luke Una's Machine Soul Tops Off Edit)

DC Promo Tracks #1638: "War of the Hearts" by John Beltran presents Sol Set is part of the release "Love Revolution" on All Good Music  

Buy Now: https://www.juno.co.uk/products/john-beltran-presents-sol-set-love-revolution-ep-vinyl/1087440-01/?ref=dc 

‘War of the Hearts’ comes next, with this number being a creative reimagining of the Sade penned and performed classic. Key motifs are reflected and morphed from the original, with less of a focus on electronic instrumentation and more attention paid to guitar work. The vocal work here, once again delivered by Taylor Taylor and supported by Beltran, are something to be admired, with the interplay of melodic elements pulled off to a T.

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DC Promo Tracks: John Beltran presents Sol Set "War of the Hearts"

With two critically acclaimed compilations already under his belt, DJ / collector miche returns to Mr Bongo with the third instalment of his With Love series. Testament to his ever-expanding taste, Volume 3 casts the net deeper and wider than before. The first single from the compilation comes courtesy of John Simmons with his feel-good modern soul anthem, ‘Ain’t Nothing Like The Love’.

A sought-after 1981 rarity, this nugget of modern soul stepper gold, was the only release on Michigan’s Sabrina Records. Originally written by Simmons, Phillip Ballou and David Nathan in 1978, the song was supposed to be part of Ballou’s a proposed solo record deal that never materialised. Simmons, who was a member of The Reflections and later went on to become musical director for Stephanie Mills and Whitney Houston, then recorded his own version for the tiny independent label Sabrina in ’81.  

Subsequent versions of the song by Philip Ballou and David Nathan have been released digitally; Simmons’ original recording is making its debut appearance with this compilation. It’s a deep cut dripping in early boogie, synthesised swagger, gospel-tinged soul vocals and a heavy dose of uplifting energy.

As miche mentions, “This is pure hands-in-the-air business that’s guaranteed to make the dancefloor smile. I’ve adored this track ever since Zaf Love Vinyl played it about 6 or 7 years ago. Big love to Russell Paine for helping me get this one over the line.”

With original’s trading hands for £1000+, this remastered reissue as part of With Love 3 will be a welcome sight to many.


Ain't Nothing Like the Love

Nun Trovo Cchiù

Nun Trovo Cchiù (Radio Mix)

Artist ➤ BNinjas
Title ➤ Emulate Me
Label ➤ Dealt With Records

Release Date ➤ 2025-06-13

💬 Read more: 

📥 Get the track:
https://www.traxsource.com/title/2520734/girl-jus-pull-up

👉 Follow the artists:
➤ https://soundcloud.com/bninjas-bninjas
➤ https://www.instagram.com/bninjas1/


👉 Follow the label:
➤ https://soundcloud.com/dealtwithrecords
➤ https://linktr.ee/dealtwithrecords
➤ https://dealtwithrecords.bandcamp.com/

A moody blend of jazz club nostalgia and leftfield electronica - dusty double bass, flickering piano keys, and a hypnotic vocal chant swirl into bubbling synths that push the vibe somewhere entirely unexpected.

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PREMIERE: BNinjas 'Emulate Me' [Dealt With Records]

Available on vinyl, CD and digital formats: https://bbemusic.lnk.to/Tachibana
The desire to discover and delve into new and unexplored areas of music has turned attention on the Japanese jazz scene of the 1970s, often regarded as its gilded age. The recent ground-breaking sell-out BBE compilation J Jazz: Deep Modern Jazz from Japan 1969-1984 threw much needed light on this fascinating era and presented a range of artists and music that surprised and delighted all who heard it. A key track on the compilation was one of the rarest and least known: Dead Letter by the Tohru Aizawa Quartet, taken from ‘Tachibana’, an album so elusive that some pondered whether it even existed.

The album, Tachibana, was recorded in 1975 and, until included on the J Jazz compilation, was unknown except to a small group of obsessive Japanese jazz collectors.  The privately pressed record was the only album made by the Quartet, four amateur musicians who were university students at the time. The session was financed by a local businessman, Ikujiroh Tachibana, who pressed up a few hundred copies to use as a business card. In the intervening 40 odd years since its recording, few copies have surfaced, making it an in-demand yet elusive artefact from the golden age of Japanese jazz. BBE Records are honoured to present a fully authorised reissue of this holy grail, licensed directly from the band themselves.

Tachibana has all the necessary components of a cult album: pressed in small numbers, a few mysterious and vague details about its origins, languishing in obscurity for decades and, above all, superb musical craftsmanship and skill. It can now be enjoyed by a new audience around the world.
The album opens with the dynamic percussion work-out Philosopher’s Stone written by the then law-student and drummer Tetsuya Morimura. It propels along with the band at full pelt, showcasing Morimura’s well-developed drumming style. For a teenage amateur player to compose and perform such an accomplished and impressive piece is a testament to the talent that the band contained. Philosopher’s Stone is followed by Sacrament, an epic modal composition by saxophonist Kyoichiro Morimura that fans of Wayne Shorter, Pharoah Sanders and late-era John Coltrane will appreciate. After an extended intro the band drop into a heavy, churning groove, Morimura’s saxophone scorching above the volcanic rhythm section.
Dead Letter, written by Aizawa himself, is an epic piano led symphony of spiritual jazz. Think McCoy Tyner at his imperial finest and you’ll get a flavour: impact, emotion and power all suffuse to create a overwhelming experience. Amazingly, this is still the only Aizawa composition yet to be recorded.
The Tachibana album also includes two cover versions, both Latin flavoured numbers delivered with élan and brio: La Fiesta by Chick Corea and the classic Samba de Orfeu by Luiz Bonfá.

So, just five tracks in total, the sole existing evidence of an astonishing band, the Tohru Aizawa Quartet.

The long-awaited reissue of this mythic album will include new liner notes and photos, plus fully translated notes from the original Japanese text. The album will be presented in an authentic thick card gatefold sleeve in a faithful reproduction of the original sleeve design.

Tohru Aizawa Quartet - Philosopher's Stone

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Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

Tohru Aizawa Quartet - Philosopher's Stone

BBE Music

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