Release: 31.07.2024

Mastering: Charles Accarisi
Artwork: Philip Rudel

Catalogue: SELECTED020
Artist Social Media:
Bandcamp:
https://blamethemono.bandcamp.com/
https://azancaro.bandcamp.com/
Instagram:
https://www.instagram.com/blamethemono/
https://www.instagram.com/azancaro/
Soundcloud:
https://soundcloud.com/blame-the-mono
https://soundcloud.com/azancaro
Spotify:
https://open.spotify.com/intl-de/artist/22HdnwskoQ7Htj3pEMP5W7
https://open.spotify.com/intl-de/artist/2aMhhD06yJiMXl2YRhKSBB

Selected Label Infos

Facebook: https://www.facebook.com/selectedberlin
Instagram: https://www.instagram.com/selected.berlin/
Bandcamp: https://selected-berlin.bandcamp.com/
Soundcloud: https://soundcloud.com/selected-berlin
YouTube: https://www.youtube.com/channel/UCKRHxQTMBewUCnTt7kJMaqg/featured

BCCO Premiere: Blame The Mono & Azan Caro - Roleplay [SELECTED020]

Pulse of Cracow
https://www.instagram.com/tylmanovski

Hi, I am Artemis and this is my sound outlet/band called controlFunction. 
controlFunction was originally conceieved as an Experimental/Noise Music/Ambient/Industrial style project with the idea of a machine-like person, or cyborg trying to "create" sounds and not really understanding musical structure like a regular human would. Over time this definition has become less important but that was the initial idea, a sense of cold remote isolation and distance.  This mostly comes down to me not liking cutesy "pop songs" as such as they don't go on for long enough to create an atmosphere. I like to create long, drawn out extremes of sonic texture.
I use a variety of techniques to create sound: a mixture of generated instruments manipulated in real-time and sampled or live played instruments that have been modified. The idea really is that anything could be anything else. Live guitar can be manipulated to sound like generated sonic babble, generated noise can be manipulated to sound like guitar. Drum sounds can often be generated noise sampled into a specific beat. The whole approach is to abandon the notion of a conventional piece of music, and to literally "drown in atmosphere." My work is probably suitable for soundtracks and experimental films or animations, though from time to time I will attempt a "song" type structure. 
I enjoy working with others, though rarely do. I tend to mostly do my own thing. 

Hope you enjoy some of what I made. Some things will be super intense and atonal and discordant and might be hard work. Other things are more ambient and dream like. 

anyone interested in weird sonic collaborations can contact me. 

thanks!

DRUCKKAMMER.TM 
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BCCO × SoundCloud New Faces Season 5

We are super happy to announce the 30 finalists in BCCO x SoundCloud New Faces Season 5. 

These 30 amazing artists were selected from 1237 applications from 276 cities and 60 countries. They represent the best new talent in our industry making incredible music from first class selection whist investing their time in their own career and in the scene they are part of.

Every weekend we will share the mixes from two new artists and you can read their story in full at https://bcco.berlin/blogs/bcco-soundcloud-new-faces