Below

In Between (Live from the Journey Below)

hes not evil ,shes stuck in a long term relationship with sin

💿 AXAXC – Grateful

DISTORT. DISTRUST. DESTROY.

This album is warfare. A cinematic deathcore/nu-metal epic that rips from raw confession to cyberpunk prophecy, built on sludge-heavy chugs, melodic chaos, and truths you weren’t supposed to hear.

From the unflinching defiance of “Praise” and “MaZe”, through the cheeky venom of “Beloved Beast”, the core of this extended play burns brightest in the Losing Trilogy — Losing My Soul, Losing My Home, Losing My Code — a three-act battle for self, sanctuary, and identity in a world built to break you.

It doesn’t end there. “Mirror” and “The Mirror Lies” twist the blade deeper, while Requiem Aeternal editions reforge the heaviest moments into even darker shapes. It all collapses into the final transmission — “Wake Up, Neo.”. 

This your last chance to see the system for what it is. Wake Up. You have No Excuses.

This album is for the ones who’ve been misunderstood, marginalised, and underestimated.
It’s for the people who rage in private, who keep fighting even when no one’s watching.
If you’ve ever felt like the walls were closing in, this is your Album.

For fans of: #SleepToken, #BringMeTheHorizon, #LornaShore, #LinkinPark, #SlaughterToPrevail, #Architects.

Tracklist:

- Praise
- MaZe
- Tongues of Sin (Remastered)
- Beloved Beast
- Losing My Soul
- Losing My Home
- Losing My Code
- Mirror
- The Mirror Lies
- MaZe [Requiem Aeternal]
- Nail in the Coffin (Remastered x3)
- Losing My Soul [Requiem Aeternal]
- Losing My Home [Requiem Aeternal]
- Beloved Beast [Requiem Aeternal]
- Wake Up, Neo.

#Deathcore #NuMetal #Metalcore #AXAXC #LosingMySoul #CyberpunkMetal #Sludgecore #PostRockMetal #RequiemAeternal #HeavyMusic #Screamo #GothicMetal #IndustrialMetal #CinematicMetal #MetalBand #MetalVocals #AXAXCFamily

BELOVED BEAST [Requiem Aeternal]

Paranoia

Soak Me In Bleach

A HANDFUL OF BANDS PLAY THE “DEVASTATING RIFFS AND CATCHY HOOKS” GAME, BUT FOR BEARTOOTH, THIS MUSIC IS THE DIFFERENCE BETWEEN LIFE AND DEATH. AS EASYGOING, CHARMING, AND OUTGOING AS THESE YOUNG MEN MAY APPEAR, THERE’S AN INNER TURMOIL CHURNING AWAY, ONLY SATIATED BY THE SAVAGE MUSIC THEY PLAY. SUICIDAL IDEATION, EMOTIONAL DESOLATION, AND DESPERATE DARK NIGHTS OF THE SOUL ARE CHEWED UP AND SPAT OUT IN SONG AFTER SONG; CATHARTIC SINGALONG ANTHEMS LIKE “FED UP,” “SICK OF ME,” AND “IN BETWEEN.”

LIKE NINE INCH NAILS OR TAME IMPALA, BEARTOOTH IS A ONE-MAN BAND IN THE STUDIO. IT BEGAN AS MUSICAL EXORCISM, CONCEIVED IN FRONTMAN CALEB SHOMO’S HOME RECORDING SANCTUARY, A MEANS TO TAME THE DEMONS OF DEBILITATING DEPRESSION AND ANXIETY HE’S SUFFERED SINCE CHILDHOOD. BEARTOOTH HARNESS THE SACRED AND PROFANE TO PURGE INNER DARKNESS WITH A DIZZYING LIGHT. BEARTOOTH’S EFFECT ON LISTENERS IS EVIDENT BY THEIR HIGHLY-ENGAGED AUDIENCE; INVITATIONS TO MAJOR FESTIVALS WORLD AND TOURS WITH SLIPKNOT, BRING ME THE HORIZON, AND A DAY TO REMEMBER; AND A RIAA-CERTIFIED GOLD SINGLE.

WHEN ROLLING STONE INTRODUCED BEARTOOTH AS ONE OF 10 NEW ARTISTS YOU NEED TO KNOW, THE SOUND WAS RIGHTLY DESCRIBED AS “LIKE A NERVOUS BREAKDOWN, USUALLY WITH ENOUGH OPTIMISM TO PUSH THROUGH.” AS LONG AS THE DUELING DICHOTOMY OF MENTAL ANGUISH AND CREATIVE CATHARSIS REMAIN BOUND TOGETHER, CALEB SHOMO AND CREW WILL BE HERE TO OVERSEE THE SHOW. SO PLEASE, ENJOY THE RIDE.

In Between (Live from the Journey Below)

BEARTOOTH

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