initially i'm a singer songwriter ,  now also getting to grips with producing my own material, All works are copyrighted at copyright house and protected. you can catch my vocals on tracks from the likes of  artists such as Ben pearce, Subb an, Burnski, Wolf and lamb, Nteeze & andy ,Salted music ,Vibe boutique records,Monodeluxe and various others. i'm a lover of all genres of music where a touch of soulfulness can be found and always looking forward in collaborations of the new and different...this page is just where i put down my own personal thoughts and dreams, using my voice in raw / hard ,and sometimes  softer tones ...njoy..

ITALIAN DJ BASED IN LONDON  <3

(Listen without memory or desire W.BION)

Connect: info@superordinatemusic.com

Been around for a while. Studied Composing & Arranging at the former great Grove School Of Music in Van Nuys, Ca. Composed proprietary in-store music for national retailer Cole Haan (Nike at the time), Oprah, Dr. Oz, CBS Person Of Interest, Ebel Cosmetics, Vice to mention a few.

With a career spanning over a decade, Shur-i-kan is undoubtably one of the heavy hitters of the deep house world.

An accomplished keyboardist and part-time member of dance improvisional supergroup The Bays, Shur-i-kan's distinctive productions ooze musicality and emotion that has captured the hearts of his many admirers including music legends Kenny Dope, Tom Middleton, Larry Heard, Joey Negro and Ashley Beedle.

A regular fixture in Traxsource's top 10 deep house artists shows his music is as relevant now as when his critically acclaimed debut album Advance was launched on DJ Mag's Best of British award winning label Freerange Records.

With over 50 releases and remixes - his productions have been in constant demand by top dance labels such as Anjunadeep, Simple, Systematic, Z Records, Defected and Lazy Days to name a few.

With a career spanning over 25 years, Leeds based DJ & Love Not Money Records owner Luke Pompey has experienced a lot in that time. He graced the decks at Ibizan super club Cream, Amnesia at 18 years old then 2 years later supported Tiesto when Galaxy FM invited him to play Privilege. He's played to crowds in excess of 10,000+ alongside the biggest names in the industry, had his productions supported by the likes of Carl Cox, Jamie Jones, Solomon, and Pete Tong who featured both his remix of Dennis Ferrer's "Hey Hey" and Real Nice & Cubiq's 'Had Enough' on the Radio 1 essential selection.
Residing in Leeds, home to the UK's most vibrant clubbing scenes, he held a long standing residency at the cities most established club, Mint, which offered amazing opportunities playing back2back with The Martinez Brothers and Hot Since 82 and touring various brands at Festivals such as Glade, Glastonbury, Creamfields & Secret Garden Party.

As owner of 'Love Not Money Records', he turned the label in to one of the House scenes most talked about new music outputs. Launching 2011 the label found its feet among the dance elite. Releasing over 200 tracks from the likes of Hot Since 82, Darius Syrossian, Max Chapman and Robert James while gaining support worldwide on BBC Radio 1, Capital FM and Ibiza Global Radio. Racking up 15 Beatport top 100's along the way.

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We are an independent media platform connecting dance music lovers with the music, the artists, the events, the labels and brands they love through carefully curated and original experiential content.

Covering festivals and events from all around the globe, collaborating with established artists and newcoming talent, from the depths of underground to easy going melodies of EDM - our ultimate goal is to keep you in the loop of what's going on within the electronic music scene.

We deliver our content through various channels - cable TV, web and apps. Check out the links below for more info.

Have some feedback for us? Want to say hi? Interested with business relations? Contact us by email.

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Deeply prolific Bristol-based house connoisseur Andy Compton has released over 50 albums and over 200 EPs (either under his own name or as part of his legendary group The Rurals, COMPTON or L.A.M.P, Blue Dream) on his essential Peng label and imprints like Motown, Universal, EMI, Sony, Ralf GUM’s GOGO Music, Chicago’s LARGE Music, Seasons, Viva, Hed Kandi and many others.
South Africa has embraced Andy's deep house sounds, and because of his popularity over there, and albums released via EMI, SONY, WEA, and now Universal. He has done over 20 South African tours in the past 10 years.
Since discovering house music in the early ‘90s Compton has released a dazzling array of music and worked with an army of artists. He’s been featured on the cover of the seminal DJ Magazine and had his music used in TV show Six Feet Under, while tunes like “Sweeter Sounds” have become bona fide anthems at spots like NY’s Shelter. He has worked with top class vocalists Celestine, Marie Tweek, Diviniti, Kafele, Rowan, Ladybird, Sabrina Chyld and many others!
Compton's Dj skills have turned heads and twisted bodies worldwide, with his thumping brew of electronic beats swathed in coolly-crafted melodies, with Peng becoming one of the premiere labels on the planet, garnering support from house big-hitters like Louie Vega, Larry Heard, Mark Farina and Osunlade (to name a few).
All this has solidified Compton’s reputation as one of the most respected house music players on the planet.

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

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