@M.Julz_dj cut his disco teeth in his native Romania before moving to Munich and becoming involved with the scene and spinners at Harry Klein. A subsequent relocation to London has seen him play alongside big hitters Nina Kravitz, Chris Carrier, Nicole Moudaber and Waff. He has played at a variety of major London clubs and held a guest residency in 2017-18 at Egg London. 

A natural evolution into the studio environment followed where he’s producing his own signature of jacking house beats with more techno leaning vibes and never losing that soul.

Noel Sanger is an artist who, while flying mostly under the mainstream radar, has cultivated a rich musical history along the way. His releases dating back to the 1990s remain in high demand, and his current work, always critically acclaimed, continues to see top DJ support. 

Releasing on some of dance music’s top labels, with a recent focus on his own Dissident Music imprint, he has made regular appearances in Beatport’s top ten genre charts, as well as top tens at the Billboard Dance Club Chart, and the top 15 of UK Musicweek’s buzz chart. 

Over the years, his work has been heard on labels such as Black Hole, Spinnin’, Armada, Perfecto, High Contrast, Lost Language, Coldharbour, Mute, Dissident and dozens more. He has remixed and worked with artists like  Erasure, Nadia Ali, John Taylor of Duran Duran, Matt Darey, Soul In The Machine (with Twin Peaks star Chrysta Bell), and Markus Schulz. 

Noel toured extensively as North American warm-up for the best known DJ of all time, Tiesto, and even mixed “Summerbreeze 2,” the follow-up to Tiesto’s “Summerbreeze” mix CD on Nettwerk Recordings. Later, he was invited by no less than BT to collaborate on tracks for Tiesto’s Grammy-nominated 2006 album “Elements Of Life.” 

Evolving to deeper sounds, Noel’s label, Dissident Music, was first launched in 2007 and produced a number of hits throughout the ensuing 7 years. Recently relaunched as part of Miami’s Essential Media Group, Dissident has gone from strength to strength, closing out 2021 with three top ten Beatport releases in a row. 

As a DJ, Noel has manned the booth at some of the world’s best clubs, sharing the stage with some of electronic music’s top names. He has played at festivals such as Ultra Music Festival and Electric Daisy Carnival (Orlando) and his South Florida residencies have hosted some of the biggest names in dance music, with Noel playing to hundreds and even thousands of eager clubbers each week. Now residing in Orlando, Noel plays select shows nationwide and spends his weeks in the studio, remixing and preparing for his upcoming releases. 

It isn’t always the case that after this many years, an artist remains as creative and relevant as Noel has. But between his productions, his label, and his expertise behind the decks, Noel is proving without question that the best is yet to come.

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Booking: franzi@stereo-express.com

For Demos & Requests: label at feinstoff . info

Feinstoff is an iconic Berlin-based event series that organically grew into a music platform and label with streamlined curation. Known for its authenticity and fueled by neo-nostalgia, it brings a distinct edge to the next wave of electronic music and disco movements.

2024
NOV 16 POSTGARAGE TAEKOVER ⦿ Graz
SEP 14 VILLA WERNER TAKEOVER ⦿ Zagreb 
MAY 30 RENATE TAKEOVER w/ HOUSE OF LUNACY 
MAY 10  CONTROL CLUB TAKEOVER ⦿ Bucharest
MAY 04 TAGADA CLUB TAKEOVER ⦿ Vienna

2023 
DEC 16 CONTROL CLUB TAKEOVER ⦿ Bucharest
MAY 06 CONTROL CLUB TAKEOVER ⦿ Bucharest 
JAN 27 PIEKŁO NAD NIEBEM TAKEOVER  ⦿ Warsaw 
2022 
APR 16  Mensch Meier Takeover ⦿ Berlin
2020 OKT 17 H13 Festival Takeover ⦿ Berlin
XX 2020 JUL 17 Kater Blau ⦿ Berlin XX
XX 2020 JUN 05 Wilde Renate ⦿ Berlin XX
XX 2020  MAY 01 Mensch Meier ⦿ Berlin XX
XX 2020 MAR 13 Mensch Meier ⦿ Berlin XX
2020 MAR 07 Colour Box Takeover ⦿ Cape Town 
2019 DEC 20 Anita Berber ⦿ Berlin
2019 NOV 15  Mensch Meier ⦿ Berlin
2019 OCT 05 Mensch Meier ⦿ Berlin
2019 JUN 21 Mensch Meier  ⦿ Berlin
2019 MAY 24 Kater Blau  ⦿ Berlin
2019 FEB 14 Slakthuset Takeover ⦿ Stockholm
2019 JAN 25 Feinstoff ⦿ Kater Blau
2018 DEC 08 Feinstoff ⦿ Kater Blau
2018 OCT 20 Feinstoff ⦿  Kater Blau
2018 SEP 14 Feinstoff ⦿ Crack
2018 AUG 24 Feinstoff ⦿ Nein
2018 JUN 23 Feinstoff ⦿  Kater Blau
2018 MAY 18 Feinstoff ⦿  Kater Blau
2018 MAY 11 Feinstoff ⦿ Crack
2018 APR 21 Feinstoff ⦿  Kater Blau
2018 FEB 23 Feinstoff ⦿  Kater Blau
2018 JAN 9 Feinstoff ⦿  Kater Blau
2018 JAN 5 Feinstoff ⦿  Kater Blau
2017 NOV 10 w/ Feinstoff ⦿  Kater Blau
2017 OCT 07 Feinstoff ⦿  Kater Blau
2017 SEP 09 Feinstoff ⦿ Kater Blau
2017 AUG 04 Feinstoff ⦿  Kater Blau
2017 JUL 14 Feinstoff ⦿ Disco 3000
2017 JUN 30 Feinstoff ⦿  Kater Blau
2017 MAI 20 Feinstoff 9th Wave
2017 MAR 31 Feinstoff ⦿ Sulk Magic
2017 MAR 24 Feinstoff  ⦿ Nein
2017 MAR 11 Feinstoff ⦿  Kater Blau
2017 FEB 11 Feinstoff ⦿  Kater Blau
2017JAN 07 Feinstoff ⦿  Kater Blau
2016 DEC 3 Feinstoff ⦿ La Dame Noir


Feinstoff is created by Freudenthal of Pardon Moi.

Matthew ‘Bushwacka’ B, a percussionist in the London School Symphony Orchestra who was converted into a member of the infamous Rat Pack after a warehouse party in ’88, has been DJing for over 30 years now. From that first Acid House experience Matthew quickly started playing all over London, holding residencies at four of the most famous clubs in town by the time he was 18 years old. From London the gigs spread countrywide, doing up to 8 shows a weekend, and then into Europe and the USA by 1992.
 
It was via a mutual friend Mr C that Layo & Bushwacka! first met, whilst Matthew was working at his studio, and by the mid 90s the two had started writing music together. Over a decade later, the partnership has yielded three artist albums, three mix albums, internationally renowned club residencies and a superb record label. 

By 1999 they’d already composed their debut album, ‘Low Life’, released on End Recordings, the label spawned by The End. The album announced the arrival of the duo as a force in electronic music, with a record that brought together electro, house and breakbeat fused with blues, dub and downtempo, all underpinned and informed by their collective experience of underground culture. This inclusive and open minded approach to sound became the blueprint for their future work.

Their sophomore album followed in 2002, this time released on the mighty XL Recordings. Entitled ‘Night Works’, the record featured their unforgettable top ten hit ‘Love Story’, and took their sound onto a bigger and broader canvas, charting all over the in the process. The accompanying live show brought further acclaim with stunning shows from Homelands to Sonar, whilst their famous DJ sets had now garnered residencies at some of the world’s finest clubs including Space in Ibiza, Warung in Brasil and of course The End in London. While this explosion was happening, Matthew was also achieving huge solo success with his remixes for Depeche Mode, his bootleg of Michael Jackson’s Billie Jean, and getting phone calls from Madonna wanting him to work on her music. It was a crazy time. 

Their End residency, known as All Night Long, became one of the capital’s most revered nights with Layo & Bushwacka! taking the club through an edifying tour-de-force of electronic music.
 
When The End closed its doors for the last time in 2009, Layo and Bushwacka! started the Shake It brand and threw amazing warehouse parties all over London, booking Carl Cox, Richie Hawtin, Magda, Laurent Garnier and many other friends, and created dancefloor destruction for 4 years. The parties were legendary, the energy incredible.


Layo & Bushwacka!’s reputation as two of the world’s foremost DJ duos is rock solid. Four artist albums have proven them remarkably talented producers, capable of mixing styles, tempos and genres to create enduring and engaging electronic music. Their trio of mix albums and international club residencies have shown they are masters of the turntables, sonic connoisseurs who can guide a dance floor on an epic journey through the many facets of their sound. Their label Olmeto meanwhile has become a bastion for quality, a label that, much like its figureheads, has become a rubber stamped seal of class, and many of their vinyl only releases have become sought after rarities.
 
In 2013 Bushwacka! took some time out to focus on his solo Just Be project, recording on Crosstown Rebels, Get Physical and Intec, while Layo created a new empire in Soho, of world class restaurants, applying his magic touch to everything he does. Five years later, Bushwacka! started touring and recording again under his original name, only on select shows and keeping it special for the fans, old and new.

Melbourne based producer and DJ Sgt Slick has been a solid fixture behind the decks and on dance music charts and radio for the better part of 20 years. He has a huge list of achievements to his name including ARIA / APRA Awards and nominations, Billboard, Music Week, Traxsource & Beatport # 1 Records, and a string of successful music releases. Armed with a continuous delivery of his trademark ‘Discotizer ReCuts’, he also produced the crossover radio hit and ARIA Gold Certified ABBA cover, ‘Gimme! Gimme! Gimme!’ in 2020 (Beatport’s highest selling Nu Disco single of all time!)… a track which is still filling dance floors in 2024 and one which has seen The Sarge headlining the nation’s biggest clubs and events week after week since. He has graced the cover of Spotify’s esteemed ‘New Dance Beats’ playlist twice, is ranked # 6 on Beatport’s highest selling artists of all time in the ‘Nu Disco’ genre, and reached the # 1 position on Shazam’s Discovery Australia Chart! His recent remixes and productions have earnt him regular support from the likes of Jamie Jones, Diplo, Fisher, Vintage Culture, Kygo and Tame Impala, whilst at home he continues to land in the upper reaches of the ARIA Club Chart with every release. With his past releases encompassing some of Australia’s finest moments in dance music history, Sgt Slick remains one of the nation’s most prominent and enduring industry figures, continually pushing forward as a world class DJ, Producer and Remixer.

High quality streams of the early releases

All uploads are lossless/uncompressed wav files (16 bit 44.1 Khz) ripped directly from the original cd's.
All CD's are from my own personal collection, so some might have some audio artifacts from worn cd's etc. If you do encounter a file with glitches/audio interruptions - please let me know as I don't listen to all the tracks from start to finish.

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