The OMY is a cross-genre project notable for its experimental sound and outrageous live shows.

Based in Belgrade, Serbia, The OMY has a unique approach combining unbridled improvisations, épatage, and furious stage energy.

Formed in 2017

Keith Thompson is a professional musician with many years of experience. He has worked in several bands and as a solo artist. He has travelled extensively in the UK as well as in European countries such as Germany, Switzerland, Austria, Denmark, Holland, Poland, Norway and also the USA. When not touring or playing “live”, Keith has been in demand as a session musician and writer in the studio. His guitar work has cropped up on several albums and as incidental music on television. A sample of Keith’s guitar work can also be heard as the soundtrack for the best-selling computer game, “Grand-Prix 2” and “Over The Hedge” from the blockbuster movie of the same name. Keith also writes songs and music for other artists and musical projects including library music.Has worked extensively for "Music Masters" library company in the UK delivering music to many labels & TV companies. He has added his skills on stage or in recordings to projects by Spooky Tooth, Steve Winwood, Ruby Turner, “Wurzel” from Motorhead, Dave Markee and Henry Spinetti (Eric Clapton Band and Tina Turner) Larry Burton, (Albert Collins, John Lee Hooker) Robbie Blunt, (Robert Plant) Greg Ridley of Humble Pie, Luther Grosvenor of Mott The Hoople and many others. He has sold over 100.000 albums and his library music projects include work for BMG, Wetton-Westgram, Music Masters and many others.

Neil Simpson is a bass player, composer, producer and arranger.
Born in Stoke-on-Trent, England, at the age of four Neil was given a plastic toy guitar featuring a picture of The Beatles. Here the downward spiral began. At twelve he took up the bass guitar and did his first professional gig two years later in a working men’s club in Willenhall, the home of Rock and Roll. Some of his earliest musical influences were Paul McCartney and The Who's John Entwistle, to be followed later by Jazz Rock pioneers Stanley Clarke and Jaco Pastorius. One of the first records he bought was in fact The Move’s "Fire Brigade". (His Mum has still got it!)
Artists Neil has worked with over the years include Roy Wood (The Move, ELO, Wizzard), John Mayall’s Bluesbreakers, Ruby Turner and Climax Blues Band. Neil joined Climax in 1991 and is still a current member. Neil has been playing with Roy Wood since 1999, and is also working on a solo project between bouts of beer drinking and curry eating. Neil plays 4, 5, 6, 7 and 12 string, acoustic, electric upright, piccolo, fretted and fretless basses, and needless to say spends all his spare time restringing his instruments.

Occasional demos/tracks added/unhidden for a while. All final releases are on Spotify.

“Bren is equally at home firing off high octane rock riffs as he is following delicate acoustic lines. Songs that manage to blend subtlety with drive, power with restraint, soaring electric playing with gently picked acoustics.”
Dave Franklin – Wiltshire Music Journalist

“A tad of James Taylor in vocals and song writing with Richie sambora-esque guitar and undertones of Aerosmith”

“The Amazing talent Bren haze. The Wiltshire ex-pat has been very busy lately wooing a whole new bunch of fans with great new numbers like Colours and To the moon and Back. It’s totally heart warming to see such a unique talent play a complete set of original numbers and still keep a fickle audience entertained. definitely the mark of quality."
"This chap has a stunning unique solo set and I’m sure it wont be long before he attracts some major attention” “He’s got a great stage presence” “watch out world!”
Andy O’Hare – BBC Artist Reviewer

“A versatile and extremely talented performer with true rock & roll swagger, and an army of dedicated fans (as his set at Down On The Farm demonstrated), but a thoroughly decent chap as well.”
John H – Hereford Live/Down On The Farm Festival

“All Brendan Haze’s songs are a mix of exciting, on the edge of danger rock guitar mixed with softer storytelling, They are musical poems of hope and new beginnings through adversity or sorrow.”
Flicky Harrison – Media Journalist / Swindon Advertiser

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