I am a collaborative mood operator.

www.dankndirty.com

@dankndirtydubz: https://solo.to/dankndirty

Radio Show Archives:
http://bit.ly/SashwatRadioMixes

Non-Radio Mixes:
http://www.mediafire.com/?6y6dlggbjgdv8

The Dank 'N' Dirty Dubz Radio Show airs at 10am PST the first Wednesday of every month on DI.FM's Dubstep Channel: www.di.fm/dubstep

Sashwat is a US-based DJ, producer, and label owner that has been pushing high quality bass music since 2007. He's played alongside Avicii, D. Ramirez, The Widdler, Commodo, Swindle, Antiserum, Roommate, Coki, Distance, Truth, Reid Speed, HULK, Goldie, DJ Marky, 6Blocc, AK1200, Hellfire Machina, DJ Kue, Sub Swara, Kraddy, and more. Sashwat's monthly mixes, which he's been releasing since 2007, have featured countless genres such as dubstep, garage, hip hop, dub/reggae, jazz, deep/progressive/electro house, trance, techno, breaks, downtempo, drum and bass, and goa-psychedelic. In 2009, these mixes began airing consistently on the Digitally Imported Drum & Bass channel until the launch of his Dank 'N' Dirty Dubz radio show in January of 2010, which coincided with the launch of the Digitally Imported Dubstep channel.

A year later, in December of 2010, Sashwat expanded his Dank 'N' Dirty Dubz radio show into a bass music label, focusing on a wide variety of forward-thinking sub-genres. The labels releases have received support from the likes of Skream, Funtcase, Downlink, Matty G, NumberNin6, Brown & Gammon, J:Kenzo, DJ Wonder, DJ Allbury, Distance, Von D, Eptic, Genetix, Riskotheque, LOST, and Mat The Alien, to name a few.

In 2012, Sashwat took on the role of Channel Director for Digitally Imported Dubstep and launched the Digitally Imported Liquid Dubstep channel. He hand-picks the content that airs on both channels, catering to thousands of listeners 24 hours a day, 7 days a week.

To stay up to date, follow Sashwat:
http://soundcloud.com/sashwat
http://soundcloud.com/dankndirtydubz
http://www.facebook.com/djsashwat.dankndirtydubz
http://www.facebook.com/DankNDirtyDubz
http://www.mixcloud.com/DJSashwat
http://www.youtube.com/user/DJSashwat
http://www.youtube.com/user/DankNDirtyDubz
http://twitter.com/djsashwat
http://twitter.com/dankndirtydubz

PRIMARY GENRES:
DUBSTEP / REGGAE / HOUSE (DEEP & ELECTRO)

SECONDARY GENRES:
MINIMAL / BREAKS / DOWNTEMPO / TECHNO
GLITCH / TRANCE / DRUM & BASS / GOA-PSY

For Booking Inquiries, Please Contact sashwat@dankndirty.com

Feeling generous or want to support?
http://bit.ly/dankndirtydonations

Here to help you find the tunes that matter in your life

Believe the Hype 

Bless Up

Hectic is a multi-genre producer from London, UK. Releases including ''The Play Deep Sessions" with Melleefresh, as well as a ton of remixes for an incredibly diverse range of artists, show off Hectic's unique style of production. He has also received radio play and support from DJs on BBC Radio 1Xtra, Kiss FM, XFM, Sub FM and Reprezent Radio. Hectic embraces new music technology and is always on the lookout for interesting pieces of kit to add to his studio. 

Contact email: hectictracks@gmail.com

Dj, presenter, founder and creator of Let There Be House! A podcast which is now global with 80,000 downloads per month. Delivered every Monday, Glen has developed the brand into hosting exclusive LTBH events and parties around the UK and Europe. For details and info about booking a party email me on glen@ltbh.co.uk

In the past I represented Hed Kandi as a tour dj for over 5 years playing their major parties all over the world from Ibiza, Brazil, South Africa, China and Bali to name a few.

My background in radio which has spanned over 10 years, is an instrumental part of setting the tone for my 'Let There Be House' podcasts which are enjoyed and downloaded all over the world via Soundcloud, Mixcloud &amp; iTunes!

Production wise i've had releases out so far on Motive Records, 84Bit, Hot Sunday and In It Together Records.
<a href="http://www.facebook.com/GlenHorsborough" rel="nofollow" target="_blank">www.facebook.com/GlenHorsborough</a>

www.twitter.com/GlenHorsborough

Be Yourself Music is a Dutch music label founded in 2005. The label has made a significant impact in the electronic dance music industry, working with some of the biggest names in the scene.

Over the years, Be Yourself Music has become known for its ability to spot and develop new talent. Working and having worked with successful artists, like: Bakermat, Brennan Heart, Rank 1, Sefa, Lulleaux, Headhunterz, Melsen, Marco V, Wildstylez, Tinlicker, R3hab, Fedde le Grand, Nicky Romero, Dada Life, and many others.

In 2023, the label has seen several recent successes. One of the biggest achievements is reaching the iconic milestone of 1.5 BILLION streams globally with the single “Empty Love” by Lulleaux. The single “Baiana” by Bakermat also saw massive success, with 350 million streams globally and a platinum record in the Netherlands. Another platinum record in the Netherlands was awarded for Brennan Heart’s single “Imaginary” (with over 80 million streams globally).

Lulleaux also saw success with “Contact,” which earned the artist 500 million streams globally. Additionally, Sefa, another artist on the Be Yourself Music roster, was nominated for an Edison Award for Best Dance in the Netherlands.

The success of Be Yourself Music can be attributed to their dedication to developing and promoting electronic dance music talent. Their ability to spot emerging artists and help them grow has made them a respected and influential label in the industry. With their continued commitment to discovering new talent and supporting their roster of artists, Be Yourself Music is sure to continue making an impact on the world of electronic dance music.

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FAQ:
How can I send my demo?
Click this link: www.beyourselfmusic.com/demo
*We do not accept demos send through our socials

'This Is How You Do It' album out now on 2LP / CD / DIG


Bandleader Lance Ferguson and his nine piece Melbourne outfit The Bamboos have come a long way since forming in 2001. Initially inspired by the instrumental raw funk of the late ‘60s and early ‘70s, they made waves internationally and were quickly labelled as one of the greatest funk and soul bands of our time. But while many would be happy to simply soak up the praise and keep on keeping on, The Bamboos have proven that they are more than meets the eye; over five acclaimed albums, their evolution in sound and style has consistently confounded and exceeded expectations, pulling the rug from under the feet of those who like to pigeonhole. 

The band signed to respected Brighton (UK) indie label Tru Thoughts in 2005, where they remain a cornerstone of the roster. Across their five studio albums to date - ‘Step It Up’ (2006), ‘Rawville’ (2007), ‘Side-Stepper’ (2008), ‘4’ (2010) and 'Medicine Man' (2012) – the metamorphosis of The Bamboos has been full of twists and turns, and it continues apace. A seasoned DJ, solo producer (aka Lanu) and all-round insatiable music obsessive, Ferguson's myriad influences and passion for pushing things forward ensure that each new release is a discovery for devout fans and newcomers alike.

Their fifth long-player ‘Medicine Man’, released in June 2012 was a watershed - a forward-looking record brimming with fresh ideas, stellar turns, classic songwriting and a brand of multi–layered pop they can truly call their own. Guest vocalists Aloe Blacc, Tim Rogers (You Am I), Megan Washington, Daniel Merriweather, Bobby Flynn, alongside resident singers Kylie Auldist and then newcomer Ella Thompson helped make the album their biggest at home to date. Lead single "I Got Burned" feat. Rogers was a sizeable radio hit, made it to #54 on radio station Triple J's Hottest 100 listeners poll (the biggest publicly voted song poll in the world) of the top songs of that year.

Like its predecessor, the band's sixth album 'Fever In The Road' was co-produced by ARIA- nominated, multi-instrumentalist studio wizard John Castle – whose work with the likes of Washington, Josh Pyke, Gossling, Pez and Kate Miller-Heidke has ranked him amongst the first-call producers in Australia. The new record (the first on Ferguson's own Pacific Theatre label) sees Castle and Ferguson venturing into sonic landscapes The Bamboos have previously touched on but never fully inhabited. There is a sense that the music is leaner and more muscular, yet upon closer inspection the tracks reveal themselves to be densely multi-layered in a 'Wall Of Sound' style. And it's this aural complexity and depth that allows darker moods to roam through the album, taking their sound to a new place. The songs career from the wondrously anthemic ('Avenger', The Truth', 'Rats', 'Jump My Train'), to the dreamy and psychedelic ('Looking West', 'Harbinger') and the darkly fragile ('Killing Jar', 'Before I Go'). Choosing this album to reflect the band as it is on stage, the vocals are split between Kylie Auldist and Ella Thompson. And each bring contrasting styles that complement each other magically, but show The Bamboos to be utterly unique.

Their songs have been regularly on playlists of national radio stations in Australia, the UK, France, the US, Japan and beyond. The unshakable charm of their songs has also seen them licensed to hit movies including Crazy Stupid Love, the soon to be released  Adore - Naomi Watts & Robin Wright. and TV shows such as Grey’s Anatomy, CSI New York, One Tree Hill, Ugly Betty and Australian shows such as Underbelly, House Husbands, Offspring, Packed To The Rafters.

Behzad Ja is following