SIESTA RECORDS , Established in 1996 in San DIego, Ca . Genres " HOUSE, TECHNO, NU DISCO, PSYCHEDELIC MUSIC"!!

OUT NOW - Basement Jaxx, Slarta John - Jump 'N Shout (Sébastien Léger Remix): orcd.co/jumpnshoutremix

https://sebastien-leger.com

MGMT : SebastienLegerMgmt@purplewall.com
Bookings:  Bookings@sebastien-leger.com

Name: Dean Stores

 

I’ve always been into electronic music. From young it was all about Gary Numan; it all started in 1997 when he re-released ‘Cars’ after the Carling adverts.

 

At 18 I went to college in Newcastle and started going to Shindig, the first proper DJ I saw was some bloke called Carl Cox!

The next time I went it was to see Sasha for the ‘Involver’ album launch for Global Underground. I went and bought the CD and was hooked on the progressive stuff.

 

I started buying more and more dance CD's in a boutique music outlet in Deal (Soundhouse) and got friendly with the guys that ran the place. One of their team took me to see Layo & Bushwacka and that was it....

From then on I was hooked on the Tech house and the Techno side of things. 

 

I decided to have ago DJ'ing, so bought a Xone 92 (mixer), some cdj 1000 (CD decks)..... oh and 1210's (turntables).

 

Dislike = Bad Attitude. Simple, I like music; that’s all you need for a good party.

 

Currently I’m into playing quality, soulful deep house sets at YourHouseOrMine, Rokka Club, and now starting a new experience called #UPfront @qubedover.

 

Check me out :

at soundcloud – Dean Stores,

on twitter @DeanStores

or on my facebook page DJ Dean Stores


BOOKINGS
World (except N&S/America): daniel@jackmode.com
N America: p@slaytoncreative.com
S America: polina@jackmode.com

MANAGEMENT
nl@285.group

With a decorated past and an extensive list of achievements, Tim Green has maintained a high level of accomplishments since the mid-2000s. An artist who is deeply dedicated to expressing his truest sound, Tim’s depth of experience, innate musicality, and hard work lie at the heart of his formidable
success. In recent years, his affiliation with the All Day I Dream family, including close ally Sébastien Léger, and embracing the melodic sound, has triggered an unparalleled period of creativity and self-satisfaction. The success he has experienced throughout his career hasn’t been without its ups and downs, but, like any journey worth taking, the path to glory and inner happiness was meant to be that way. Through his high work ethic and natural-born talent, Tim Green has reached new levels of creative maturity and freedom… with so much more to come.
Tim’s musical ability is inherent, it’s in his DNA. His father is a keyboard player and he started taking guitar lessons at the age of eight, so it’s always been there. Growing up in a musical household, surrounded by a variety of sounds and influences, imbued Tim’s mind with a broad range of inspiration. His love affair with electronic music began with Daft Punk’s classic Discovery LP, which sparked a shift from live music in bands to DJing and studio production. Since his first release in 2006, Tim has utilised his skills to cultivate a diverse discography, from techno with labels like Cocoon, where he was a mainstay, to dancefloor-ready house for Dirtybird. Along the way, he’s
released an album Her Future Ghost (Cocoon), produced an impressive and diverse set of remixes for the likes of Underworld, Paul McCartney, Ben Bohmer, Friendly Fires, Eelke Kleijn, Perry Farrel, Sébastien Léger, Cassius, Seth Troxler and Lee Burridge, and written alternative pop material under
his alias Invisible Minds.
Amid all the success, Tim has been working towards uncovering his true sound. Occasional feelings of discontent sparked a desire to experiment. In 2016 came a key release on Get Weird, entitled ‘For A Memory’. The track, 11 minutes of deep, exquisitely produced melodic house, helped lay the
groundwork for what has become Tim’s signature sound - with depth, emotion, and musicality at the heart of his creativity. Along with his 2018 album Her Future Ghost, ‘For A Memory’ was pivotal to his progression into the Tim Green of today. These releases were part of his continual push to find a sound that he was comfortable with, and the catalyst behind his gradual shift into the melodic domain.
Through exploring this emotive sound, finding his groove, and entering a place of comfort with his creativity, Tim has found the freedom that so many artists yearn for.
A longstanding friendship with Lee Burridge (who supported Tim’s music in his sets, right from his first-ever release in 2006), also played a part in Tim’s development. His musicality has always been there, from his genetic makeup to playing in bands, to his diverse back catalogue. Building upon the
foundations laid down by ‘For A Memory’, in 2018 Tim found himself in the studio creating brand new tracks that simply gave him a good feeling, no agenda, just free flowing uplifting jams. He sent them to Lee, who instantly approved, and so began his connection with All Day I Dream. In March 2020 he dropped his first release on ADID, the seminal Vacation To Life. This was followed by the Moho EP with Sébastien Léger, which helped to further establish Tim’s prowess.
Since 2020, he has released another two EPs with All Day I Dream - The Moss and The Night Is Blue, plus an album, Eastbound Silhouette. His global touring schedule continues to be packed, taking him from the US to South America, across Asia and Europe, and back again. At every stop off he
encounters crowds who are open to his sound, driven by love, connection, and living life to the fullest.
When he’s at home being a family man, or spending time in the studio, that good energy continues to emanate cultivating a sense of comfort and inner contentment.
Almost 20 years since he first made a name for himself, Tim Green is busier than ever, touring the world and entering the most creatively enriching and fertile period of his career. He’s brimming with positivity, from the tunes he makes, to what he plays, and the response from the people on the dance
floor. The emotive, uplifting nature of his tracks has a deep resonance with those who experience it, leading to a constant flow of positive feedback. A dream for Tim, who’s fully enjoying the ride, and it shows in the music and his demeanour when he is performing. It’s become a positive feedback loop, where the energy he receives feeds into the music he produces, evoking more positivity on the dancefloor, which radiates back to him, and on it goes.
Maintaining a full-time music career is complicated, there’s no blueprint for success and inner peace.
Fortunately, Tim Green put the work in, kept striving, and discovered his authentic truth. Now driven by the powerful impact of his positive feedback loop, he is relishing the chance to express his musicality for himself, and melodic house lovers all over the world. All the while, he remains humble and full of gratitude for the gift of music…

The Italian-German composer, DJ and founder of the record label 99CHANTS. He has been releasing music since 2010, but it took self- evaluation and a re-examination of his priorities for August to lean towards the future and follow his most experimental inclinations.
In 2023, his output is harder than ever to define, stretching across genres and disciplines to chafe the heart of the human experience.

Bookings:
World: daniel@jackmode.com 
North/Central America: natalie@auroratalent.agency 
South-America/Spain: mikel@b4bookings.net

MGMT: royrosenfeldmgmt@purplewall.com

Since 2009, Roy Rosenfeld has been sharpening his artistic skills in electronic music, effortlessly blending diverse styles and genres of House music. Each of his creations showcases the consistently unique and recognizable sound that defines Roy Rosenfeld.

Starting out as a beginner DJ, he began his career as a resident DJ in a dance bar. He later expanded his reach, performing at larger venues like festivals and underground clubs in major cities. His passion for music and musical abilities quickly earned him recognition and a dedicated global following.

Roy Rosenfeld has established a successful music career by collaborating with several leading record labels in the House music industry. He has released tracks on "All Day I Dream" by Lee Burridge, including "Lift of Love”, "Honey”, "Rumbala”, and "Simi”, to name a few. He has also published his music on Guy J’s "Lost & Found" Records, where one can find "Phase" and "Force Major" EPs, among others. In addition, Roy has released well-known musical works under Guy Gerber's imprint "Rumors," including the track "No Drama" and a remix to “Rainchecks In Montreal” by the label boss. His back catalog includes music on Sebastien Leger's label "Lost Miracle," such as “Toco/Sanga Dance”, “Milongi”, "Hypnosa De La Rosa" and "Tuti" EPs, which feature collaborations with Sebastien himself, including the tracks "Creme" and "Cherry On Top," both have become instant classics.

Throughout his career, Roy has created several iconic works, including “Epika”, a collaboration with Guy Mantzur, released on the legendary “Kompakt” Records and regarded as one of the greatest anthems of 2015. "The Biggest Heart," released on Lee Burridge's label "TRYBESof" in 2019, took some dance floors by storm, capturing hearts globally, and became a standout anthem of that year's “Burning Man”. To kick off 2023 with a bang, Roy released "Kala" on the highly regarded label "VOD." The track received immediate support from major industry figures like Solomun, Keinemusik, and Adriatique and quickly climbed to the top of Beatport's charts, receiving worldwide recognition and airplay.

Having many top hits in the sales charts, winning contests and awards, and collaborating with some of the most respected artists, had all gained Roy massive recognition and support from major superstars, such as Solomun, Black Coffee, Dixon, Keinemusik, Lee Burridge, Guy Gerber, Maceo Plex, Richie Hawtin, Laurent Garnier, Michael Mayer, Guy J, Hernan Cattaneo, John Digweed, Luciano, Stephan Bodzin, Joris Voorn and many others. The list even goes on to Tiesto, Armin Van Buuren, Deadmau5, and Groove Armada.

In addition to his production accomplishments, Roy successfully balances a hectic DJ schedule. In 2018, there was a global increase in demand for his unique sound, resulting in multiple participations in several “All Day I Dream"
events in Ibiza, Mykonos, and Dubai. This was followed by a huge interest in the US. He then performed at different massive festivals including Tomorrowland in Belgium, Zamna in Tulum, We Are Lost in Buenos Aires and Amsterdam, All Day I Dream in the US, Warm Up in London, Return to Rio in Sydney, Warung in Brazil, Marvellous Island in Paris, and more.

In early 2020 Roy started his new events production called “No Drama”, a small but highly successful dance-music event launched in Tel Aviv. Despite its modest size, the event attracts a dedicated crowd of music lovers and dance enthusiasts, who come together to enjoy a day & night of a musical journey. With a lineup of top local and international DJs, “No Drama” has quickly established itself as one of the hottest dance-music events in the city, known for its relaxed and fun atmosphere, great music, eye-catching decorations, and fantastic crowd.

Roy's fervor for music and unwavering ambition have established him as a distinguished figure in the music industry. He is constantly pushing the boundaries of house music and stirring the hearts of others with his unique sound. Whether he is commanding the stage at a packed venue or honing his skills in the studio, Roy remains steadfast in his dedication to his craft and bringing joy to others through his music.

“These days there are plenty of genres and styles within the electronic scene, which cause our minds to be fixated / square and stuck into the “rules” of those music genres. We can always pursue those styles and learn from them a lot, but always keep a warm place for our unique sound and style. We need to preserve and protect the uniqueness and specialties of each one of us. Do not let it run next to you. I believe this is the way to success”. Roy Rosenfeld.

Steve Bug is one of electronic music’s true originals. His relentless commitment to quality - both in his own work and in the many producers he has championed - has made him one of the world’s most revered artists and curators, and along with his labels Poker Flat, Sublease Music, Audiomatique, Dessous Recordings, Traffic Signs or Raw Elements has made a sizeable contribution to building the European house and techno scene as we know it.

Matthew ‘Bushwacka’ B, a percussionist in the London School Symphony Orchestra who was converted into a member of the infamous Rat Pack after a warehouse party in ’88, has been DJing for over 30 years now. From that first Acid House experience Matthew quickly started playing all over London, holding residencies at four of the most famous clubs in town by the time he was 18 years old. From London the gigs spread countrywide, doing up to 8 shows a weekend, and then into Europe and the USA by 1992.
 
It was via a mutual friend Mr C that Layo & Bushwacka! first met, whilst Matthew was working at his studio, and by the mid 90s the two had started writing music together. Over a decade later, the partnership has yielded three artist albums, three mix albums, internationally renowned club residencies and a superb record label. 

By 1999 they’d already composed their debut album, ‘Low Life’, released on End Recordings, the label spawned by The End. The album announced the arrival of the duo as a force in electronic music, with a record that brought together electro, house and breakbeat fused with blues, dub and downtempo, all underpinned and informed by their collective experience of underground culture. This inclusive and open minded approach to sound became the blueprint for their future work.

Their sophomore album followed in 2002, this time released on the mighty XL Recordings. Entitled ‘Night Works’, the record featured their unforgettable top ten hit ‘Love Story’, and took their sound onto a bigger and broader canvas, charting all over the in the process. The accompanying live show brought further acclaim with stunning shows from Homelands to Sonar, whilst their famous DJ sets had now garnered residencies at some of the world’s finest clubs including Space in Ibiza, Warung in Brasil and of course The End in London. While this explosion was happening, Matthew was also achieving huge solo success with his remixes for Depeche Mode, his bootleg of Michael Jackson’s Billie Jean, and getting phone calls from Madonna wanting him to work on her music. It was a crazy time. 

Their End residency, known as All Night Long, became one of the capital’s most revered nights with Layo & Bushwacka! taking the club through an edifying tour-de-force of electronic music.
 
When The End closed its doors for the last time in 2009, Layo and Bushwacka! started the Shake It brand and threw amazing warehouse parties all over London, booking Carl Cox, Richie Hawtin, Magda, Laurent Garnier and many other friends, and created dancefloor destruction for 4 years. The parties were legendary, the energy incredible.


Layo & Bushwacka!’s reputation as two of the world’s foremost DJ duos is rock solid. Four artist albums have proven them remarkably talented producers, capable of mixing styles, tempos and genres to create enduring and engaging electronic music. Their trio of mix albums and international club residencies have shown they are masters of the turntables, sonic connoisseurs who can guide a dance floor on an epic journey through the many facets of their sound. Their label Olmeto meanwhile has become a bastion for quality, a label that, much like its figureheads, has become a rubber stamped seal of class, and many of their vinyl only releases have become sought after rarities.
 
In 2013 Bushwacka! took some time out to focus on his solo Just Be project, recording on Crosstown Rebels, Get Physical and Intec, while Layo created a new empire in Soho, of world class restaurants, applying his magic touch to everything he does. Five years later, Bushwacka! started touring and recording again under his original name, only on select shows and keeping it special for the fans, old and new.

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