I Tried to Catch Some Fog, But I Mist

Tried to Catch Some Fog, but I Mist

Thank you to all my supporters. Much love <3
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Vocalist; songwriter; poet; author; D-grade philosopher.

#anderssonarte
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Collaborators/Affiliates:

> Salvatore Nuccio
[ https://soundcloud.com/salvatorenuccio ]
>> Angelo Annicchiarico
[ https://soundcloud.com/angelo-annicchiarico-1 ]
>> Tracey Cracknell
[ https://soundcloud.com/user-656984672 ]
>> ZODALITT
[ https://soundcloud.com/lise-jonsson ]
>> Jostein Kihl Svarthe
[ https://soundcloud.com/jostein-kihl-svarthe ]
>> BlueToad 
[ https://soundcloud.com/dan-lemiel ]
>> Kenny Dyer
[ https://soundcloud.com/kenny_dyer ]
>> Behold the Sludge
[ https://soundcloud.com/beholdthesludge ]
>> IPG1 aka LOU
[ https://soundcloud.com/ipg1 ]
>> #WEATNU
[ https://soundcloud.com/weatnu ]

* I do not use AI in my compositions.

Trey W, known by his moniker Church of the Undecided (COtu), is a multifaceted instrumentalist, musician, and producer with roots tracing back to grade school. His journey began as a percussionist, which laid a strong foundation for his diverse musical explorations.

Now focused on electronic music production (without the aid of AI), COtu thrives on the boundless possibilities of sound. Combining synthesizers, a drum kit, and unconventional instruments, he creates a distinctive sonic palette that seamlessly blends electronic elements with organic textures. The result is a rich, immersive musical experience that captivates and engages squirrels and centipedes.

I have a mind and soul that uses music as an extension to express itself.  I'll find the right keys or chords or just catch a vibe and things happen. I mix it down into a sonic symphony for my ear drums and a visceral voyage for the soul. It might not sound like what's on the radio or anything like your favorite band but I'm not trying to. I simply do what It is I can do best. I do me. Simple. Authentic. Raw. 

My sound is a mix of rock and electronic elements. I've been influenced by many types of music and you'll hear it all blend together nicely if I'm hitting my mark proper. My production methods are a mix of Ableton, my guitar, my midi keyboard, and my mind. Basic, but enough to do some damage.

Bon Appetite  \m/

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

I love electronic music. I listen to underground, indie artists. There are so many diamonds in the rough. I just want to share them with the world.

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Composer, songwriter and singer at #rock #electro #DJ ... Multiple music projects through collabs, and bands #eclectic #sounds #alternative

Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
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I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...