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In the last few years I've been dropping some hot remixes featuring the legendary Anita Baker in my Soulful House sets every so often, and more than a few of you have asked me to make an entire "Anita Mix!" So I dug up a few of her older classic gems and put together this piece. I just realized that's its been quite a few years since I've done a tribute like this, so I guess it's a tad bit overdue. You guys should know the drill by now: Take some time and make some space and let's get ready to dance to a true Voice of a Generation... Let's Go!!!  

Anita Baker (The Remixes):

0:00:00 No One in The World (DJ Spivey's 4am Edit) by Anita Baker
0:05:23 Fairy Tales (Tim's DDRM Mix) by Anita Baker
0:09:56 Giving You The Best That I Got (Taco Wink Remix) by Anita Baker
0:16:03 Same Ole Love [365 Days a Week] (Vencer Cafe's Classic Mix) by Anita Baker 
0:22:00 Been So Long (Keemix) by Anita Baker 
0:28:27 Good Love (Cognac Edit) by Anita Baker 
0:34:30 I Apologize (Tim's Vocal Mix) by Anita Baker 
0:41:30 Whatever it Takes (Shelter Voc) by Anita Baker 
0:46:56 No More Tears (T.R.A.R) Vocal by Anita Baker
0:52:47 It's Been You (Remix) by Anita Baker
0:57:52 You Bring Me Joy (Remix) by Anita Baker 
1:03:01 Aint No Need to Worry (K2's No Worries Edit) by Anita Baker & The Winans 

(Free) Limited Downloads Available Here: (Click the "Shopping Cart" above to get the Download)

As Always, Thanks for Tuning In! Please Comment, "Like" and Share this amazing music we love so much called House!!! \o/ Also don't forget to Subscribe to this channel and never miss a beat...

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Peace&Love,
djs

Free Download

Anita Baker (The Remixes) [Free Limited Download]

A cross-continental meeting of minds: Cambodia-based Myroslaw Bytz and New Delhi’s FILM step behind the decks together for a rare B2B.
Recorded live at NDCR’s first-ever IRL event at Strangr, this set flows through deep, dubby rhythms, intricate breaks, and textured grooves with intent and control.

Both artists bring decades of underground experience to the table — from grassroots radio to genre-bending curation — and this mix captures that legacy in motion.
A blend of warm energy, movement, and heady transitions — straight from the floor to the archive.

Follow NDCR for more mixes, live sets, and experimental sounds.
All shows free to stream.

NDCR #015: BYTZ B2B FILM (Live at Strangr)

	
On episode 399, NASA astronaut Suni Williams reflects on her record-breaking mission, her perspective after returning to Earth, and her journey as one of the most experienced spacewalkers in history. 

Houston We Have A Podcast: A Record Breaking Astronaut

Predecir la meteorología espacial es fundamental para el regreso de los seres humanos a la Luna con la campaña Artemis. Comprender la radiación solar y desarrollar sistemas de protección no es solo una cuestión de descubrimiento científico: es esencial para la seguridad de los astronautas más allá de la magnetósfera protectora de la Tierra. Y, en última instancia, para el éxito de nuestros ambiciosos planes de establecer una presencia sostenible en la Luna y, más adelante, en Marte.

A toda vela: Cómo el estudio del Sol impulsa la exploración espacial

On episode 402, NASA’s all-American 2025 astronaut candidates share a little about themselves by playing a fun icebreaker game. 

Houston We Have a Podcast: On a Desert Island with the 2025 Class of Astronaut Candidates

THROUGH GLASS
by MAX DEVEREAUX & KAZUYA ISHIGAMI

released July 15, 2025

Digital Album  $2 USD  or more
edition of 25 Cassette  $6 USD or more 

1.FRIED GRASSHOPPERS 03:53
2.GALVANIZED STEEL TUB 03:10
3.PARTICULATES 04:33
4.SHED FESTIVAL 05:03
5.RIVER OF RAZORS 02:17
6.CORRUPT WIND-UP 04:48
7.THROUGH GLASS 05:54
8.THE LOWEST CHAMBER 05:29
9.WORKING TO RETURN 06:09

Side A : 1-5
Side B : 6-9


Through Glass is the result of a deeply collaborative and cross-continental experiment between Japanese electroacoustic composer Kazuya Ishigami and American multidisciplinary artist Max Devereaux. Rooted in contrasting yet complementary approaches, the project unfolds as a dialogue between structured sound design and spontaneous sonic exploration.

The process began with Kazuya Ishigami, who created a series of intricate sound materials, merging electroacoustic textures, noise fragments, and ambient field recordings. These materials were then sent to Max Devereaux, who layered, reinterpreted, and expanded upon them through improvisation, using field recordings, found objects, contact microphones, and modular synthesizers. Max's additions reflect his tactile and often textural approach, combining environmental sounds and lo-fi textures with gestures that evoke both intimacy and sweeping activity.

The recordings passed once more into Ishigami's hands, where he carefully deconstructed and reassembled the sound elements into finished compositions. His final edits shaped the album into a cohesive whole, blending raw improvisation with composed electroacoustic precision. He also oversaw the mastering process.

The album’s title was chosen by Devereaux, reflecting a feeling he has carried for much of his life as an artist, especially one working within the avant-garde. To him, creating art often feels like living behind glass: present but removed, able to observe and reflect the world with clarity, yet never fully immersed in it. This invisible barrier separates the artist from society, allowing vision without contact, insight without belonging. The music on the album, with its delicate, translucent textures and fleeting glimpses of human presence, seemed to embody this sensation perfectly, like watching life unfold just beyond reach.


WORKING TO RETURN

Dr. Jennifer Edmunson explains what it takes to simulate Moon and Mars dust on Earth, and lessons learned from preparing to build habitats on other worlds.

Small Steps, Giant Leaps: Episode 164: Simulating Moon and Mars Dust

location: Fjallsárlón, Iceland | time: September 9, 2018, between 18:10 and 18:15 | ambient: shore of a glacial lagoon  | author: Manuel López

"This recording was made on the shore of the glacial lagoon of Fjallsárlón (Iceland) on September 9, 2018, between 18:10 and 18:15. The water was full of icebergs with different sizes and colors, all oscilating at the same rhythm but in different times, colliding with each other. However, the atmosphere was like a closed space, intimate, inner. They were whispering."

#061 Disappearing

Snap! - Mary Had A Little Boy (Paco Caniza Groovy Mix)

strictly for promotional use only
no copyright infringement is intended.
please respect the original artists involved and go support them at their shows and buy their original tracks legally

listen and download more tracks : 
soundcloud.com/paco-caniza/sets/paco-caniza-tracks
soundcloud.com/paco-caniza/sets/remixes

Snap! - Mary Had A Little Boy (Paco Caniza Groovy Mix)

Silence can be defined as a soundscape with loudness below 20 dB. 
This project in an open archive which collect silence as soundscape/field recording below 20 dB.
This is an attemp to create a sound museum of silence.

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#061 Disappearing

Below20 - Sound Museum of Silence

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