ArtHouse Jersey's Roaming Soundtrack is curated by Rob da Bank, and sees seven artists each write a piece of music inspired by a location on the island of Jersey. Mine is St Ouen's Bay, photographed here by Danny Richardson. Kamancheh is played by Faraz Eshghi Sahraei. 

https://www.roamingsoundtrack.com 
https://www.dannyrichardsonphotography.com 
https://www.instagram.com/faraz_eshghi_sahraei

For Now (Roaming Soundtrack)

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Benjamin Gustafsson - Empathy

All rights reserved, © Benjamin Gustafsson 2014

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Empathy

“Under The Sour Cherry Tree”
Composer & Arranger: Amir Mahmoudi
Soprano Voice: Sogand Raoufi
Saxophone: Amirhossein Farkhondeh
Piano: Amir Mahmoudi
Cello: Arvin Moeini Nezhad
Bass Guitar: Mahdi Sharegh
Recording Engineer: Amir Mahmoudi
Recorded & Produced at Igor Music Studio
Mixing & Mastering: Shahriar Alavi
Cover Design: Asma Alinezhad
Official Teaser on YouTube: https://www.youtube.com/watch?v=MWxnbsEG3bc
© 2025 Igor Music Studio, Inc.

Follow Me On:
Official Website: www.amirmahmoudi.com
Instagram: instagram.com/amiir_mahmoudi
YouTube: youtube.com/@amirmahmoudi_official
Facebook: facebook.com/amir.mahmoudi.music
Bandcamp: https://amirmahmoudi.bandcamp.com

Under The Sour Cherry Tree

Whisper

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Sanft verblassen die Geschichten

Unfolding

All I Need

44,2 km (with Poltrock)

Klangriket & Sjors Mans - Leidseplein

Emmy award-winning composer Michael Price will release Tender Symmetry, his second album with Erased Tapes, on August 31st 2018. The ambitious musical project takes in a series of iconic National Trust locations across England as its inspiration, turning them into unlikely recording spaces. Michael and a host of musicians and collaborators — including soprano Grace Davidson (featured on Max Richter’s Sleep) and Shards (the choir on Nils Frahm’s All Melody) — travelled across the country in pursuit of places far removed from the traditional recording studio to create seven unique and moving pieces.

The diversity of Michael Price’s choices ranges from the ruins of Fountains Abbey in Yorkshire to the Fan Bay WWII shelter, cut deep into the chalk cliffs of Dover. All owned by the National Trust save one, each venue became both the inspiration and the recording studio for Michael Price and his accompaniment of renowned musical ensembles, choirs and soloists. 

While each piece of music is named after the location in which it was created, William Blake’s Songs of Innocence and Experience courses through them as well. Soprano Grace Davidson sings Blake’s poignant words about nature, religion and the industrial revolution on several of the pieces including the astoundingly beautiful album closer Shade Of Dreams, written after the birth of Michael’s daughter. “The final piece, Shade of Dreams, is part of a group of pieces I wrote for the birth of our daughter, Emilie. It, like all the works on the album, takes its text from William Blake’s Songs of Innocence and Experience, in this case, A Cradle Song. As much as Tender Symmetry is about the past, it is firmly about the future, and all our of shared futures.”

Alongside soprano Grace Davidson and Shards choir, other performers include virtuoso cellist Peter Gregson, new music experimentalists Immix Ensemble and Manchester Collective. Tender Symmetry will be available worldwide on LP, CD and digitally, including selected National Trust shops, on August 31st 2018. Michael Price will premiere Tender Symmetry live at London’s Kings Place on September 6th.

Released by:
Erased Tapes Records Ltd.

Release date:
31 Augist 2018

P-line:
℗ 2018 Erased Tapes Records Ltd.