"I arrived in Mexico city and was whisked off to a concert at El Colegio Nacional. It was the spanish quartet of 4 saxophones Sigma Project playing the world premiere of Alberto Posadas’s new three piece cycle 'Poética del Laberinto'. This was wonderful opportunity to catch up, with the magnificently accurate, inventive and awe inspiring performance by the spaniards. I thought this sort of precision could come only from a quartet of strings". 
Irvine Arditti (june, 2017)

SIGMA PROJECT www.sigmaproject.es is the New Saxophone in Europe, is more than a saxophone quartet. It is the realization of a wish came true, an essential vehicle for instrumental music in the 21st century. Just as the string quartet was the instrument par excellence for art music in past centuries, SIGMA Project claims this role in the 21st century for the saxophone quartet.
During its already long career, SIGMA Project has performed more than 150 concerts across half the world – not only in auditoriums in the United States, Argentina (Teatro Colón), Mexico (Palacio de Bellas Artes), Chile, Germany, Scotland, France, Italy, Poland and Romania but also in festivals such as the Festival Internacional Cervantino in Guanajuato, the Hannöversche Gessellschaf für Neue Musik, the Gare du Nord in Basel, the ENSEMS in Valencia, the Donostia-San Sebastían Musical Fortnight, the Música(s) Contemporánea(s) in the Teatro Central of Seville, the Temporadas of the CNDM, the Museo Nacional Centro de Arte Reina Sofía and Operadhoy-Musicadhoy in Madrid, among others.
SIGMA Project has its own record label, Sigmarecords, and has edited the CD Utopías: New Music for Saxophone Quartet and the DVD The Music for saxophone by Félix Ibarrondo. Additionally, they have recorded for WERGO (Alberto Posadas's 'Poetics of the Labyrinth' cycle), he BBVA Foundation (José Manuel López López and Gerardo Gombau monographs), Orpheus Classical (María Eugenia Luc monograph), Casa Velázquez-Académie de France in Madrid (Víctor Ibarra monograph) and, invited by the German Foundation Ernst Von Siemens Musikstiftung and with the label Col Legno, the Simone Movio monograph.
SIGMA Project’s work is supported by the Instituto Nacional de las Artes Escénicas y de la Música, the Etxepare Basque Institute of the Basque Government and the German Foundation Ernst Von Siemens Musikstiftung.

Thank you for all the love and support! Soundcloud is where I put my brand new music.  I have way too much music that I want to share with you all.  In order to hear all the music that's not brand new, please visit JoelLaviolette.com to hear ALL of my released music any time you'd like. 

With love and gratitude,
Joel

🤫🤫🤫 4+hour nocturnal playlist mixcloud.com/sometimebreather 🤫🤫🤫

Dr. Benjamin Robinette attained the Doctor of Musical Arts degree in Saxophone Performance from Texas Tech University (TTU) in May 2013, where he served as the studio teaching assistant and in-house arranger to Professor David Dees. His studies and mentorship under Dr. Christopher Smith and Dr. Angela Mariani also garnered him a certificate in Early Music Performance Practice from TTU. He holds the Bachelor of Music degree in Saxophone Performance from The University of Tennessee in Knoxville (UTK) where he studied with Dr. Connie Frigo, and the Master of Music degree in Saxophone Performance from the University of North Carolina School of the Arts (UNCSA), where he served as the studio teaching assistant to Professor Taimur Sullivan.

At UTK he won the university’s concerto competition twice, received the School of Music's award for woodwind performance excellence three times in a row, was awarded several outside performance scholarships, and had a soprano saxophone concerto written for him by David Pegel. At UNCSA, Robinette won the School of Music's concerto competition as well as the UNC-based Rosen-Schaffel Competition, which resulted in a performance of Alexander Glazunov's celebrated Concerto in E-flat with the Eastern Music Festival Orchestra under the direction of Gerard Schwarz. Robinette also collaborated at this time with composer Duncan Youngerman on two newly-commissioned saxophone works: Stillicidium and Déjà.

Recently at TTU Robinette performed several successful conceptual recitals. A retrospective of Duncan Youngerman's saxophone works resulted in the world premieres of two complete cycles of his compositions: the Splash cycle (previously known as Stan the Man) and the F.M. Air cycle of unaccompanied soprano saxophone works. Robinette’s saxophone octet arrangement of György Ligeti's Hungarian Rock also inspired an all-saxophone arrangement of Béla Bartók's Concerto for Orchestra for over 70 university and independent saxophonists from Texas, Oklahoma, and New Mexico. 

In addition to the saxophone, Robinette is still actively involved in both the World Music and Early Music programs at TTU. Getting involved in vernacular music led Robinette to rekindle his interest in dance as well, joining the Tech Irish Set Dancers and participating most recently as a dancer and singer in the 2012 production Dancing at the Crossroads.

Due to a long-standing love of the Zimbabwean thumb piano styles of the mbira dzaVadzimu and the matepe (both of which he taught himself how to play), he founded and is currently leading the TTU Mbira Group, the first academic ensemble of its kind in the state of Texas—earning him the TTU Vernacular Music Center's annual scholarship. Outside of his academic activities, Robinette has also recorded a matepe DVD (the first of its kind!) entitled “Matepe Spirit” with his teacher Joel Laviolette.

His interest and pursuit of Early Music as a bass vocalist and as a researcher has encouraged Robinette to ponder fundamental questions about the nature of historically-inspired performance, leading to the creation of his latest project: Quartet Exordium. A saxophone quartet only in instrumentation, they explore repertoire of the Middle Ages and the Renaissance in order to deliver performances of early music that excite modern audiences and challenge conceptions of how modern instruments can effectively transmit the music of the distant past. Their initial series of concerts involved the subtle but complex music of the Ars nova and Ars subtilior from the late 14th and early 15th centuries, culminating in their appearance as featured guests of the TTU Early Music Ensemble in January 2013. In March 2013 on Easter Sunday they recorded a compact disc featuring a liturgically accurate four-saxophone adaptation of Renaissance composer Johannes Ockeghem's Missa Prolationum. Additionally, this recording supplements Robinette's doctoral thesis entitled “Interlocutio: A Process for Performing Renaissance Vocal Polyphony on Saxophones.” 

Robinette currently lives and works in Lubbock, Texas with his fiancée Melody and their two cats Loki and Belle. During his downtime he enjoys singing complicated Medieval and Renaissance music (as well as not-so-complicated catches and glees), trying new restaurants and coffee shops, baking desserts, reading science fiction and magical realism novels, and adventuring across the country.

Benjamin Robinette is following