A Freshmen at MTSU searching for his sound somewhere between downtempo electronic and shoegazey guitar

I'm a musician, hacker, and witch from Nashville

Submit booking, licensing, and label correspondence to keston@audiocookbook.org

John C.S. Keston is an award winning composer of electronic, experimental, and instrumental music. His work embraces the chaotic ambiguities of environmental and sensorial influences providing context within unpredictable or everyday events. His unconventional compositions convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. His compositions parallel indeterminate improvisation activating what remains immutable within traditional forms of notation driven music. Performers are empowered to use their phonomnesis, or sonic imaginations, to contribute to the work.

His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015) presented at the MNKINO Film Score Fest. He has appeared on more than a dozen albums including two solo albums on Unearthed Music. His latest release, Isosceles (2016) has drawn comparisons to the Stranger Things soundtrack. In 2011 he won the Minnesota Emerging Composers Award for electronic musicians. In 2013 he won the Jerome Fund for New Music for his project documenting binaural duets with the Singing Ringing Tree in the UK. 

John has performed and exhibited original work at Northern Spark, an all night arts festival with over 200,000 attendees (MN); the Weisman Art Museum (MN); the Montreal Jazz Festival; the Walker Art Center; the Burnet Gallery (MN); the In/Out Festival of Digital Performance (NYC); the Eyeo Festival (MN); INST-INT (MN); Echofluxx (Prague); WMC (Miami); and Moogfest (NC). In addition, Keston has worked with Atmosphere, Jon Davis, Martin Dosh, Peter Hennig, Joshua Herbst, Cody McKinney, Graham O'Brien, Adam Svec, and Nils Westdal to name a few. John resides in Minneapolis where he is a professor of creative multimedia at the University of St. Thomas and founded the widely read sound design resource  <a href="http://audiocookbook.org" rel="nofollow" target="_blank">AudioCoobook.org</a> where he shares sounds and writes about his unique approach to composition, production, and performance.

UK record label based at fabric, East London. Run in part by Rob Booth (Electronic Explorations)

Welcome to the GSMST Music Technology page! Please enjoy selections from our many releases. To hear more songs and to download tracks please visit our Bandcamp page!
http://gsmstmusictechnology.bandcamp.com/releases
The music technology program at the Gwinnett School of Math, Science & Technology (GSMST) is a perfect compliment to the school's multi-faceted, award winning music program. Since its inception in 2008 the program has solidified itself as one of Gwinnett County School's premier music technology programs. Students in the music tech program learn music production, sound design, studio and live recording techniques, music composition and songwriting in our state of the art music production lab and recording studio. The music tech classes produce two albums per year. Additionally, Juniors and Seniors may choose music technology as a year long internship, producing their own professional quality albums and portfolios. Our music technology students also intern at top recording studios around Atlanta and have gone on to study music and music production at schools such as Berklee College of Music, MTSU, and Northwestern. 



'Bolted' the new album out 20th October + tour:
http://linktr.ee/forestswords

management/row booking: thomas@redmanagement.info
eu/uk booking:  debbie@lb-agency.net

Songs Produced / Mixed / Mastered by Kurt Feldman

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