More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet Junto Project 0472: Jam Time (1 of 3)

EDIT: Updated version JAN 26th 2021. After several nice contributions from other junto participants (see disquiet0473) that showed me that actually something could be done (organ, lead guitar, etc)  I decided to "complete" the original take myself just to have something more listenable here. Please refer to the 0473 versions for more interesting take son this original guitar jam..

Originally created for https://llllllll.co/t/disquiet-junto-project-0472-jam-time/4

Hello, glad to be back, hope everybody started 2021 in a happy note.
I went for a fast approach: recorded a very simple idea, quite useless and pointless as it is, the sort of things I just record in 15 minutes and put aside waiting for the right time to do something with it, develop, transform, re-record properly,  expand and finish. Sometimes never happens. 

This one…I can’t think about any further development really, I don’t know what I’d do with it so it’s with a lot of hope that I ask somebody to do something with it, to rescue from oblivion.

It was recorded just now, me playing my Martin acoustic guitar on straight 1/4th notes with a delay on 1/8th notes (no feedback) and a second delay pedal on 1/8th notes with a long feedback to fill the spots where I pause in the middle and ending.
I like the blend of my human acoustic playing and the robotic repetitions of the digital delay. But I imagine it’s not the usual material to work with, hope somebody finds something to do with it.
Cheers
DD

E minor 132bpm

Somebody Do Something - Disquiet0472

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Ballad Of Lonely 80's Boy (disquiet0472)

A layer of Plaits/Cocoquantus/tape panned fully left.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Bedding

Bedding [disquiet0472]

Panned hard left for junto jam project

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Orphaned Loop (disquiet0472)

A set of modular synth pads in Fm7 / D# 7 for use as a background for a collaborative piece. 

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet0472 JamTimeBacking

Created as the first layer in 3.

7 instances of Sculpture in Logic. The notes A, C#, D, F#, G#, A, C#.
BPM 62

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at: https://disquiet.com/0472/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

Seven Strings  in Longji [disquiet0472]

I am a human animal & through my creative practices seek to connect to the flow of life to let my innate intuition guide me before my logical mind controls me. To undo or at least side-step some of my cultural conditioning so the spirits of the place I am in can express through me. This  forest I am in, the rock I sit on beside this stream, the footpath below my feet, this vast planet we all live upon. The natural world so often unconsidered, ignored, I aim to give it some voice.

Seven Strings in Longji [disquiet0472]

Benn DeMole