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Medicine

Reignwolf - Are You Satisfied?

Move Shake Hide, the new single from Marmozets, is released on 18th November via Roadrunner Records.

Lyircs:

Move shake move shake and hide (alright)
Stop trying to pressure me (alright)
Everything is gonna be (alright)
I know it doesn't say vacancy but I hope you don't mind.
I hope you don't mind us.

Can you really see everything? Like my fingers and in between?
A lonely heart equals a lonely mind.
But that means nothing, nothing to me.

Easy on the eyes my friend, you don't wanna mess with this.
Sometimes the bleeding sun bleeds red and thick, colour in my only way to find it.
So come at me son, and pull the trigger on the gun.
I'm alive, I'm alive, I'm alive (and it's alright)

Now I've got you where you need to be and the dark has left your eyes.
Move shake move shake and hide.
Move shake move shake and hide.
Move shake move shake and hide.

Easy on the eyes my friend, you don't wanna mess with this.
Sometimes the bleeding sun bleeds red and thick, colour in my only way to find it.
So come at me son, and pull the trigger on the gun.

I'm alive, I'm alive, I'm alive (and it's alright)
I'm alive, I'm alive, I'm alive (and it's alright)
Move shake move shake and hide.
Move shake move shake and hide.
Move shake move shake and hide.

Move shake hide, move shake hide, move shake hide.

Easy on the eyes my friend you don't wanna mess with this.
Sometimes the bleeding sun bleeds red and thick, colour in my only way to find it.
So come at me son, and pull the trigger on the gun.

http://www.marmozets.co.uk/

Move Shake Hide

Last year I read a Walt Disney biography, and when he was first making motion pictures in the 1930s he would make these shorts in between full length movies called "silly symphonies". They'd be short cartoons that would play before features in the theaters and he would use them to try out new animation techniques and see what worked, and how much work it would be to do.  That's what I wanted to do that with Sanctuary Season. I wasn't ready to do a full length album and I wanted to prove to myself I could do something like this, so I decided to do an "in between”. 

We literally recorded it for about $500 bucks and I didn't tell anyone at my label or management about it until it was time to master. We cut like 9 songs for it, including a Kanye west cover that will never see the light of day. Basically, it came from a time in my life when a lot of things around me fell apart, and the only thing I could do, and the only control I had was to write, get in the studio, and work. At the same time recording stopped becoming fun and became more of a hassle and burden, so I had to work my way back from that and fall in love again. And that's where Sanctuary Season comes from. “Medusa" was the first song I wrote.  It started as that intro drum loop.

After I signed a publishing deal, I bought some new gear - a Dave Smith Tempest and Prophet - and it changed the way I began to write songs. I started writing these bass lines that I would never usually write on electric, and writing to drum loops. I created drum loops that I would write over. It was very subconscious and meditative. That's how “A Stranger Saved My Life" and “Medusa" came about. I don't remember writing them. They came very very quickly. They are songs and melody I would never write consciously. "A Stranger Saved My Life" is my favorite song and I think the best I've ever written.

Prior to the recording of Sanctuary Season, there were a lot of things that took the fun out of actually recording music. It became less about crafting a song and more about appeasing people and politics and just a f*cking drag, and became more of a burden for me. I dreaded having to do it because in my mind I couldn't rationalize all the work to be worth it. I realized I had to change that, and then everything took care of itself. That all changed during the session for “Beloved". Everything got stripped away and it was just me and the music. That song was the first time in a while I felt something while recording. It was the first time in so long that the emotions I felt when writing it got transcribed to sound and came out exactly how I wanted it to. It was inspiring. It touched my heart and I remembered why I love this so much. I like that song a lot.

Amidst chaos we have to figure out what kind of control we have and what we as individuals can actually change. When things fall apart we have to decide whether we will let it make us stronger or collapse. Sanctuary Season was my way of dealing with an uncertain future and chaos.

-Kyle Nicolaides, Beware of Darkness 

Medusa

Empire

Royal Blood -Where Are You Now

Lost Cause

AWOLNATION - Dreamers (Audio).mp3

The story of De Staat proves that humble beginnings can lead to great things. It all started as a one man project by the Dutch singer, musician and composer Torre Florim. As a graduating project from his studies ‘Music Production’ he wrote, played and produced the stunning debut album ‘Wait For Evolution’. Though before it was even released, De Staat was already a full grown band. Since then – early 2009 – the band established itself as the most exciting new rock band that Holland had to offer in a very long time. Their concerts got unanimous rave reviews. Their stage reputation grew so fast that within a year the band played festivals from the likes of Sziget, Pinkpop, Lowlands, Dour and took on the acclaimed John Peel Stage at Glastonbury. 

De Staat -Sweatshop

IAMDYNAMITE - Where Will We Go

"Bloodlines" is out now! http://ffm.to/bloodlines

Medusa

Beware of Darkness

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