Cocktail Party

Thanks to Charlie Rose for lyrics and vocals
Thanks to Equinox for the Dont Play sample

Big Head Ft Charlie Rose (Smells like Nirvana Rework)

“All or Nothing at All,” with music by Arthur Altman and lyrics by Jack Lawrence from around 1940, is a classic standard built on a single, uncompromising idea: love must be total, or it is not worth having. There is no middle ground in this song’s emotional world; its very title states the ultimatum, and every musical and lyrical detail reinforces that stance. It is a song about risk, about staking everything on a single relationship, with the awareness that such a bet can hurt as much as it can fulfill.

The melody is one of the most striking features. It opens with a bold, upward leap, immediately conveying determination and intensity. This is not a tentative tune; it does not creep in by small steps. Instead, it stretches out in long, sweeping phrases that demand breath and commitment from the singer. These lines often climb toward a high point on key words—“all,” “nothing,” “fall”—so that the very shape of the melody dramatizes the lyric’s extremes. Between these peaks, the melody relaxes into more stepwise motion, giving the impression of someone thinking aloud between declarations.

Harmonically, “All or Nothing at All” is rich, dark, and distinctly jazz‑oriented for its time. It leans heavily on minor tonalities and chromatic movement, which add a sense of tension and sophistication. The chord changes feature classic jazz progressions—ii–V motions, altered dominants, and brief tonicizations—that invite improvisation while maintaining a strong emotional arc. The harmony often seems to circle around the tonic rather than settling comfortably, mirroring the unsettled, all‑or‑nothing emotional state described in the text.

Lawrence’s lyric is direct but not blunt. It uses simple language to express a complex emotional posture: “There ain’t no in‑between” is almost colloquial, while lines like “Please don’t bring your lips so close to my cheek” reveal the vulnerability underneath the tough surface. The singer appears to be setting rules for self‑protection—demanding total devotion to avoid the pain of half‑measures—but the very need to say this suggests a history of disappointment. The lyric walks a fine line between resolve and pleading, making the song feel both strong and slightly fragile.

Culturally, the song is inseparable from its early association with Frank Sinatra, whose 1939 recording with Harry James became a major hit when reissued in 1943. That version helped define the piece as a vehicle for expressive, elastic phrasing and subtle rhythmic play. Since then, “All or Nothing at All” has become a staple of the Great American Songbook and a favorite among jazz musicians, precisely because its structure supports both emotional storytelling and harmonic exploration.

On solo or felt piano, an especially intimate and reflective side of the song can emerge. Stripped of big‑band accompaniment, the tune turns into a kind of interior monologue: a late‑night confession rather than a nightclub performance. The pianist can emphasize the tension in the harmony with close‑voiced chords and gentle dissonances, letting the minor colors linger before resolving. Slight rubato—pulling back on the phrases that contain the ultimatum, then flowing forward on the more vulnerable lines—can mirror the push and pull between firmness and fear. In the softened, muted timbre of felt piano, “All or Nothing at All” feels less like a threat and more like a plea for honesty: if love is to be given, let it be given fully, because anything less will not survive.

All or nothing at all  1940

8th part of the Requiem - 

For all those relatives, friends and colleagues who have left us, often prematurely, in recent years. May they rest in peace.

Cover Illustration: Alain de Maximy

08 - Libera Me

The 12. official Album digital. A Symphony of Sadness by KMT - Style: Pop, Trance, Techno, Cross-Genre

07 Whispers in the Abyss v1

[ Source Voyager Machines ] DYB

Finding Peace

Peace is a thing sought for relentlessly,
By every human in every vicinity.
Oh, that it were bestowed on us so uniquely,
At that precious moment of birth.

But we grow into a hateful and troublesome earth,
Where the peace of youth is snatched.
Young boy, don’t get so attached,
For that joy you feel
Fades as life unveils.

Reality unravels,
You will face a backlash of hate you can’t appeal.
But there’s hope,
For the heavens hold the medicine that helps us cope.

In God we trust,
And sure as life, you’ll get the peace for which you long.

Finding Peace

"Hinter uns das Land" / "Behind Us The Land" - Music from Book 5: (Part 2) A New Beginning

Book 5 of "Hinter uns das Land" / "Behind Us The Land" opens a new chapter: The horrors of war lie behind the protagonists, but the scars run deep. This music collection accompanies the Feyerabend family in the post-war era, a time of rebuilding, hope, and slow healing.

The music of Book 5 is an eclectic mix of styles and eras, reflecting the complexity of starting anew. German Schlager hits of the 1950s and nostalgic chansons evoke memories of the past and a rediscovered joy of life. Acoustic sounds, folk, and jazz symbolize the search for security and a new normal. Brit Pop, Swing, and Rock'n'Roll represent the dawn of a new era, while Indie Pop, Chamber Pop, and even a wedding march musically underscore the hope and the gradual blossoming of new dreams. But the shadows of the past are still present, captured in melancholic ballads, a sad piano piece, psychedelic folk, spiritual hip-hop, and powerful post-rock. Even punk rock finds its place, expressing the regained freedom and zest for life.

This music is a sonic tapestry of the post-war era, a tribute to the will to survive, the importance of family, and the strength of the human spirit. It captures the ambivalence of this epoch: The burden of memory and the simultaneous spirit of optimism, the grief for what was lost and the hope for a new beginning.

Music: A musical journey through time from the 50s to the present day with elements of German Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock, and more.

Discover the musical soul of "Hinter uns das Land" / "Behind Us The Land"!

Follow us for more music from "Hinter uns das Land"!

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"Hinter uns das Land" - Musik zu Buch 5 (Part 2): Aufbruch in eine neue Zeit

Buch 5 von "Hinter uns das Land" schlägt ein neues Kapitel auf: Die Schrecken des Krieges liegen hinter den Protagonisten, doch die Narben sind tief. Diese Musiksammlung begleitet die Familie Feyerabend in der Nachkriegszeit, einer Zeit des Wiederaufbaus, der Hoffnung und des langsamen Heilens.

Die Musik zu Buch 5 ist eine eklektische Mischung aus Stilen und Epochen, die die Vielschichtigkeit des Neubeginns widerspiegelt. Schlager der 50er Jahre und nostalgische Chansons erinnern an die Vergangenheit und die wiedergefundene Lebensfreude. Akustische Klänge, Folk und Jazz symbolisieren die Suche nach Geborgenheit und einer neuen Normalität. Brit Pop, Swing, und Rock'n'Roll stehen für den Aufbruch in eine neue Zeit, während Indie Pop, Chamber Pop und sogar ein Hochzeitsmarsch die Hoffnung und das langsame Erblühen neuer Träume musikalisch untermalen. Aber auch die Schatten der Vergangenheit sind noch präsent, eingefangen in melancholischen Balladen, einem traurigen Klavierstück, psychedelischem Folk, spirituellem Hip-Hop, und kraftvollem Post-Rock. Sogar Punkrock findet seinen Platz, um die wiedergewonnene Freiheit und Lebensfreude auszudrücken.

Diese Musik ist ein Klanggemälde der Nachkriegszeit, eine Hommage an den Überlebenswillen, den familiären Zusammenhalt und die Kraft der menschlichen Seele. Sie fängt die Ambivalenz dieser Epoche ein: Die Last der Erinnerung und die gleichzeitige Aufbruchstimmung, die Trauer um das Verlorene und die Hoffnung auf einen Neuanfang.

Musik: Eine musikalische Zeitreise von den 50er Jahren bis in die Gegenwart mit Elementen von Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock und mehr.

Entdecke die musikalische Seele von "Hinter uns das Land"!

Folge mir für mehr Musik zu "Hinter uns das Land"!

08 - Martha Goes Home (Instrumental) (From the Original Novel Soundtrack)

The third track references the 3rd of Cole's paintings, reflecting the Empire at its height (zenith).

Douglas P Stoothoff main site: exedexes1.com/

exedexes1.godaddysites.com/

Youtube subscribe:

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SamāššEšrā

Palimpsest of Fallen Hegemony (Zenith Of Opulence submission for Impressions Composing Jam Original Soundtrack 2 hosted by KaleOverlord for Itch.IO)

Buy on Beatport

Palimpsest of Fallen Hegemony 03 - Zenith Of Opulence

One Direction- Happily Slower Ballad Cover

Holiday Reverence

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

OUR VISION & MISSION

Our Vision: We believe that resilience can make even the deepest wounds bearable.

Our Mission: This project is dedicated to a profoundly human, true story to achieve two things:

To Bear Witness: To show what war does to ordinary people and how its scars echo for generations.

To Give Courage: To strengthen and inspire anyone who has suffered loss or lived through difficult times.

This is music as a testament. A story that repeats itself every day.

A Beyond & Before Music production.

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Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

UNSERE VISION & MISSION

Unsere Vision: Wir glauben daran, dass Resilienz selbst die tiefsten Wunden erträglich machen kann.

Unsere Mission: Dieses Projekt widmet sich einer zutiefst menschlichen, wahren Geschichte, um zwei Dinge zu erreichen:

Zeugnis ablegen: Zu zeigen, was Krieg mit normalen Menschen macht und wie seine Narben über Generationen nachhallen.

Mut machen: Jeden zu stärken und zu inspirieren, der Verlust erlitten oder schwere Zeiten durchlebt hat.

Das ist Musik als Vermächtnis. Eine Geschichte, die sich täglich wiederholt.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

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