EP: "Tragen wir Träume auf zerbrechlichen Wegen" - Musik zu "Hinter uns das Land"

Diese EP, veröffentlicht von Beyond & Before Music, präsentiert zwei unterschiedliche Interpretationen der Songs "Hier auf Hela" und "Lappland", die Schlüsselszenen aus dem Roman "Hinter uns das Land" von Frank Talmon l'Armée musikalisch einfangen. Die Songs beleuchten die dramatische Flucht der Familie Feyerabend und anderer Flüchtlinge aus Ostpreußen im Frühjahr 1945.

"Hier auf Hela" fängt die beklemmende Stimmung und die Ungewissheit an der Küste von Hela ein, wo die Flüchtlinge auf eine Überfahrt warten, nachdem sie dem Grauen von Stutthof entkommen konnten. Der Song liegt in den Versionen Musical, Filmmusik, Alternative Rock und Experimental vor. Er spiegelt die innere Zerrissenheit der Protagonisten wider, die zwischen der Hoffnung auf Rettung und der Angst vor dem Ungewissen schwanken.

"Lappland" hingegen thematisiert die Überfahrt nach Dänemark an Bord des gleichnamigen Schiffes. Der Song, verfügbar in Folk, Folk-Rock und Singer-Songwriter, zeichnet die bedrohliche Atmosphäre auf See nach, die ständige Gefahr durch Torpedos und die Erinnerungen an die Tragödie der "Wilhelm Gustloff". Trotz der allgegenwärtigen Bedrohung steht auch hier die Hoffnung auf einen Neuanfang in der Fremde im Mittelpunkt.

"Tragen wir Träume auf zerbrechlichen Wegen" ist eine musikalische Reflexion über Flucht, Verlust und die Kraft der Hoffnung. Die Musik fängt die innere Zerrissenheit der Flüchtlinge ein, die zwischen der Erinnerung an das Vergangene und der vagen Hoffnung auf eine bessere Zukunft gefangen sind.

Musik: Beyond & Before Music
Text: Frank Talmon l'Armée, inspiriert durch seinen Roman "Hinter uns das Land"

Folge Beyond & Before Music für mehr Musik zu "Hinter uns das Land"!

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EP: "Carrying Dreams on Fragile Paths" - Music from "Hinter uns das Land" / "Behind Us The Land"

Released by Beyond & Before Music, this EP presents two distinct interpretations of the songs "Here on Hela" ("Hier auf Hela") and "Lappland", capturing key scenes from the novel "Hinter uns das Land" / "Behind Us The Land" by Frank Talmon l'Armée. The songs illuminate the dramatic escape of the Feyerabend family and other refugees from East Prussia in the spring of 1945.

"Here on Hela" captures the oppressive atmosphere and uncertainty on the coast of Hela, where the refugees wait for a passage after escaping the horrors of Stutthof. The song is available in musical, soundtrack, alternative rock, and experimental versions. It reflects the inner turmoil of the protagonists, torn between the hope of rescue and the fear of the unknown.

"Lappland", on the other hand, deals with the crossing to Denmark aboard the ship of the same name. The song, available in folk, folk-rock, and singer-songwriter versions, portrays the threatening atmosphere at sea, the constant danger of torpedoes, and the memories of the "Wilhelm Gustloff" tragedy. Despite the omnipresent threat, the hope for a new beginning in a foreign land is also a central theme.

"Carrying Dreams on Fragile Paths" is a musical reflection on escape, loss, and the power of hope. The music captures the inner turmoil of the refugees, caught between the memory of the past and the vague hope for a better future.

Music: Beyond & Before Music
Lyrics: Frank Talmon l'Armée, inspired by his novel "Hinter uns das Land" / "Behind Us The Land"

Follow Beyond & Before Music for more music from "Hinter uns das Land" / "Behind Us The Land"!

1 - Hier auf Hela (Original Soundtrack)

Composer, arranger, performer, music director and teacher, I graduate of the 'Université de Montreal' , I have been passionate about everything that resembles music for more than 45 years.

I'm 𝑫𝑼𝑩 𝑺𝑰𝑫𝑬 𝑫𝑨𝑵 you can check my music out on all these sites. https://open.spotify.com/artist/5wedZannnrrMCesdrVprLE?si=KbV3UUYlQg-DfOq6pwiaeA&utm_source=copy-link. .Im an underground rap artists from Cleveland Ohio you can check out my music on Spotify Apple iTunes. Listen to DUB SIDE DAN (Greatest hits)⭐ Mix 🔥, a playlist by Dub Side Dan on #SoundCloud
https://on.soundcloud.com/wQJWn

Labobros is an acoustic duo from Italy, consisting of Giuseppe and Pietro Labonia.

Mental illness is no fun. Often difficult to understand for those not affected. What life feels like with depression, anxiety disorders, etc. ?
Here's my attempt to express how it feels to live and love with these diseases. 
Brutally open, vulnerable lyrics and music that fits the message. Different styles of music, different voices supporting my very personal message.

Love, Sarima 



https://www.instagram.com/sarima_musictherapy/profilecard/?igsh=MXdseWtreW5oNTE4OQ==

EDM & Future bass🔥
Show some support🎵💯
Insta: https://www.instagram.com/snebo24/profilecard/?igsh=NHcwdHpqdGRzejI2
TikTok: https://www.tiktok.com/@snebo00?_t=8sUJvJ2nbAe&_r=1

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

OUR VISION & MISSION

Our Vision: We believe that resilience can make even the deepest wounds bearable.

Our Mission: This project is dedicated to a profoundly human, true story to achieve two things:

To Bear Witness: To show what war does to ordinary people and how its scars echo for generations.

To Give Courage: To strengthen and inspire anyone who has suffered loss or lived through difficult times.

This is music as a testament. A story that repeats itself every day.

A Beyond & Before Music production.

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Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

UNSERE VISION & MISSION

Unsere Vision: Wir glauben daran, dass Resilienz selbst die tiefsten Wunden erträglich machen kann.

Unsere Mission: Dieses Projekt widmet sich einer zutiefst menschlichen, wahren Geschichte, um zwei Dinge zu erreichen:

Zeugnis ablegen: Zu zeigen, was Krieg mit normalen Menschen macht und wie seine Narben über Generationen nachhallen.

Mut machen: Jeden zu stärken und zu inspirieren, der Verlust erlitten oder schwere Zeiten durchlebt hat.

Das ist Musik als Vermächtnis. Eine Geschichte, die sich täglich wiederholt.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic

JOHN HARDMAN - singer, songwriter, guitars, keys, producer 
https://www.perplexity.ai/search/john-hardman-latest-guitar-tra-tF7LEkFPT.e6BVl22SCo5g#0
YOU TUBE MUSIC - https://music.youtube.com/watch?v=xgOiS8QNa9Q&list=PL-PCsZnU8IF-6X-WgdydjtsjA6cOTWjl1
LINKTREE: linktr.ee/john.hardman
WEBSITE: https://johnhardmanmusic.com
https://app.viberate.com/artist/john-hardman
linkedin.com/in/john-hardman-799488321
APPLE MUSIC - NEW PERSPECTION ALBUM:
Buy single songs or whole of John's albums in lossless at https://beatsworkingukjohnhardman.bandcamp.com
John Hardman Cooked Oxide album - buy individual or full album lossless: 
https://johnhardman.bandcamp.com/album/john-hardman-cooked-oxide
https://music.apple.com/us/album/perspection/1599817271
TWITTER: BEATS WORKING:  twitter.com/beatsworkinguk
https://www.perplexity.ai/search/john-hardman-latest-guitar-tra-tF7LEkFPT.e6BVl22SCo5g#0
email: mail@johnhardmanmusic.com
swampprods@outlook.com

Gvmbitt is a rapper and professional songwriter from Saint Louis, Missouri. You can contact him via email at gvmbittdarapper@gmail.com for features or songwriting services. The "Conflictions" Ep will be released later this year. Also, monthly releases on all platforms.
#conflictions2025

From the live houses of the Jing to busking in tunnels (Granted, the 33.3% donation rate was based on the fact that he had removed his stifling white collar shirt and was dancing bare chested) in Singapore, Psychedelic Revolution (aka Psyche Rev) is a one man project that likes most things such as alt r&b and alt rock. Made it as a semi finalist in 'Song of the Year' competition in 2022 with his song 'Cassius.' Finalist in 2023 with 'We'll Go Down.' Finalist in 2024 with 'Sigh' and also taking semi finalist positions with 'Heartbeats & Inner Turmoil' and 'You Had Me'. Finalist in 2025 with 'Cold Cold Storm' and semi finalist with 'So Typical.' Tastes like Kung Pao Chicken. Looks like a cross between Brag Pitt and Heath Leather. Smells like team spirit. Feels like baby powder. Oh the music. Yeah, it sounds good. 


Don't respond to DM's on here so if you would like to get touched pls contact  via some other avenue. He does have a sun fetish though.

Daily Musing:

Nov: Funk
Dec: a cover. Demo version. But I will do a full length cover for once.
 I've been thinking that I want to do a 'How to Train Your Dragon' theme. I've really only seen the third one and the live action version (the recent) but they moved me. Multiple times. I was with my friends and I took off my 3D glasses. Started wiping my eyes. Look to the right and everyone else is just fine.
Which reminds me of when I was in the band in uni and my Indian friend/guitarist started teasing me about crying in Titanic. 
"I was 6! Motherfucker you cried in Lagaan!"
Then he started chasing me around. Cos' that's what guys do when they like each other. 
 Which I guess also says something about how the filmmakers handled No Time to Die. 
So maybe like medieval rnb. Worked for Seal.
The only low for this year has been working with the label. They are called Raw Doggy Records. I contacted them saying I know you guys do electronic but I don't. They did like my music. Were gonna release stuff. Then they heard the mix for 'Heartbeats' and wanted me to remix some songs. I said, "that costs money." Then, I changed my mind and still got that mixer to mix the old songs. 3 of em' and then the label said, "to be honest, we prefer the older mixes." They were taking 2 weeks to reply to my emails aaand not so much as a "sorry we made you pay all that money for...nothing." So I said, "to be honest, I prefer the new mixes" which is a polite way of saying "go fuck yourself." And, that was that. They seemed to have gotten the msg. If you check out the artists on their roster all I can say is, "it's not my cuppa tea" I prefer electronic music like Daft Punk/Kavinsky/Infected Mushroom etc. The good news is that I wasn't particularly down about it.
Regarding Bharat, he's really the first person who believed in me as a singer so I owe him that much (or quite a lot). It meant and still means a lot to me because i consider him the best guitarist I've heard. I've heard Fripp, Slash, Petrucci, Laiho, and attended a Hendrix tribute with Eric Johnson, Satriani, Vai etc. He only practised 4 hours a day after school by ear. I could do that for the rest of my life and get to 1/5 as good as him.  It began in Florence and there was this kid from Jersey called Alex who was a somewhat decent singer and a good pianist. He was better than me at the time at singing.  I give Bharat an A- as a band leader cos' he was very patient with Rauf, our friend and bassist who barely practised. With me, he was encouraging. So, I think they thought they could fit Alex and me in the band together. I had no problem with that. Now Alex had an interesting take on songwriting which was to bring pop into whatever genre. So if it was rock he liked Spin Doctors. Now, don't get me wrong, I like 'MMMbop' by Hanson every now and then but in a band, playing that type of stuff? No. Bharat and I were on the same page. He liked his metal, hard rock. So, Alex would sing whenever I sung. Or make noises cos' he was the better singer. Zero band etiquette but...I can see where he's coming from. Bharat did nothing about that which is where the A- comes in. So, I got fed up with Alex acting like a child and walked out of rehearsal. My goal was to find the nearest American for inspiration. This was when I was in NY. I ran into a marine near a bar after 30 secs. I said, "Look we're in a band and we wanna play hard rock but there's this kid that keeps singing whenever I sing..."
*inspirational moment right here*
"ah fuck it. what am I saying? I'm gonna go back in there and kick his ass...musically."
"Sounds good man."
"Thanks for serving the country!"
So that was what happened and I walked in there danced and sung. Alex got all red in the face. And, that was the last time we had band practise together. I actually wasn't that confident back then and it was the first time singing for a band. Now, I would say to Bharat,
"hey, can you tell your friend to stfu when I'm singing?"

As far as my middle school 'friends' go, well I'm really a huge fan of that guy one who went through his ex's phone, cried on a date, and then hacked her when she broke up with him. The quote was, "what did I do wrong?" A better question would be "what did I do right?"
And the answer to that question is...nothing. 
"Critics are saying Em's new stuff is as good as his old stuff."
A) music critics are more like lyrical critics. 
B) I'd be satisfied with "music critics are saying ...and I agree."
This quote just shows a lack of ...identity.
"We've been fans of Em since Infinity."
Now, this is like saying I've been a fan of Prince since Purple Rain or a fan of GNR since Appetite. Anyone with half a decent brain would go, "motherfucker you weren't born in the 80's."
And then there was the talking in 3rd person. The ' so and so 2.0.' 
A definite upgrade in the hacking department and a downgrade in the EQ department. 
I'm also really a huge fan of the guy who kicked his ex.
I'm also a huge fan of the guy who got his head shoved down the toilet and claimed 'PTSD.' 
Soldiers who've served in Iraq and Afghanistan: Really? Would he like to go on tour with us?
I think he'd die of super PTSD before the plane takes flight so I can answer for him.
So this guy spends the better half of his 20's accusing his friends of "shoving a lollipop up his ass."
After telling him twice, "I didn't do it" he finally believes it when he the people that did do it tell him. Now, ya see toilet humour is more of Gazza's thing and not mine. In Gazzas' defence, no one shoved a lollipop up his ass. They put it on his ass cheeks. 
So if we slippery slope the guy who's been there since Infinite and the guy who got a lollipop 'shoved up his ass' . Maybe when he reaches 40 he'll tell the truth. By the way, 'alleviate' is an SAT word. Good job. Try using a word that the average mortal uses like 'lessen' instead of trying to impress other people with that thing you call a brain.
 I'm dying to hear a conversation between you two.
"I was here since the dinosaurs." Oh this is the guy who gets offended if you make fun of his ears. I haven't really said the worst thing he's done cos' that would make his ex 'flip out.' Not sure she knows. Well, his lil bro discovered it on his computer and I saw.

"Well you guys decapitated me in grade 8."


Well wasn't it Gazza? btw he dislikes it when you call him this. He dislikes a lot of things really and he really only does things he 'feels like'.  One of my fave things he's shared on wechat before was when he shared "I'm not racist but guys like this give black people a bad name." Which was a fancy way of saying I'm not racist but I actually am. Which is also really rich considering he used to say the N word a lot when he was young. Then, there was the hilariously self aware post him moaning about people who moan on the basketball court. Truly a man's man is Gazza.  See Gazza here sulks and pouts more than any other guy I know. Entire chapters could be dedicated to him sulking. That one time he got poor grades. Those weeks he got his high school gf pregnant. He makes Nicholas Anelka (Le Sulk) look like Roy Keane. 
After thinking for a bit about why he would make fun of my ex for not having any boobs it's cos Gazza here had moobs back in the day and needed to bring someone else down to make his fat self feel better about himself. Don't worry Gazza, when the moobs return when you're older I'll be laughing. 
006: I can't believe you dislike him more than me. 
For your ex James?
No, for me.
Things I like about 006:
-his charisma
-his humour
-his soft side when he admits to crying to 'Spaceship' and 'Hey Mama.' I don't get why he cries in 'Spaceship' but...I can respect that.  Cos' a fair assessment of his English and it's fluent but I don't think he understands 100% of Kanye's lyrics. He gets the chorus for sure. 


I heard some people wanted to donate some money and pay for my monthly mixing. And, I was very happy about it. I recently came into some money like how Starlight got insurance. The first thing that came into my mind was how I didn't have to take shit from my bosses anymore. You know, they say "不是说人是说事" (I'm critisizing what you did. Not you as a person) And, it's these same people that proceed to critisize you as a person after that. So, I no longer have to take that shit and I couldn't be happier. So, it's an A+ of a year. I'm still temping every Tuesday. Thankfully, the new school seems to be accomodating. What happened at the last school was...an obvious case of "management is restructuring"
Since Starlight might still be feeling semi embarassed about her insurance I got plenty of 'embarassing' moments with her. She was like the first girl I liked who I talked to. So, it was actually outside Gazza's place where I said,
"Happy bday Starlight, here's a cake. Bye." I said it quickly. Understandable yes, but much quicker than how I usually say things. Followed by 2 years later,
"I'm sorry for what i did to you."
"It's OK."
There you have it. My only 2 lines with her. I do have probably over 10k worth of lines with her...on MSN Messenger. Yes, it was a proper 00's romance. 
The song...if you like it it's for you. I don't want to put pressure on anyone by saying it's for anyone.