Strong Epic Metal Tracks

Rock IV

Barn finds 8

metal /rock

Ladat’s Support Aug’25 vol.2

Repost/Exchange 33

Sweet new tunes

Lovely tracks (playlist)

Re-Extended 24

Music composed by Fernando Melo
Vocals Paula Melo
Lead Guitar Fernando
You Tube https://www.youtube.com/channel/UCnsnwlEH9NrnHrcIpCSOWbw

Oh My God

I just let the groove build around London October's "Back To Your Place" accapella for the Smackpack 19 challenge. Beat Entry 1 using only sounds and samples from Smackpack 19. Let me know what you think about it in the comments..

Your Place ft. London October

We stood at the edge, where the darkness fell
Counting the hours in the struggle's hell
But we broke through, we found the light
Our talents and efforts burning bright

We made it to the top, yes we nailed it
We're the best at what we do, no one can steal it
The walls of doubt, we broke them down
We wear the laurels, we own this crown

She was told she'd never stand her ground
But she climbed that mountain, never backed down
With every step, she proved them wrong
Now she stands here, proud and strong

He was lost, at war within
But he fought the battles, learned to win
He rose above, found his way
Now he shines bright, leading the way

We made it to the top, yes we nailed it
We're the best at what we do, no one can steal it
The walls of doubt, we broke them down
We wear the laurels, we own this crown

Every heart that's beaten, every hand held high
Every tear that fell, we learned to dry
For every struggle that tried to hold us back
This is our anthem, we stayed on track

We rise! (We rise!)
We fight! (We fight!)
We shine! (We shine!)
We own the night! (We own the night!)

We made it to the top, yes we nailed it
We're the best at what we do, no one can steal it
The walls of doubt, we broke them down
We wear the laurels, we own this crown, we rise!

Septenary Symphonies of Solitude

Nailed It

# 26 [Incubator]

The Chronicles of Manimal and Samara
“Waves"

🔗 Stream on all platforms: https://ffm.to/_waves
🔗 Watch Official Video: https://youtu.be/zEtqEsGWIx0?si=_hPPM292z_9CgIu3

Music and Lyrics by: Daphne Ang & Andrea Papi
Performed by: The Chronicles of Manimal and Samara
Recorded and Produced by TCOMAS Studio
Mixed and Mastered by Ergosphere Studios

© 2024 The Chronicles of Manimal and Samara
℗ 2024 The Chronicles of Manimal and Samara

The Chronicles of Manimal and Samara:
‣ Official Website: tcomas.com
‣ Spotify: open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
‣ Apple Music: music.apple.com/artist/the-chroni…samara/1521325813
‣ YouTube: www.youtube.com/c/TheChroniclesofManimalandSamara
‣ Instagram: www.instagram.com/tcomas.music
‣ Facebook: www.facebook.com/tcomasmusic
‣ Twitter: twitter.com/tcomasmusic

#TheChroniclesofManimalandSamara #TCOMAS #Waves

Waves

⚡️Watch Video⚡️

Photosphere

"Downhill" is a rock/pop anthem rooted in the frustration and heartbreak of watching a once-stable connection unravel. Inspired (surprisingly) by a fallout with my ex-landlord, the song explores shifting dynamics, emotional confusion, and the sting of unmet expectations. While it sounds like a breakup song—and is framed like one—it was actually born from a non-romantic fallout, which is part of my songwriting signature: turning everyday conflicts into grand anthems.

Produced by Jay Ives, Downhill blends gritty rock instrumentation with a polished pop structure and a soaring, catchy hook. Its dynamic build mirrors the inner turmoil of navigating miscommunication and power shifts in any kind of relationship—romantic, professional, or otherwise. It’s for anyone who’s ever felt blindsided by someone they once trusted.

Lyrics:

VERSE 1

We met the first time
And you were all smiles
I had great plans for us
Could be good friends, and then some
I wasn't looking for nobody new
But I was starting to 
warm up to you

PRECHORUS
Then you started mind-twisting
And you like to play the victim
The lies started out white, then turned gray
Now they're so dark, I can't find my way

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

VERSE 2
I thought I got you
One moment you're so good
But then the very next
you're acting so sketch
You went back on everything you said
Went from rosy pink to seeing red

PRECHORUS
You have such a good facade
I wanna know who the architect was
Once so nice, not so much twice
I won't stay around for thrice 

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

BRIDGE
We both got our lasts
You got the word 
and I had had the straw

Every word flashes past
The lessons learnt
The storms I saw     
         
CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

OUTRO(x2)
I feel, I feel, I feel, I
Feel us go downhill
I build, I build, I build, I
So you could break it down again

Downhill

This is a song about all we lose as time passes by and the only thing we can do is ...endless dreaming, lyrics written by Badtripp Inc, music worked out together with the Suno AI, and this is not to far away from the original song I recorded primitively and then the tape got lost. So this is a song with Lyrics from a very Human source and Music made by a Machine.

Time passes by

Metallica- The Unforgiven II 1/2 tone

Clock, uncoil your coil again
They enter with eyes lit blue and blank
Chairs creak like relics. Nothing begins

Each phrase a relic, polished thin
Where noise pretends that thought begins

Fimus Tauri - We nod. We stay. We pass
Fimus Tauri - The hour coils. The minutes mass
Fimus Tauri - We nod. We stay. We pass
Fimus Tauri - The sacred silence pressed in glass

"Sink the self beneath the brief"
"Balance faith against the frame"
"When all the suns are dead and done"
"Raise the banner none can name"

A clash of dates, a flicker lost
The scheduling stone is double-crossed
No duel, no flame-but still, collapse
We burn by spreadsheet's silent traps

I spoke. You spoke
He spoke. She spoke
He spoke again, we all agreed
Yet no one moved, and no one lead
The loop returned. The loop was fed
The document lives. The moment's dead

Each phrase a relic, polished thin
Where noise pretends that thought begins

Fimus Tauri - We nod. We stay. We pass
Fimus Tauri - The hour coils. The minutes mass
Fimus Tauri - We nod. We stay. We pass
Fimus Tauri - The sacred silence pressed in glass

If there was fire, it wasn't lit
If there was war, it wasn't bled
But silence... after silence...
Felt like death

Streaming services

Fimus Tauri

Make It Stand

New Jersey Speedball

BandCamp

Release date : 18 July 2025

Fragus is a 29-year-old self-taught French bedroom producer who started creating music in 2017, initially as a hobby, but over the years it has transformed into a means of expression and infinite creativity. My musical style is diverse because I draw inspiration from different styles: from house to jazz or even disco to urban rhythms (Latin, African, Caribbean, and hip hop). Every song I listen to is a source of inspiration both in its structure and in the emotion it expresses. My new track "Lovin You", with an AfroHouse tendency, is inspired by all these musical genres. This music invites the listener to surprise and creativity through the omnipresence of different vocal chops expressing different feelings, which will be accentuated by the different rhythms. With the different synth melodies and groovy bass, it is a perfect balance between the calm and energetic side. Ideal for getting into the mood during these approaching holidays.

This track contains royalty-free samples, loops (Cymatics, Function Loops, Samplefocus).

Fragus - Lovin You

San Quentin EP

San Quentin (Radio Edit)

I haven’t seen you since, let me say in my defense,
I realize the things I’ve done have repercussions.
No, I can’t explain what went on in my brain, and I realize just what a fool I’ve been.
I’m a man, I know I did you wrong; I put that heart of yours somewhere it did not belong
And so I’m down on my knees, begging you please, take me back.
I’ve got those dumb as can be, frontal lobotomy, why did I leave you blues.

The cost of love is real, and I know how you must feel.
I hope somehow that I can make it better baby.
If you care at all, please don’t let me fall. If I fall this time I might be down for good.
Yes, it’s true, I played the fool again. And it is multiplied to the power of ten.
I’m in a downward trend, when will it end, take me back.
I’ve got those dumb as can be, frontal lobotomy, why did I leave you blues.

Mistakes I can explain, ‘cause I only have half a brain.
I gave up one hemisphere for you, my dear. So only one half remains.

And so this is my plan, you’re my woman, I’m your man.
Just give me half a chance and I can make it better.
You have made it plain that I have to change, so I’m changing for you baby, wait & see.
I can be just what you need me to be; I can be five foot tall, I can be six foot three.
I can be happy or sad, good or bad. I can be
Overweight, I can be painfully thin; I can be in the future, I can be way back when
I can be well or sick, rough or slick. I can be
Hopelessly lost, I can be in control; I can be free of cost, I can be in the hole
I can be what you need, I’m begging you please, take me back.

I’ve got those dumb as can be, frontal lobotomy, why did I leave you blues.
I’ve got those O Lord, why me, full colonoscopy, it is sure dark in here blues.



Why Did You Leave Me Blues


[Verse 1]
She got snakeskin boots and a black Cadillac
Red lips loaded like a heart attack
Hair teased high and her heels even higher
She burns through gas like a four-alarm fire

[Pre-Chorus]
Rollin’ dice with the devil’s grin
She don’t lose, she just begins

[Chorus]
She’s lowdown chrome, built to run
Like a midnight bullet in a smokin’ sun
No brakes, no prayer, no way home
If you ride with her, you're ridin’ alone
Yeah, she’s lowdown chrome
(Slick paint, bad to the bone)

[Verse 2]
Smoke in her laugh and sin in her smile
She'll take your soul, then drive a mile
Neon love in a ghost-town bar
You won't forget where the wild things are

[Pre-Chorus]
She don't ask, she takes the wheel
One touch burns, but damn it feels real

[Chorus – Repeat]
She’s lowdown chrome, built to run
Like a midnight bullet in a smokin’ sun
No brakes, no prayer, no way home
If you ride with her, you're ridin’ alone
Yeah, she’s lowdown chrome
(Slick paint, bad to the bone)

[Bridge – Guitar Solo Over Swampy Groove]
(Slide guitar screams like a warning)
(Drums stomp with boots on the floorboards)

[Breakdown – Spoken]
Ain’t no map, no rules, no time
Just that V8 purr and a bottle of shine
She’s the storm behind your calm—
A rock ‘n roll hymn in a lipstick bomb

[Final Chorus – Full Power]
She’s lowdown chrome, runnin’ red
Like a shot of fire straight to your head
No brakes, no chains, no safe zone
She don’t stop, she don’t moan
Yeah, she’s lowdown chrome—
And you’re already gone.

lowdown chrome

KETER

DON'T GIVE UP

Change begins with You

Music to the game SHEEP by Bizibee Interactive LLC - Play SHEEP on steam now at store.steampowered.com/app/3636100/SHEEP/

Beginnings

Song composed & created by The Boilerman
Eric created & plays: all distorted lead guitar
Eric created & mix's: all drum, bass, ambient & Synth
P.L.O created & sings: all vocals
Production by E.H.T Studios
Thank you for listening!

State Street Groove

Dies Irae — "The Day of Wrath" — draws its name and inspiration from the iconic medieval Latin hymn that envisions the Last Judgment: a cataclysmic reckoning where the trumpet sounds, the dead rise, and every soul stands trial before an all-powerful Judge. Traditionally sung at Catholic Requiem Masses, this ancient text has haunted Western music and imagination for centuries, inspiring giants like Mozart and Verdi to transform it into timeless works of art.

This reinterpretation takes a more critical and personal path. Rather than presenting the full, fire-and-brimstone narrative, the track distills the original into select verses — fragments that echo through the music like distant voices from a troubled past. The piece challenges the deeply rooted notion of God as a merciless arbiter, replacing fear with reflection. In doing so, it questions how such doctrines have shaped our inner world — replacing love with dread, grace with guilt.

The composition opens and closes with solemn church organ passages, framing the piece like the arches of a ruined cathedral. The final organ reprise, however, carries a subtle shift — a glimmer of hope, as if the weight of centuries-old judgment might finally give way to something more compassionate.

-------------------------------------------------------------------

DIES IRAE 

Dies irae, dies illa
Solvet sæclum in favilla.

Quantus tremor est futurus
Quando iudex est venturus.

Liber scriptus proferetur,
in quo totum continetur.

Iudex ergo cum sedebit,
quidquid latet apparebit.

(The day of wrath, that day,
will dissolve the world in ashes.

How great will be the quaking,
when the Judge is about to come!

The written book will be brought forth,
in which all is contained.

When therefore the Judge will sit,
whatever lies hidden, will appear.)

Horror Sacri

Dies Irae

'#2GLAM' is a pounding, electronic Dance-Pop track, with a dark and edgy atmosphere. Catchy female vocal hooks drive the theme of the track, which is rich in melodic synth riffs, big beats, and even bigger bass.

#2GLAM

When every war is lost
And every hatred spent
Some folks will throw a ball
And some will boo
With nothing left to feel & do

Hep hep-hep!

Don't start assumin'
What makes us human

Huh huh-huh
Chet-chet
Hey-ey-ye pom

When I was a child
I did believe, I did believe
In Socrates
And all the Greeks who said that
We could all be good

I sat and smiled
As teachers taught we were the greatest
Fought the hardest
Just to win back
A tiny fraction of what used to be ours

It's understood
The meek & mild must toughen up
When something greater is at stake
A martyr acts
when lemmings leave

No wreaths for cowards!
It took the dying of a world to make it clear
A Holy War
Rings the gold in someone's purse

We did some bad things
But soandso did so much worse...

When every tribe is lost
And all the money spent
Some folks will drown in song
And some will jeer
With no-one left to kill in fear

Hep hep-hep!

Got caught presumin'
What makes us human

Huh huh-huh hek
Chet-chet
Hey-ey-ye pom

I'm still that child
But many reasons and excuses later
I just try to keep afloat without
Kicking my neighbor down

And failing bad
Do I blame the strings that have us tangled
When the strings were made by
Drowners like myself?

What if it's something we can't help?

What Makes Us Human?

Deezer : https://www.deezer.com/fr/album/804468291
Apple Music : https://music.apple.com/fr/album/quel-temps-fait-il-entre-les-gouttes-feat-jean-paul/1833071726
Spotify : https://open.spotify.com/intl-fr/album/5NOwif24XFvX5o5fQGR0mJ
YouTube : https://www.youtube.com/watch?v=TW2KFsDcf6M&list=OLAK5uy_nyH8HpdiBKGuduhOZ6fzZN4fe997DUoAw

Translation above.
Texte et musique : Myckaël Marcovic
Voix : Jean-Paul Gaido-Daniel
André Gide disait "Que l'importance soit dans ton regard, non dans la chose regardée." Cette chanson en est une illustration à travers la pluie qu'on peut voir comme triste. À moins qu'on sache voir entre les gouttes...

				       À Leny

Quel temps fait-il entre les gouttes ?

Y a ceux qui voient toujours le verre
À moitié vide
À moitié plein
Y a ceux qui voient toujours l’hiver
Saison frigide
Saison de rien

Refrain :
Quel temps fait-il entre les gouttes,
Là où le ciel ne pleure pas ?
Moi, je me dis sans doute, sans doute,
Que la réponse dépend de toi…
Quel temps fait-il entre les gouttes,
Là où le ciel ne pleure pas ?
Moi, je me dis sans doute, sans doute,
Qu’un p’tit bonheur sa cache là.

Y a ceux qui voient toujours la Terre
Soit tout en blanc,
Soit tout en noir.
Y a ceux qui voient ceux qui espèrent
Vendeurs de vent,
Vendeurs d’espoirs.
(refrain)

Y a ceux qui croient que la misère
Se compte en banque,
Se compte en rien.
Y a ceux qui voient tout en colère
Cœur à la manque
Cœur tout éteint

 le 22 avril 2025

André Gide said, “Let the importance be in your gaze, not in the thing you gaze upon.” This song illustrates this through the rain, which can be seen as sad. Unless you know how to see between the raindrops...
	                                To Leny

What's the weather like between the raindrops?

There are those who always see the glass
Half empty
Half full
There are those who always see winter
A frigid season
A season of nothing

Chorus :
What's the weather like between the raindrops,
Where the sky doesn't cry?
I tell myself, no doubt, no doubt,
That the answer depends on you...
What's the weather like between the raindrops,
Where the sky doesn't cry?
I tell myself, no doubt, no doubt,
That a little happiness is hiding there.

There are those who always see the Earth
Either all white,
Or all black.
There are those who see those who hope
Sellers of wind,
Sellers of hope.
(chorus)

There are those who believe that misery
Is counted in the bank,
Is counted as nothing.
There are those who see everything with anger,
Heart missing,
Heart completely extinguished.

Lyrics and music : Myckaël Marcovic, April 22, 2025
Vocal : Jean-Paul Gaido-Daniel

Quel temps fait-il entre les gouttes ?

KirtiN brings to you a country aesthetic infused with an EDM heart. Let him know how you feel about it!

✔ Like A Dream ✔

Tracklist
1. B/AN/K - AK STRAIGHT
2. Can't Decide - Max Dean, Luke Dean (RSqaured Rolling Edit)
3. Discip - Raw Control (Gainz Remix)
4. SCRIPT - WTF
5. Mau P - TESLA
6. Armin van Buuren, JOA - Heavy
7. Roddy Lima - Shadows
8. Adam Beyer, Kyzo - Accelerate 
9. SCIPT - Trust
10. Odd Mob - Stephanie
11. OMNOM - Let it Happen
12. Disco Lines & Shipwrek - I Don't Trust A Soul

Maxed Out #002 - Tech House

Stayin' Alive

White Flag

This is not just an EP. This is a requiem in four acts.

Performed by the virtual progressive metal band Adelheide's Wisdom, this concept EP takes the listener on the complete emotional journey of grieving a fallen rock hero.

The cycle begins with the quiet, personal shock of 'Act I: The Inner Void', explodes into the raw, punk-rock anger of 'Act II: The First Cry', transforms into a massive, collective celebration of legacy with the 9-minute live anthem of 'Act III', and finds a final, majestic peace in the solemn, orchestral finale of 'Act IV: The Anthem of the Fans'.

It is a testament to a legend and a defiant statement that true music never dies. Welcome to 'The Day When Metal Died (but this will never happen)'.

A Beyond & Before Music production.

---

Das ist nicht nur eine EP. Das ist ein Requiem in vier Akten.

Performt von der virtuellen Progressive-Metal-Band Adelheide's Wisdom, nimmt diese Konzept-EP den Hörer mit auf die vollständige emotionale Reise der Trauer um einen gefallenen Rock-Helden.

Der Zyklus beginnt mit dem leisen, persönlichen Schock von 'Akt I: Die innere Leere', explodiert in der rohen Punk-Rock-Wut von 'Akt II: Der erste Schrei', verwandelt sich in eine gewaltige, kollektive Feier des Vermächtnisses mit der 9-minütigen Live-Hymne von 'Akt III' und findet einen letzten, majestätischen Frieden im feierlichen, orchestralen Finale von 'Akt IV: Die Hymne der Fans'.

Es ist ein Testament für eine Legende und ein trotziges Statement, dass wahre Musik niemals stirbt. Willkommen zu 'The Day When Metal Died (but this will never happen)'.

Eine "Beyond & Before Music"-Produktion.

The Day When Metal Died - Act I The Inner Void

Ricochet is finally landing 💥 Been road testing this one for a while and the energy has been unreal every time. Can’t wait for you to have it.

Out 29.08.25 – hit the pre-save so it’s ready in your library: https://ffm.to/ricochetandyc

Big love as always 🙌

Andy C - Ricochet (feat. Felix Samuel) [30-second Preview]

DID the BLOOD CRIP BUTTERFLY strike AGAIN? "THEIR NO WINNER IN YOU". I know the TITLE is going to be very CONTROVERSIAL but, that's WHO I am as a ARTIST... I will ALWAYS believe in my MUSICAL ILLUSIONS. THIS song is a TIMELESS CLASSIC that I can't believe GOD gave me the COURAGE to CREATE it. THE same way I felt about "IS BIPOLAR TAKING OVER", I have that SAME feeling. I FEEL like this song WILL be one of my SIGNATURE songs that PEOPLE will REMEMBER me when I'm no longer HERE. I wanted this song to be NEW YORK JAZZ 90's, FUCK LOVE CAFE, BUSY TRAFFIC, HEADPHONES on the BUS type ILLUSION. ENJOY, XOXO!

IF GOD MADE ME A BITCH? | #MASTEROFILLUSIONS | (OFFICIAL SINGLE)

Oh no I'm Lobo killing a hobo with a LOW BLOW! 💥
Thank you for listening. ❤
Vocals from Bio Bane, Lord Score, & Unknown Entity
@biobane @zaita & @user-272909220
Instrumental by Ron Uzumaki
 @dj-ron-1993
& art is by me. 👌

Low Blow

LOW BLOW 💥 (Feat. Lord Score & Unknown Entity) [Prod. Ron Uzumaki]

Tite-Clarity

Z-MAN-DANG FAM [OG RIDDIM]

Oura - Discotek Wreck
Envy - Admire
Trail - Midnight Sun
Arkaik - Digital Nature
Crucifyme and Log1n - Step In The Spot
Noisia and Black Sun Empire - Infusion IKije Remix)
Objectiv - Fading
Hoax - Spearfisher
Dj Trace - Dibby
Waeys and Gino - Arrivata 
Molecular and SMG - Turn The Lights Down
Hexa - Never Stress
Oura - Take It
Kije - Choke
Resslek - Mundus
T>I - E92
Enei and Envy - Hard Ship
Monrroe - Choke Hold
Alex Reece - Pulp Fiction (Benny L Remix)


DNB Mix

lasciati trasportare nella magia del suono

ARIA

Just some fun vibes. Be careful it's addictive 🤩💯👊🏾🫵🏾

So into you

Bottle fulla xans (Prod. Eskimos)

📢Like the Track? Click the [Repost] 🔁
🔘 button so more people can hear it! 😎

🙋‍♂️ You want to submit your track for a premiere 🎬 , a track for free download 🆓 or maybe your mix for our podcast 🎛️ 🎧

Send us an email 📧 promo@midnightsoundsradio.com

📝 See you at the dance floor!

Tony Side 'Appeal EP' Written by Andy Antonio Plaza Garcia
Produced and Mixed by Antonio Plaza Garcia
Remixed by Tony Side
Mastering by PROshove Mastering
Published by Beachside Records
P&C 2025 Beachside Records

🤝 Follow us:
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PREMIERE: Tony Side - Appeal (Original Mix) [Beachside Records]

Dark Horse

Shakin' Hands

Some freestyle guitar jamin ,With lyrics from a friend in my head.

Double shot

metallica- ONE   real version

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

A Beyond & Before Music production.

---

Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic