Rock

25 summer 2

Metal Mix Aug 25

Repost list

Re-Extended 23

Repost/Exchange 33

Sweet Music guitar and vocal

Rock "SASH" 🎸
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#rock #instromental #SASH

Rock "SASH"

Re-Extase 57

I'm a bass guitarist and I'm thrilled to welcome you to my channel, where the soothing magic of the bass guitar comes to life.
Join me in exploring a world of unique and relaxing music, all crafted using only the bass guitar's deep and resonant tones.

Here at 4 Strings Vibration, I'm on a mission to redefine relaxation through my musical creations. From tranquil melodies to mesmerizing grooves, each composition is a testament to the endless possibilities of this incredible instrument.

If you're seeking a sonic escape, a moment of serenity, or just something extraordinary, hit that subscribe button and let's journey into the realm of bass-infused tranquility together. Stay tuned for a new kind of musical experience – this is BassGroove Oasis, and I can't wait to share it with you.

Layla

Detroit / Flint Type Beat 2023
hmu if u need a beat or a song mixed for the low ball

I Made The Beat

I Made The Beat (Feat. Xayno) Prod. Luciano 2✖

"Downhill" is a rock/pop anthem rooted in the frustration and heartbreak of watching a once-stable connection unravel. Inspired (surprisingly) by a fallout with my ex-landlord, the song explores shifting dynamics, emotional confusion, and the sting of unmet expectations. While it sounds like a breakup song—and is framed like one—it was actually born from a non-romantic fallout, which is part of my songwriting signature: turning everyday conflicts into grand anthems.

Produced by Jay Ives, Downhill blends gritty rock instrumentation with a polished pop structure and a soaring, catchy hook. Its dynamic build mirrors the inner turmoil of navigating miscommunication and power shifts in any kind of relationship—romantic, professional, or otherwise. It’s for anyone who’s ever felt blindsided by someone they once trusted.

Lyrics:

VERSE 1

We met the first time
And you were all smiles
I had great plans for us
Could be good friends, and then some
I wasn't looking for nobody new
But I was starting to 
warm up to you

PRECHORUS
Then you started mind-twisting
And you like to play the victim
The lies started out white, then turned gray
Now they're so dark, I can't find my way

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

VERSE 2
I thought I got you
One moment you're so good
But then the very next
you're acting so sketch
You went back on everything you said
Went from rosy pink to seeing red

PRECHORUS
You have such a good facade
I wanna know who the architect was
Once so nice, not so much twice
I won't stay around for thrice 

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

BRIDGE
We both got our lasts
You got the word 
and I had had the straw

Every word flashes past
The lessons learnt
The storms I saw     
         
CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

OUTRO(x2)
I feel, I feel, I feel, I
Feel us go downhill
I build, I build, I build, I
So you could break it down again

Downhill

Nova

Polvojack
Additional Artists
Composer - Guillaume Doyon
Lyricist - Guillaume Doyon
Record Label
Polvojack
UPC
UPC has been requested
Release Date
Jan. 13, 2025
Primary Genre
Country
Secondary Genre
Country
Primary Subgenre
Traditional Country
Secondary Subgenre
Western
Mood/Style
Featuring Guitar
Album Language
English
Artist Location
Canada

Yesterday,
I try to sing a song
The only thing I know
I have no fucking voice
But, let me try
To not be the scary guy
I'm shy
To find all sides of me.
I just want to find the true
The truly girly.
I just want to find
All side of me
For the beauty of my reality
Oh, girly
I WANT TO BE TRULY
For you baby.
I want to find my reality.

Yesterday

"Change Of Heart" is our first modern style genre after releasing all of our old music ideas into a few albums. It's the sophisticated style of KVJ after gaining some production experiences from the previous 3 albums. Raw, Fearless, Melancholic, this tracks defines the new direction we're going to take for the following years to come. Enjoy this badass while it's still hot!

Change Of Heart

You'll be my weakness right 'til the Bitter End.

Bitter End

This remastered album is the musical journey accompanying the harrowing events of Book 3 of "Hinter uns das Land" ("Behind Us The Land"), a poignant novel by Frank Talmon l'Armée. As the war closes in, the Feyerabend family, along with countless others, is forced to make the heart-wrenching decision to flee their beloved home in East Prussia. This collection of 16 tracks captures the emotional turmoil and the perilous journey that unfolds, painting a vivid sonic picture of a family caught in the midst of historical upheaval.

Book 3 plunges the listener into the chaos and fear of the final days of the war in East Prussia. The once-familiar streets of Danzig (now Gdańsk) become a haunting labyrinth of desperation and uncertainty as Inge and her family navigate the treacherous path to the harbor. The music reflects the growing tension, the ever-present threat, and the agonizing choices forced upon those seeking refuge. You will sense in the music the desperation of many refugees, but also their determination to survive.

The journey culminates in the boarding of the "Lappland," a vessel overflowing with refugees, all carrying their own stories of loss and hope. As the ship embarks across the vast and unforgiving Baltic Sea, the music evokes the vastness of the ocean, the precariousness of their situation, and the uncertain future that awaits them. You can hear in the sounds the inner turmoil of the characters: the children who do not yet fully comprehend what is happening and the adults who try to hold on to hope in the face of unimaginable fear.

From haunting melodies that echo the emptiness of a lost home to surging orchestrations that mirror the turbulent sea, this soundtrack captures the full spectrum of human emotion in times of war. Moments of quiet reflection are interspersed with powerful, driving rhythms, reflecting the resilience and determination of those who refuse to give up hope, although they know their lives will never be the same.

This musical collection offers a unique and immersive experience, drawing the listener deeper into the world of "Hinter uns das Land." It's a testament to the enduring power of family, the unwavering human spirit, and the search for peace amidst the ravages of war.

Nothing Is Life (Radio Version) (From the Original Novel Soundtrack)

My Little Leviathan

LoNe WolF - "Modern Maverick"

Album: "Avant-Garde"



Mixed & Mastered By: LoNe WolF





#TheDive #Amped #newmusic

Modern Maverick

A celebration of the most mistreated character in music video history:
https://youtu.be/8SbUC-UaAxE?si=F3SUAcM8Xf91NiF1&t=417

----

Three tiers
Nine hours of buttercream
And none of it...
was my damn fault

They built me tall in the back of a bakery
With trembling hands and nervous pastry
A tower of sugar, proud and obscene
White as sin and twice as mean

Fondant swans and wedding gold,
We were sweet, but we were cold
And we got hauled in a battered van
Like I wasn’t more than a five-day plan

I saw 'em kiss, I heard 'em cheer
I smelled cheap wine and bridal fear
They danced like gods, then slipped like men
And guess who took the fall again?

It's not my fault!
I'm just the cake!
You fake your vows, I just get baked!
You lose your mind, I lose a tier
Then someone dives in with a cheer!

Don't blame the frosting for your fate
I just stood there. Looked... 
Great

He wore a suit like it owed him cash
She wore white like a powder stash
The flowers died before the vows
The band played slow, the sky played loud

The priest forgot the final line
The ring went on like a warning sign
They posed beside me, full of grace
But I could see it in her face

They said "forever," but I smelled fear
The kind you frost with souvenir
You want a symbol? Fine, I'm tall
But don't blame me when you lose it all!

It’s not my fault!
I didn’t break!
You threw your love into a lake
You kissed too fast, you drank too slow
You planned a dream you didn't know

Don't blame the icing when you fall
I just stood there. That's all

And then
That guy
No name. No tie
Just heat and bourbon in his eyes
He leapt
Like sugar held salvation...
And landed face-first in damnation...

In me!

It's not my fault!
I didn't ask to be your throne!
You wanted myth, I gave you scone
You built it all, then burned it down
And I'm the one who wears the crown?

I never said "forevermore"
I just said "dessert's by the door"

I was delicious
And that... 
Should've been enough

It's Not My Fault

I saw them argue over coffee
Steam forming secret shapes
She laughed at something small and lofty
He reached, then fixed his sleeve in haste

Rain dropped one perfect tear
I almost caught it in my case
Their shadows leaned until they neared
A crime they forgot to embrace

He looked right at her and said
"That's not really you"
And God help her
She hoped it was true

He'd chased the edge of every map
Collecting stamps, abandoned rooms
But she smiled
And just like that
The ground felt...
Nice
It bloomed

'Cause happiness isn't happiness
Without a violin-playing goat
Without something real and tender
No one can name or quote
It's a string fraying mid-song
A bow that forgets its place
A note that stays too long
And still finds its grace

The wind heckled
Coins chimed in the case
He looked ridiculous 
In the shivering rain
And she knew
She wanted ridiculous too

I kept the melody clean and slow
They kept their tempers, let them strain
They learned to bruise without retreating
I learned their silence had a grain

'Cause happiness isn't happiness
Without the risk of being wrong
Without someone who keeps your silence
Like it belongs in the song
It's a vow spoken sideways
A chord that won't resolve
A goat still bowing at midnight
While the rest of the world dissolves

I only play on Tuesdays
And sometimes Wednesdays too
Tonight, I played for them
Tonight... they nearly knew

The Goat Plays On

Vedran - Louder Than the End of Time

I lean over that old wishing well
moss-cold stone beneath my palm
whispering into its watery hush:
Please... show me how to burn bright in ash
I plead. I argue. I gasp. I hurl coins
they clink down unseen shafts
the well returns only cavernous void

"Dear Applicant
Thank you for your submission. 
After thorough consideration, 
we find it does not align with our needs. 
We welcome future inquiries"

That "we find"-a pebble skipped at my core
rippling doubt in widening circles
I press my ear to slick brick
straining for the promise it never breathed

I bend to that moss--rimmed stone
Pour trembling words:
I love you more than my anything
More than life
More than math
More than the falling snow on Christmas Eve
Coins of my soul dropped in
they sink into silent depths

"Dear Honey
I cherish your warmth
But I can't return it
It's not you, it's me"

I kneel again at that moss-rimmed mouth
voice trembling as I pour every fractured refrain:
This is my confession, 
my code, my blood in sound
take it, well, and let me rise
I belt each line like a prayer
spill my marrow into shadowed depths
then wait for the echo's promise

"Dear Bard,
We acknowledge receipt of your composition. 
Regrettably, it falls outside our scope. 
We wish you success elsewhere."

Well?

Album Title: After The Bat Was Freed ... But Before Metal Died 

An Ozzy Requiem

Description:

This is more than an album. This is a requiem. A two-part rock opera epic exploring the complete life, legacy, and psychological journey of a rock and roll icon. Performed by the virtual progressive metal band Adelheide's Wisdom.

LP 1: "After The Bat Was Freed ... But Before Metal Died"
A nine-act narrative that chronicles the rise and reflection of a legend. The journey begins in the industrial haze of 1960s Birmingham, capturing the spark of a Beatles-inspired dream ("The Day The Bat Was Freed"). It crashes through the chaotic birth of a new sound ("Sounds Like a Bunch of Cats Fightin'"), explores the creation of the demonic "Madman" persona ("They Call Me The Madman"), and descends into the self-destructive excesses of the 80s ("Wings of Sin"). The album finds its emotional core in the heartbreaking ballad "I Was Just A Dreamer," before culminating in a final, monumental tribute to the man behind the myth ("Prince of Eternal Fire").

6. Wings of Sin
The myth becomes reality: A dark, poetic gothic-metal hymn that interprets the infamous anecdotes of the "Madman" era not just as stories, but as acts of self-destruction. This is the moment the stage persona and the private man tragically merge.

Wings of Sin

Album Title: After The Bat Was Freed ... But Before Metal Died 

An Ozzy Requiem

Description:

This is more than an album. This is a requiem. A two-part rock opera epic exploring the complete life, legacy, and psychological journey of a rock and roll icon. Performed by the virtual progressive metal band Adelheide's Wisdom.

LP 1: "After The Bat Was Freed ... But Before Metal Died"
A nine-act narrative that chronicles the rise and reflection of a legend. The journey begins in the industrial haze of 1960s Birmingham, capturing the spark of a Beatles-inspired dream ("The Day The Bat Was Freed"). It crashes through the chaotic birth of a new sound ("Sounds Like a Bunch of Cats Fightin'"), explores the creation of the demonic "Madman" persona ("They Call Me The Madman"), and descends into the self-destructive excesses of the 80s ("Wings of Sin"). The album finds its emotional core in the heartbreaking ballad "I Was Just A Dreamer," before culminating in a final, monumental tribute to the man behind the myth ("Prince of Eternal Fire").

5. Crumbling Inside
The dark side of the dream: A raw, hypnotic proto-metal track in the style of the early 70s that delves into the inner collapse and psychological struggles at the height of fame. This is the sound of paranoia and alienation, driven by a simple, inescapable riff.

Crumbling Inside

When every war is lost
And every hatred spent
Some folks will throw a ball
And some will boo
With nothing left to feel & do

Hep hep-hep!

Don't start assumin'
What makes us human

Huh huh-huh
Chet-chet
Hey-ey-ye pom

When I was a child
I did believe, I did believe
In Socrates
And all the Greeks who said that
We could all be good

I sat and smiled
As teachers taught we were the greatest
Fought the hardest
Just to win back
A tiny fraction of what used to be ours

It's understood
The meek & mild must toughen up
When something greater is at stake
A martyr acts
when lemmings leave

No wreaths for cowards!
It took the dying of a world to make it clear
A Holy War rings 
The gold in someone's purse

We did some bad things
But soandso did so much worse...

When every tribe is lost
And all the money spent
Some folks will drown in song
And some will jeer
With no-one left to kill in fear

Hep hep-hep!

Got caught presumin'
What makes us human

Huh huh-huh hek
Chet-chet
Hey-ey-ye pom

I'm still that child
But many reasons and excuses later
I just try to keep afloat without
Kicking my neighbor down

And failing bad
Do I blame the strings that have us tangled
When the strings were made by
Drowners like myself?

What if it's something we can't help?

What Makes Us Human?

Deep cycle love ballad with a new 80's sound

Hold Me Closer Spotify

HOLD ME CLOSER

More fx Mix (kitten)

This is not just an EP. This is a requiem in four acts.

Performed by the virtual progressive metal band Adelheide's Wisdom, this concept EP takes the listener on the complete emotional journey of grieving a fallen rock hero.

The cycle begins with the quiet, personal shock of 'Act I: The Inner Void', explodes into the raw, punk-rock anger of 'Act II: The First Cry', transforms into a massive, collective celebration of legacy with the 9-minute live anthem of 'Act III', and finds a final, majestic peace in the solemn, orchestral finale of 'Act IV: The Anthem of the Fans'.

It is a testament to a legend and a defiant statement that true music never dies. Welcome to 'The Day When Metal Died (but this will never happen)'.

A Beyond & Before Music production.

---

Das ist nicht nur eine EP. Das ist ein Requiem in vier Akten.

Performt von der virtuellen Progressive-Metal-Band Adelheide's Wisdom, nimmt diese Konzept-EP den Hörer mit auf die vollständige emotionale Reise der Trauer um einen gefallenen Rock-Helden.

Der Zyklus beginnt mit dem leisen, persönlichen Schock von 'Akt I: Die innere Leere', explodiert in der rohen Punk-Rock-Wut von 'Akt II: Der erste Schrei', verwandelt sich in eine gewaltige, kollektive Feier des Vermächtnisses mit der 9-minütigen Live-Hymne von 'Akt III' und findet einen letzten, majestätischen Frieden im feierlichen, orchestralen Finale von 'Akt IV: Die Hymne der Fans'.

Es ist ein Testament für eine Legende und ein trotziges Statement, dass wahre Musik niemals stirbt. Willkommen zu 'The Day When Metal Died (but this will never happen)'.

Eine "Beyond & Before Music"-Produktion.

The Day When Metal Died - Act II The First Cry

Barulhoooo!
Set com meus remixes

1 - DJ LLobato - Até o Fim 
2 - Fábio Emecê - Seleção Africana
3 - SNJ - Mundo da Lua
4 - Infoguerra - Punk Hip Hop
5 - Flávio XL - Nada de Novo

Todas as faixas estão no meu Soundcloud.

Mixtape Rap em Distorção

🔥 "Seduce and Confuse" is an intense and disturbing song, blending dark rock, grunge, and emotional atmospheres. A story of obsession, desire, and pain: seduction that becomes addiction, love that turns into torment.

💀 Raw and scratchy female vocals, dark guitars, and a grunge soul that leaves no escape.

If you find yourself in this mood, leave me a comment and share 🖤

Produced by EileenNoise
Singer Sophie 

Listen to my other songs on Spotify & YouTube → 
https://open.spotify.com/intl-it/artist/3gyawiyn1h42aeP11nH2KC
https://www.youtube.com/@eileennoise9515

[Verse]
She'll sing him lullabies
He won't sleep
And she'll give him butterflies
In his jeans

[Chorus]
She'll seduce him
Then confuse him
But she won't ever lose him

[Verse 2]
And when the morning comes
She'll be gone
And when he finds someone
She'll still haunt

[Chorus]
She'll seduce him
Then confuse him
But she won't ever lose him
She'll seduce him
Then confuse him
But she won't ever lose him

Seduce and confuse

High Noon

Left 4 Dead

obi toppin
now we talkin bitch
shout out gregg popovich
i don’t want no bitch that’s throwin fits
she want me for the dick
i don’t want the clit
yo bitch is dirty i don’t want yo bitch
dirty bih
i feel like curry im finna swish
i feel like curry i just might drop 30 in this bitch
i feel like curry i just might drop 30 in this bitch

smokin weed in the whip
i might crash
might lose control
i’m down bad
i been hurtin for the last few months & a half
& a half
i just rolled me up a backwood up of some grass
i done been thru some bad stuff 
i never really had much
growing up now im taking black trucks
now she want me cus my bags up
she ain’t want me back then that’s bad luck
i don’t want this bitch she fucked up
i’m in the cut im rollin my blunt up
she wanna get fucked up for the summer
i don’t wanna fuck you bitch that’s a bummer 
ha ha you a joke bitch
got a white girl she love to snort coke n shit
i’m rollin dro in the whip i gotta go home bitch
she said she wanna stay 
i said she gone give done then
bitches givin dome just to stay in the whip n smoke is crazy
fuck it this bitch ain’t havin my babies

smokin weed in the whip
i might crash
might lose control
i’m down bad
i been hurtin for the last few months & a half
& a half
i just rolled me up a backwood up of some grass
of some grass
i been hurtin for the last few months 
& a half
& a half

i just got a half pound
roll me up a blunt 
now i only got a half ounce

downbad prod. by OB Run it up

It feels like just yesterday the sun was near,
Summer raced past, bright and clear.
Golden days with laughter, the world alive,
Now the cold wind cuts and I barely survive.

I wasn’t ready for the season’s fall,
This northern silence, it drowns me all.

When I close my eyes, I see you there,
Crystal seas and sunlight in your hair.
But I’m trapped in shadows, frozen through,
Dreaming of a life meant for me and you.
Don’t let the fire fade, don’t let it die,
I’m terrified love will pass us by.

I remember spring when the birds all sang,
Sweet blue skies, how the daylight rang.
Now all I hear is the ruthless wind,
It chills my bones, it breaks me within.

Your pictures show me another place,
Like a movie scene, full of grace.

When I close my eyes, I see you there,
Crystal seas and sunlight in your hair.
But I’m trapped in shadows, frozen through,
Dreaming of a life meant for me and you.
Don’t let the fire fade, don’t let it die,
I’m terrified love will pass us by.

I’ve never belonged in this northern land,
Snow and silence, I can’t withstand.
I’m tired, I’m broken, I’m losing ground,
But in your warmth my soul is found.

When I close my eyes, I see you there,
Crystal seas and sunlight in your hair.
If we could escape, if we could be free,
Life as it’s meant, just you and me.
Don’t let the fire fade, don’t let it die,
I’m terrified love will pass us by.

So promise me, even through the pain,
You won’t forget me, you’ll call my name.

CRYSTAL SEAS, FROZEN SKIES

Just an experiment using Roland GR-33, Godin lxgt, and tc electronic Ditto Looper

Earworm Backing Track (Looper Experiment)

У моря есть волны
У солнца есть свет
Есть я у тебя у меня тебя нет
Ты смотришь в окно чтоб увидеть опять
Те странные мысли, не потерять

Пройдёт серой тучей и ляжет в песок
А мне бы приблизиться на волосок
К тому, что мерцает и может спасти
Того, что не вижу но есть впереди

Не зная что будет
Не видя, что есть
Мы сделаем шаг, но останемся здесь
Под небом курчавым расправим слова
И заиграют стихов кружева

Тот шаг, что надеждою стоит согреть
И для чего так хотелось бы петь
Шагнуть бы его, или что то понять
Те странные мысли мне не унять

Пр.
Помню свет в окне
Зелёной комнаты
Вижу, мальчик на ковре
Играет в кубики

/// google translate

The sea has waves
The sun has light
You have me, I don't have you
You look out the window to see again
Those strange thoughts, not to lose

Will pass as a gray cloud and lie in the sand
And I would like to come a hair closer
To that which shimmers and can save
That which I do not see but is ahead

Not knowing what will be
Not seeing what is
We will take a step, but will remain here
Under the curly sky we will straighten the words
And the lace of poetry will play

That step that is worth warming with hope
And why would I so like to sing
I would like to step it, or understand something
Those strange thoughts I cannot calm

Сhorus
I remember the light in the window
of the green room
I see a boy on the carpet
Playing with cubes

Странные мысли

Странные мысли / Strange thoughts

Find more like this below.
https://open.spotify.com/artist/0MdXpBjjp7ztNbcaGeCPNv

Epiphany of a Corpse

Falling in love

Follow this mix for more tunes like this!
https://open.spotify.com/playlist/6Gn8WYJcDv2tReaSvxoADf

Dame La Luz - ISABEL, DOM'RICO (Prod. GudXM)

C'est La Vie

Rivers We Drown

Sunshine Girl

mikeo x lil mark link on "rockstar lifestyle" 

RockStar Lifestyle (Feat. Lil Mark)

Just a silly love song (: Tried some new effects on vocals! thanks for listening. have a great night!! (:

Smile

Keeping it simple when rhyming and expressing ourselves 

02 _ Devine glow.mp3

Thanks for tuning in!

Listen to my mixtape The Chosen One on:

Soundcloud:
https://on.soundcloud.com/L1Bjji0b3dgk7olSek


Follow me on these socials for exclusive content:

twitter:
https://x.com/PlayboyTheProd?t=nCFSMaSHWFWFtwy14GXPVg&s=09

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Outta My Way

Phoenix

This is the overture to a journey. The first chapter of a story told in symphony and steel. Welcome to THE OPERA OF ADELHEIDE AND HER HEALING WISDOMS.

"Four Corners of Loss" is the moment of the gathering. Four strangers—two women, two men—arrive from the ends of the map, drawn together by an unspoken grief. Each carries a relic of their past: a key to a house that no longer exists; a picture, burned and torn apart; a father's watch whose hands are frozen in time; a mother's book with pages soaked in tears. They meet in a place where the compass is broken and secrets hide in plain sight.

This track is the first single from a full, four-act Symphonic Metal Opera. It's an epic tale that explores the weight of memory, the burden of unspoken words, and the arduous path toward collective healing. It asks the question: Can our deepest wounds become the source of our greatest strength?

A fusion of crushing metal riffs, soaring orchestral arrangements, and theatrical, narrative vocals creates a cinematic soundscape for a story of loss and redemption.

You are hearing the very beginning. This is the first step in a larger release strategy that will unfold act by act. Follow Beyond & Before Music to experience the full story and discover how the light returns.

----

Dies ist die Ouvertüre zu einer Reise. Das erste Kapitel einer Geschichte, erzählt mit symphonischer Wucht und stählerner Härte. Willkommen zu THE OPERA OF ADELHEIDE AND HER HEALING WISDOMS.

"Four Corners of Loss" ist der Moment des Sammelns. Vier Fremde – zwei Männer und zwei Frauen – finden von den Enden der Landkarte zusammen, vereint durch eine unausgesprochene Trauer. Jeder von ihnen trägt ein Relikt seiner Vergangenheit: einen Schlüssel zu einem Haus, das nicht mehr existiert; ein verbranntes, zerrissenes Bild; die Uhr eines Vaters, deren Zeiger in der Zeit eingefroren sind; das Buch einer Mutter, dessen Seiten von Tränen getränkt sind. Sie treffen sich an einem Ort, an dem der Kompass zerbrochen ist und Geheimnisse sich offen verbergen.

Dieser Song ist die erste Single aus einer vollständigen, vieraktigen Symphonic Metal Oper. Es ist eine epische Erzählung über das Gewicht der Erinnerung, die Last ungesagter Worte und den steinigen Weg zur kollektiven Heilung. Die Oper stellt die Frage: Können unsere tiefsten Wunden zur Quelle unserer größten Stärke werden?

Eine Fusion aus brachialen Metal-Riffs, opulenten Orchester-Arrangements und theatralischem, narrativem Gesang erschafft eine cineastische Klanglandschaft für eine Geschichte über Verlust und Erlösung.

Du hörst hier den allerersten Anfang. Dies ist der erste Schritt einer größeren Veröffentlichungsstrategie, die sich Akt für Akt entfalten wird. Folge Beyond & Before Music, um die ganze Geschichte mitzuerleben und zu entdecken, wie das Licht zurückkehrt.

Four Corners of Loss

 🌟
80' song 🎶...with 2019 sounds 🔊

Crystal Night

Free Download

Aurora’s Desolation

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

OUR VISION & MISSION

Our Vision: We believe that resilience can make even the deepest wounds bearable.

Our Mission: This project is dedicated to a profoundly human, true story to achieve two things:

To Bear Witness: To show what war does to ordinary people and how its scars echo for generations.

To Give Courage: To strengthen and inspire anyone who has suffered loss or lived through difficult times.

This is music as a testament. A story that repeats itself every day.

A Beyond & Before Music production.

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Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

UNSERE VISION & MISSION

Unsere Vision: Wir glauben daran, dass Resilienz selbst die tiefsten Wunden erträglich machen kann.

Unsere Mission: Dieses Projekt widmet sich einer zutiefst menschlichen, wahren Geschichte, um zwei Dinge zu erreichen:

Zeugnis ablegen: Zu zeigen, was Krieg mit normalen Menschen macht und wie seine Narben über Generationen nachhallen.

Mut machen: Jeden zu stärken und zu inspirieren, der Verlust erlitten oder schwere Zeiten durchlebt hat.

Das ist Musik als Vermächtnis. Eine Geschichte, die sich täglich wiederholt.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

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