Rock

my anger can goes from 0 to death row

Lista 2025

Ladat’s Support Feb’25 vol.1

Re-Ex Top 92

Good stuff from Re-Ex feb-25 #2

Reposts

Great tracks

2Pac - All Eyes On Me (Dj Belite Remix) _ NEW 2022 (128 kbps).mp3

Aadi is an upcoming artist from Vancouver, Canada.  She hit me up with a demo and I put together the instrumental taking out the acoustic guitars and keys

You can stream the song on Spotify here 
https://open.spotify.com/track/2hSKeByDugVxP2iI26AVWT?si=59ee22df22dd47e4

Spotify Stream

Aadi Kaur - helplessness (prod by Kingsden)

Dj Belite - The Notorious B.I.G ft 2Pac Respect (Gangsta Remix).mp3

This song may appear simple, if not simplistic. This is right, it’s not a complicated, rather a common, story about opening the door to someone and having to let this someone leaves you one day through the very same door.

However, in life like in love, don’t let the ordinary fool you. The little things in life are the biggest ones and when you have to look back to realize it, you’re actually lost to those magical instants.
Zut doesn’t stand for « Zebra University of Technology », but for « damn! » or « oh, heck! » in French. Yes, in French! Writing in the language of Molière was an arduous choice. It took me a year or so to go from the original « kinda » French lyrics to the final ones, which were done in a bar, on a paper napkin, along a few drinks!

The melody and chords were the most intuitive to find, playing around for a few evenings. However, honestly, my accent didn’t suit the rhythms and atmosphere. Finding singers willing to contribute proved not to be an easier task! Finally, Oliver Neff aka Titanic Jack agreed to record the main vocals. Together with Maja Štebih with her nice back vocals, they made such a great work on this Indie folkish-poppish-rock track. 
Thanks to both of them for their time, trust and capacity to see, and bring, beauty into the world!

Mixed and mastered by A7 Recording Studio (@a7-recording-studio, www.a7recordingstudio.com)
Produced by Blaž Pavšič
Lead vocals by Titanic Jack
Back vocals Maja Štebih

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: www.facebook.com/77Ladat

▶ARTWORK◀
MaKo: instagram.com/marketka1975

Zut!

Deviation

Track 187 - A slow buildup into a faster and more intricate formula.

Infused

Hagat Gowaya - حاجات جوايا
Roxi - Chapter One - Amir Eid
روكسي - الفصل الأول أمير عيد
2024
...

وشي للبار وضهري للمكان 
مش قادر ناس مش قادر عالكلام
تمام برمي السلام
لكن ده ميمنعش اني زهقان 
عاوز شوشره بدون اي احتكاك 
انا عايز حب كبير مش قادر ارتباط
انا عاوز لمه عشان لما بروح 
دماغي بترقصني وبفكر في حاجات 

حاجات جوايا انا لسه مش عارفها 
حكايات وقصص كتير انا لسه بألفها
حاجات جوايا انا لسه مش عارفها 
حكايات وقصص كتير انا لسه بألفها


سألتني انت مين قلتلها بحاول اكون انا 
بلعب مع نفسي ساعات لعبه الاسئله 
والحقيقه النتيجه كانت مذهله 
شويه مخجله لكن هحكيلك 
بحب الموناليزا عشان الناس بتحبها 
بس الحقيقه عمري في يوم ما فهمتها 
عندي شويه مباديء لكن متجزئه 
عندي مشاعر فاضل تكه وتبقي ملزقه 
بضحك ساعات في السينيما علي ضحك ناس
بس الحقيقه الفيلم غبي مفيهوش احداث 
بعمل حاجات كتير محفوظه مش مفهومه
وحبيت عشان حاجات تانيه غير الاحساس


حاجات جوايا انا لسه مش عارفها 
حكايات وقصص كتير انا لسه بألفها
حاجات جوايا انا لسه مش عارفها 
حكايات وقصص كتير انا لسه بألفها


الطريق قصادي بس السبق مش سباقي
العالم ده متساق مش عايز منه حاجه 
الناس بتجري حافظه ماشيه ورا الباقي 
عالم كله كداب اكتر من الخواجه 
مش مهم مش مهتم 
لسه مش لاقي الحلم اللي يصحيني 
المهم خليني احكيلك 
خليني احكيلك شويه عن 

حاجات جوايا انا لسه مش عارفها 
حكايات وقصص كتير انا لسه بألفها
....

Hagat Gowaya - Amir Eid | حاجات جوايا - أمير عيد

https://myckalmarcovic.bandcamp.com/track/la-faute-au-cerveau
Translation above.

https://soundcloud.com/lionel-abbou m'a fait l'honneur de mettre en musique mon texte et de le chanter.

C’est la faute au cerveau

On n’est jamais content
De son physique
On est trop p’tit, on est trop grand
C’est pas pratique
On est trop mince, on est trop gros
Ou trop chétif, ou ramollo
C’est la faute (ter)
aux kilos

On n’est jamais content
De son physique
On est trop noir, on est trop blanc
C’est pathétique
On manque de grâce, de biscotos
On est tordu comme un ragot
C’est la faute (ter)
aux photos

Refrain :
Mais rien n’est un défaut
Qu’on se trouve moche ou beau 
Quel que soit le tableau
C’est la faute (ter)
au cerveau

Il y a toujours bien mieux
Que son physique
On est trop jeune, on est trop vieux
Chronillogique
Les cheveux tombent incognito
La calvitie, ça fait vieillot
Viv’ la boule (ter) 
à zéro
(refrain)

Quand on se sent trop vieille
Monogamique
Que la peau s’emplit de dentelles
Trop archaïques
Pour ne plus voir ces rides en trop
Et fair’ de l’œil aux hidalgos
Bistouri (ter)
À gogo
(refrain)

Myckaël Marcovic, le 24 juillet 2020
Musique de Lionel Abbou, 27 mai 2024

Lionel Abbou did me the honor of setting my text to music and singing it.

It's the brain's fault

You're never happy
With the way you look
You're too small, you're too big
It's not practical
You're too thin, you're too fat
Or too sickly or too soft
It's the fault (ter)
the kilos

You're never happy
With the way you look
You're too black, you're too white
It's pathetic
We lack grace, biscotos
We're as twisted as gossip
It's the fault (ter)
to the pictures

Refrain :
But nothing is a flaw
Whether you think you're ugly or beautiful 
Whatever the picture
It's the fault (ter)
the brain

There's always something better
Than your looks
You're too young, you're too old
Chronillogic
Hair falls out incognito
Baldness is old-fashioned
Viv' la boule (ter) 
to zero
(refrain)

When you feel too old
Monogamous
When the skin fills with lace
Too archaic
To stop seeing those extra wrinkles
And wink at the hidalgos
Bistouri (ter)
In spades
(refrain)

Myckaël Marcovic, July 24, 2020
Music by Lionel Abbou, May 27, 2024

La faute au cerveau (Myckaël Marcovic / Lionel Abbou) feat. Lionel Abbou

This is my latest pop song with male AI vocals. Lyrics are taken from a poem by William Shakespeare. Listen with headphones...

Out now on all streaming platforms and distribution sites.

https://open.spotify.com/track/49YgDOnXjzHD4Id0OGWDqQ?si=noxqCHu2SRCjIiNd6ybIsw

"William Shakespeare -  "To me, fair friend..." (sonnet 104)

To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride,
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah, yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred:
Ere you were born was beauty’s summer dead."

If you enjoy what you hear hit the like and repost button.

Follow me on Soundcloud and Facebook.

@constellation-lyra

www.facebook.com/pages/Constellat…/377825935649048

Constellation Lyra - To Me, Fair Friend [out now on Spotify]

🔥 "HELL AND BACK" is HERE! 🔥

This track is a self-produced banger that blends Trap Metal energy with raw, live guitar samples for a hauntingly powerful melody. Featuring the legendary Xvnny Clvus, making his long-awaited return, this song brings a perfect fusion of aggression and melody—gritty rap verses, a crushing hook with Nu-Metal vibes, and a dark, immersive atmosphere.

💀 From Hell and back—this is more than music, it’s an experience. If you're into high-energy, genre-blending anthems, this one’s for you.

🔊 Repost, comment & follow Heartless Fendi

🔗 Follow Here: https://www.instagram.com/heartlessfendi/
#TrapMetal #NuMetal #RapRock #XvnnyClvus #LiveGuitar #SelfProduced #DarkEnergy #HeartlessFendi

Hell And Back

Vocals, Keyboards, Drum Programming - Will Montgomery
Guitar, Bass, Bkg Vocals - Spencer Broschard
Bkg Vocals - Julie Lavery

Written & Produced by Will Montgomery

Out of Step

"Starlight Scavengers" is a powerful rock anthem that blends classic rock sensibilities with modern production values. Drawing inspiration from legendary acts like Fleetwood Mac and The Rolling Stones, this track weaves a haunting tale of love and resilience in a broken world. Rich vocal harmonies, soaring guitar solos, and a driving rhythm section pay homage to the golden age of rock while carving out a unique sonic identity.

The track builds from atmospheric verses through emotionally charged pre-choruses to an explosive chorus, supported by layers of electric and acoustic guitars, thunderous drums, and melodic keyboard textures. The addition of trumpet adds an unexpected dimension to the arrangement, while the Dolby Atmos (available on Apple Music ) mix creates an immersive sonic landscape that enhances the post-apocalyptic narrative.

For fans of: Fleetwood Mac, The Rolling Stones, Florence + The Machine, and anyone who appreciates storytelling through music that combines raw emotion with polished production.

LYRICS:
Under skies of ash and ember, where stars struggle to shine
We roam the broken landscape, your hand held tight in mine
Scavenging for moments, in a world turned upside down
Finding beauty in the wreckage, of this ghost-riddled town

We're collectors of lost dreams, archaeologists of hope
In this wasteland of tomorrow, we've learned to cope

Starlight scavengers, in a world gone dark
Piecing together a future, from the past's broken parts
With every step we take, through this ruined paradise
We're building our own constellation, our love will suffice

In the shadow of fallen towers, where ambition once held sway
We craft our own utopia, at the end of each day
From shards of shattered windows, we build a kaleidoscope
Transforming our reflection, into a prism of hope

We're alchemists of sorrow, turning pain to gold
In the crucible of our hearts, a new world to mold

And when the night seems endless, and the path ahead unclear
I'll navigate by the light in your eyes, and the warmth of you near
For in this desolate beauty, where old rules no longer apply
We've found a truth eternal, a love that will never die

So let us keep on searching, for fragments of the light
In each shard of broken dreams, our love burns ever bright
For though the world lies shattered, our spirits remain whole
Two starlight scavengers, on an endless patrol

Starlight scavengers, in a world gone dark
Piecing together a future, from the past's broken parts
With every step we take, through this ruined paradise
We're building our own constellation, our love will suffice


In the twilight of humanity, where chaos reigns supreme
We've found our own galaxy, in this post-apocalyptic dream
Starlight scavengers, forever you and I
Crafting hope from stardust, beneath this ashen sky

Starlight Scavengers

“INGANNEVOLE” è il primo album di Olimpia Simone. Ingannevole, è il frutto di quasi due anni di lavorazione con il coinvolgimento di molti dei musicisti con cui Olimpia ha collaborato nella sua carriera finora. Arriva dopo molti singoli e rappresenta un viaggio musicale che riflette la sua personalità, artisticamente e musicalmente. Prevalentemente jazz, include sfumature di pop e cantautorato, oltre a brani intimi solo piano e voce. Tra i musicisti: Mario Rosini al piano (che ha scritto molti degli inediti), Paolo Romano al basso, Mimmo Campanale alla batteria, Guido Di Leone alla chitarra jazz, Bruno Montrone al piano, Gianni Binetti al sax, Maurizio Lampugnani alle percussioni. Nei featuring spiccano nomi come Fabrizio Bosso alla tromba, Giovanni Astorino al violoncello, Giuseppe Milici all'armonica, Gianni Rotondo, e Savio Vurchio. Questi sono solo alcuni dei tantissimi musicisti coinvolti in questo progetto. Comprende cover di brani e interpretazioni significative della sua carriera, come canzoni di Sergio Cammariere, Vasame di Gragnaniello, Samba della Rosa di Toquinho, e Mi sono innamorato di te di Luigi Tenco.
L’album, oltre ad essere presente su tutti i maggiori portali di streaming come Spotify, Apple Music, Amazon Music e Bandcamp, è disponibile sia in CD che in Vinile sullo store on-line https://bit.ly/STRJAZZ

Ingannevole

Mi sono innamorato di te

Ascolta | Scarica

[Jazz, Piano] Olimpia Simone • Mi sono innamorato di te [Soul Treasure Jazz™]

Exploring the darker side of romantic love in the modern era. Influences include early British Metal and early American Gothic music. At times harmonically dischordant with a moody and haunting vibe

The One To Call (Live Version) - John Goldrust

This album is ‘Last Dance’ and my final album of my musical journey and consists of specially selected love ballads that takes you on a nostalgic journey through the years from 1968 to 2024. 

From 2016 to 2025, I have recorded and produced 1,117 songs comprising 51 Albums. It is time to undertake a new journey in my life that will further my growth into other realms. I thank all my fans and supporters who have helped me achieve this amazing milestone and ‘my music’ is a gift to humanity.

‘Those Were the Days’ is a song composed by ‘Boris Fomin’. Welsh singer ‘Mary Hopkin’ covered ‘Those Were the Days’ as her debut single in 1968. 

‘Push the Button’ is a song recorded by English girl group the ‘Sugababes’ for their fourth studio album ‘Taller in More Ways’ (2005).

‘Everywhere’ is a song by British American rock band ‘Fleetwood Mac’ from their 14th studio album, ‘Tango in the Night’ (1987). 

‘Ugly Heart’ is the second single by American British Canadian girl group ‘G.R.L.’ from their self-titled EP. The song was released on Sept 5, 2014.

‘Make It with You’ is a song written by ‘David Gates’ and originally recorded by American pop-rock group ‘Bread’ and was the first single from their Album ‘On the Waters’ and was released in Aug 1970.

‘Some Broken Hearts Never Mend’ is a song written by ‘Wayland Holyfield’ and recorded by American country music artist ‘Don Williams’. It was released in January 1977 as the first single from the album ‘Visions’.

‘Redneck Girl’ is a song written by ‘David Bellamy’ and recorded by American country music duo ‘The Bellamy Brothers’. It was released in September 1982 as the first single from the album ‘Strong Weakness’. 

‘Beautiful Things’ is a song by American singer and songwriter ‘Benson Boone’. It was released on January 19, 2024, as the lead single of his debut studio album, ‘Fireworks & Rollerblades’.

‘Love Yourself’ is a song recorded by Canadian singer ‘Justin Bieber’ for his fourth studio album ‘Purpose’ (2015). 

‘Calm Down’ is a song by Nigerian singer ‘Rema’, from his debut studio album ‘Rave & Roses’ (2022).  A remix of ‘Calm Down’ with American singer ‘Selena Gomez’ was released on 25 August 2022.

‘Lay Back in the Arms of Someone’ is a song co-written by ‘Nicky Chinn’ and ‘Mike Chapman’, performed by the English band ‘Smokie’ and released in 1977.

‘50 Ways to Say Goodbye’ is a song by American pop rock band ‘Train’. It is the second single from their sixth studio album, ‘California 37’. It was released in the on June 11, 2012.

‘Sara’ is a song written by singer-songwriter ‘Stevie Nicks’ of the British American band ‘Fleetwood Mac’, which was released as a single from the 1979 ‘Tusk’.

‘Yellow’ is a song by the British rock band ‘Coldplay’, who wrote the song and co-produced it with British record producer Ken Nelson for their debut album, ‘Parachutes’ (2000). 

‘Baby Can I Hold You’ is the third single released by American contemporary folk artist ‘Tracy Chapman’, released in October 1988. 

‘Little Lies’ is a song by British American rock band Fleetwood Mac from their 14th studio album, ‘Tango in the Night’ (1987). 

‘How Can I Tell Her’ Is a song by American singer-songwriter ‘Lobo’, from his third studio album ‘Calumet’ (1973).

‘Aubrey’ is a song written and composed by American singer-songwriter ‘David Gates’ and originally recorded by the soft rock group Bread and appeared on Bread's 1972 album ‘Guitar Man’. 

‘Lost in Love’ is a song recorded by the British Australian soft rock duo Air Supply from their ‘Life Support’ (1979) album. The song was written by group member ‘Graham Russell’. 

‘Last Dance’ is a song by American singer ‘Donna Summer’ from the soundtrack album to the 1978 film ‘Thank God It's Friday’.

 ‘Every chord I strike is a call to the heart’s deepest desires, a reminder that in the rhythm of life, we find the courage to dance through the darkness and into the light.’

Enjoy!!!

Redneck Girl (O'Neill Fernandes)

This remastered album is the musical journey accompanying the harrowing events of Book 3 of "Hinter uns das Land" ("Behind Us The Land"), a poignant novel by Frank Talmon l'Armée. As the war closes in, the Feyerabend family, along with countless others, is forced to make the heart-wrenching decision to flee their beloved home in East Prussia. This collection of 16 tracks captures the emotional turmoil and the perilous journey that unfolds, painting a vivid sonic picture of a family caught in the midst of historical upheaval.

Book 3 plunges the listener into the chaos and fear of the final days of the war in East Prussia. The once-familiar streets of Danzig (now Gdańsk) become a haunting labyrinth of desperation and uncertainty as Inge and her family navigate the treacherous path to the harbor. The music reflects the growing tension, the ever-present threat, and the agonizing choices forced upon those seeking refuge. You will sense in the music the desperation of many refugees, but also their determination to survive.

The journey culminates in the boarding of the "Lappland," a vessel overflowing with refugees, all carrying their own stories of loss and hope. As the ship embarks across the vast and unforgiving Baltic Sea, the music evokes the vastness of the ocean, the precariousness of their situation, and the uncertain future that awaits them. You can hear in the sounds the inner turmoil of the characters: the children who do not yet fully comprehend what is happening and the adults who try to hold on to hope in the face of unimaginable fear.

From haunting melodies that echo the emptiness of a lost home to surging orchestrations that mirror the turbulent sea, this soundtrack captures the full spectrum of human emotion in times of war. Moments of quiet reflection are interspersed with powerful, driving rhythms, reflecting the resilience and determination of those who refuse to give up hope, although they know their lives will never be the same.

This musical collection offers a unique and immersive experience, drawing the listener deeper into the world of "Hinter uns das Land." It's a testament to the enduring power of family, the unwavering human spirit, and the search for peace amidst the ravages of war.

Nothing Is Life (Radio Version) (LANDR remastered)

Life’s Uncertain Path Leads Us (LANDR remastered)

1000

SUNDAYSESSIONS25

celestial

During this cold winter time 2024/2025 I got this to heat you a little up!

Echoes In Our Shadows

Echoes In Our Shadows (feat. Jonny B. Cool)

The Story

Im actually pretty stupid haha, and hopelessly romantic. I fall for too many people and thats a downfall cuz I get hurt. tbh I should stick to my own, then id be safer! but, unfortunately Im too silly for that x3... dslffweojfiweo 

anyways new music soon prolly, gonna see how this performs cuz sc loves guitar tracks from me for the algorithm for some reason lol

letter to the valentine that wont hear this song or my heart prod perry pressey n kerel

Empty rooms make louder sounds
than bombs ever could.
My bed's still warm but I'm not there
haven't been for good.

Phones light up with "how are you?"
Each pixel burns through.
I've got responses stockpiled high:
None of them are true.

I'll be fine, like static air
when radio waves die.
I'll be fine, like vacant eyes
in a porcelain lie.
I'll be fine, supposedly,
Like flowers pressed in formaldehyde.

Coffee's cold before it burns,
Time splits at the seams.
The mirror shows a person there
Who's nobody it seems.

Every "just reach out" feels like
Hands through heavy glass.
I'm here, I'm gone, I never was—
All three statements pass.

I'll be fine, like dead sea salt
That forgot to float.
I'll be fine, like autumn leaves
That never wrote their note.
I'll be fine, theoretically,
Like stars that burned out centuries ago.

There's an art to absence
That nobody taught.
I've mastered disappearing
While staying in one spot.
My lungs remember breathing
But forgot to tell my chest
Now even nothing's something
I fail to possess.

I'll be fine, like church bells in
An abandoned town.
I'll be fine, like paper boats
That learned how to drown.
I'll be fine, apparently,
Like prayers in empty sound.

They say the void stares back but mine
Just keeps looking through.
I've got a PhD in Hollow,
And the walls do too.
My pulse keeps perfect rhythm with
The silence in between.
I'm here, I promise, just like all
The things you've never seen.

I'll Be Fine

Modes About Me - It Dies With Them

Album:
Happy Not Hateful

Guitar:
@themysteriousdecibel

Bass:
@thefunkykaiju

Producer:
tssrecording.com/

Lyrics:
there's whispers from outside the tent
to vent
is all I have left
weapons on weapons on deck
these people aren't real
just a means to the end
instant regret
thinking descends into doing 
and doing is what I resent
they know my secret
now it dies with them

so fat over there like a pear
with a face so ugly and I bet you don't care
bout the way that they stare 
when you come into town
and your underwear are brown 
kinda wish you were dead
if you ever get married then
I hope that she dies
when you cry 
cause your face turns red
at the funeral they said
that you were sleeping with your dad
and the baby they had
came out and it was black
grabbed his chest and had a little heart attack
your mom dies in side at the sight of that
then you got home and you found out
that your cat ran away
the cancer decided 
to make its way to the brain

Happy Not Hateful

It Dies With Them

DOWNLOAD HERE 
https://hypeddit.com/hcpurpl/purplbabyproducedbyhcfreedownload

Check out purpl's Spotify 
https://open.spotify.com/artist/0qLq938YLoXapahHpnzVSO?si=XSntU_daTtyWo-qKolt06Q

FREE DOWNLOAD

Purpl - Baby - Produced By H.C. - FREE DOWNLOAD

Lyrics.
Dark revelations, kaleidoscope lies
No going back now
Falling from tightropes we’ve walked all our lives
Just to find, you & I, we were never all that high.

Blood from a stone
Drawn like a sword
That cuts into the heart of me
But now I see the light

Chorus.
Follow me through the dark
Time to see who we are
Yeah we’re down, won’t let you drown in holy water
No surrender, don’t you ever let it take away your light
Love will find us where our sun burns the brightest
Breaking free, take control, breathe it in, let it go
You and I just gotta find a new horizon
No surrender, what we weathers gonna fade away in time
Love will find us and our past won’t define us.

Breaking the surface the worst isn’t done
Storms getting wilder
Tossing and turning the waves block the sun
Holding tight, will and might, but can we survive the night?

Beached like a whale, shells of ourselves
Helps to know we’re not alone
We’ll leave it all behind.

Chorus
Bridge 
No more drawing blood from a stone
We’ll find where we belong.

Written & produced by Leo Bull 21.2.25 No Ai used in this song.

Blood From A Stone

right or wrong

Translation above
Texte et chant : Jean-Paul Gaido-Daniel
Musique : Myckaël Marcovic
Illustration : Annie Madec

Spotify : https://open.spotify.com/intl-fr/album/02PDO44GYjPQo0V8dFOeKk?si=j_qSmI1AROKGo4xk9aMtlQ

La poésie se boit

D’un Nice révolu
Au monde tropical
D’une escale en bateau
Près d’une radio libre
Revenue d’un bouquin
Immaculée contraception
En passant par les tarés
Qui nous parlent tant

De leur dernier voyage
Pour nous jeter enfin
Leurs pseudo métaphores
En criant des sornettes
Du haut des goélettes

Et faut pas les croire, Monsieur,
Que demain, à midi
S’il reste une heure à vivre
Je me battrai pour l’homme
Jusqu’au bout de mes forces.
S’il reste une heure à vivre
Je me battrai pour l’homme
Jusqu’au bout de mes forces.

Mais ma voix s’est coincée
Dans un nuage bleu
Sur mon pays, ma terre,
Pas très loin de la baie
Qui m’arrache à la nuit.

Quand tu dors mon ami,
Prends le temps de rêver
Pour quand tu seras vieux,
Et mesure ta mesure
Sans trop crier, l’ami, (bis)
Sans trop crier…

Post-mortem, pour moi,
La mort est à Venise
Dans mes bras tu verras
La poésie se voie
La poésie se noie
La poésie se boit

Jean-Paul Gaido-Daniel, 2025
Musique de Myckaël Marcovic, 4 mars 2025

Poetry can be drunk

From a bygone Nice
To the tropical world
From a stopover on a boat
Near a free radio station
Back from a book
Immaculate contraception
By way of the crazies
Who talk to us so much

About their last voyage
To finally throw us
Their pseudo-metaphors
Shouting nonsense
From the top of the schooners

And don't believe them, Sir,
That tomorrow, at noon
If there's an hour left to live
I'll fight for man
To the end of my strength.
If there's an hour to live
I'll fight for the man
To the end of my strength.

But my voice is stuck
In a blue cloud
Over my country, my land,
Not far from the bay
That snatches me from the night.

When you sleep my friend,
Take the time to dream
For when you are old,
And measure your measure
Without shouting too much, my friend, (bis)
Without shouting too much...

Post-mortem, for me,
Death is in Venice
In my arms you will see
Poetry can be seen
Poetry can be drunk
Poetry is drowning

Lyrics by Jean-Paul Gaido-Daniel 
 Music by Myckaël Marcovic, 4 March 2025

La poésie se boit (Jean-Paul Gaido-Daniel / Myckaël Marcovic)

Rocks and Stones

Whistlin'

Struggling to get over someone? Sidethrow Hustle is a song I wrote that highlights my experience struggling to move on. Saying goodbye is very hard.

Sidethrow Hustle

Dive into the hauntingly beautiful world of "The Ink Never Dried," a Southern Blues Metal masterpiece that blends the raw emotion of blues with the powerful intensity of metal. This track tells a story of unspoken words and unresolved emotions, capturing the essence of letters written but never sent. With soulful slide guitar melodies, gritty vocals, and a haunting blues melody, this song takes you on a journey through melancholy and resilience. Perfect for those who appreciate a mix of deep lyrical themes and powerful musical expression.

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Tauche ein in die faszinierend schöne Welt von "The Ink Never Dried", einem Meisterwerk aus Southern Blues Metal, das die rohe Emotionalität des Blues mit der kraftvollen Intensität des Metal verbindet. Dieser Track erzählt eine Geschichte von unausgesprochenen Worten und ungelösten Gefühlen und fängt das Wesen von Briefen ein, die geschrieben, aber nie abgeschickt wurden. Mit seelenvollen Slide-Gitarren-Melodien, rauen Vocals und einer eindringlichen Bluesmelodie nimmt dich dieses Lied mit auf eine Reise durch Melancholie und Widerstandsfähigkeit. Perfekt für alle, die eine Mischung aus tiefgründigen Texten und kraftvollem musikalischem Ausdruck schätzen.

The Ink Never Dried

I used to not believe in much. I was doing fine in life. I never thought I was missing anything. Life kept life-ing. The weight on my shoulders became too much to bear. I had to accept something bigger than myself. That's how I found God. Don't think of this as gospel or me trying to preach. This is just my canvas and I'm painting a picture of my struggles and my talks with him. 

DEAR GOD,

Ta 25ième heure, l'heure à laquelle tu décides de vivre ta passion.Lorsque l'on fait une activité qu'on aime le temps est toujours trop court et jamais assez long.

Your 25th hour, the time at which you decide to live your passion. When doing an activity that we like, the time is always too short and never long enough.

Ta 25e heure

Tu l'imagines
Mais tu plies l'échine… toujours!

Cet espoir de bonheur
Te reviens à chaque heure… à chaque heure.

(Mais tu te dis…)
Souvent trop longues
Jamais trop courtes
Peu importe elles s'écoulent

Tu rêves de cet instant
Pour traverser ces moments… plus librement.
Toutes ces journées à labourer
Pour construire ce paradis… tant souhaité.

(Mais tu te dis…)
Souvent trop longues
Jamais trop courtes
Peu importe elles s'écoulent s’écoulent s’écouleeeeent

Jamais trop longues
Souvent trop courtes
L'important c'est que tu t'écoutes
Voilà l'instant
Ici le moment
C’est l’heure
De ta 25e heure

Solo

Celle qui t'appartient
La réalisation de ton destin
L'instant de bonheur
Ta passion à toutes heures… à toutes heures

(Mais tu te dis…)
Jamais trop longues
Souvent trop courtes
L’important c’est que tu y touches
Le temps présent
Le temps constant
Voilà l'instant
Ici le moment
C’est l’heure
De ta 25e heure


Ta 25ième heure

Zap Tharwat ft. Amina Khalil & Sary Hany - Nour | زاب ثروت وأمينة خليل - نور

Zap Tharwat Ft. Sary Hany & Amir Eid (Cairokee) زاب ثروت وساري هاني وأمير عيد (كايروكي) في السما

Happy Funk

artist soundcloud: https://soundcloud.com/nevelslevels
producer: https://soundcloud.com/offspringmusic

#NuSoundexpress

Spellbound

DOWNLOAD HERE
https://hypeddit.com/thehc/mfvandalpathofexcileproducedbydaheadcutta

Free Download

Mf Vandal - Path Of Excile - Produced By Da Headcutta - Free Download

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

A Beyond & Before Music production.

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Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic