Rock Roots

Rock IV

Rock 2

25 top rp

Barn finds 8

Repost/Exchange 31

Re-Extase 54

Re-Extended 22

Home Haircut
Ideas are good to bounce around
We don’t rush the ones we’ve had
She ain’t just easy on the eyes,
She helps filter out the bad
And then when it turns out caddywampus
Like we’ve known since the second verse
She’d probably tell me “I told you so”
While she keeps me from making it worse

The clippers will make it easy
Like a scissor with training wheels
The mirror image will guide me
This ain’t gonna be a big deal

Home haircut, while my baby isn’t home
That angled comb is just for your ear, 
Not the entire side of your dome
And I can’t even find the sharpie
Even if that’s a good idea
If you hadn’t been gone so long
I wouldn’t be bleeding from my ear

Home haircut, while my baby isn’t home
What the heck is that lever for? 
I already attached the comb!
My left arm feels like my right arm
In the mirror it don’t move right
I may not have much hair left
At least I didn’t stab my eye! 

Something’s a little uneven
I’ll just trim some more from there
A nick, a wobble, a first aid kit
And the carpet’s all covered in hair
ooOOH

Home haircut, while my baby isn’t home
That angled comb is just for your ear, 
Not the entire side of your dome
I’ve got a meeting in the morning
And the barber shops are closed
Shoulda done this first thing today
Tell me again, when you coming home

Home Haircut

Homeless Man

# 26 [Incubator]

Song composed & created by The Boilerman
Eric created & plays: all clean wah-wah & distorted lead & rhythm guitar
Eric created & mix's: all drum, bass, ambient, atmo & synth
Shamoozey created & speaks: all spoken word
Production by E.H.T Studios
Thank you for listening!

Facing The Gates Of Truth

Mutant Rockstar (Deluxe Edition)

Spotify 

The Silence ain't Golden

Sophie and I stripped it all down – raw chords, bare emotions. “Inner Turmoil (Unplugged)” is now on YouTube.
🎧 Watch here: https://www.youtube.com/watch?v=6CZiIbRNTj8

🔗 New tracks monthly. Follow & listen on Spotify
https://open.spotify.com/intl-it/artist/3gyawiyn1h42aeP11nH2KC

Long Road Motel is a sonic journey down dusty highways, past forgotten motels and haunted memories. A dark rock/grunge track soaked in nostalgia and unease. Gritty guitars, ghostly melodies, and a voice that drifts like a summer wind—restless and heavy.
Perfect for those who aren't chasing beaches this summer, but chasing meaning—or just trying to outrun something inside.
🎸 Turn up the radio. Leave everything behind. Welcome to the Long Road Motel.

Produced by EileenNoise
Singer and guitar Sophie Ellison
Artwork photo by Sophie Ellison

You can hear other works with her here;)
soundcloud.com/zipboy83/sets/grunge-vocals-by-sophie

Lyrics
[Verse]
Dusty road it stretches wide
Empty dreams hitching a ride
Neon flickers in the haze
Old motel where ghosts still stay

[Chorus]
Long road motel
Where the lost hearts dwell

[Verse 2]
Creaky floorboards sing their tune
Peeling walls hide past’s perfume
Faded faces in the frames
Time forgot their worn-out names

[Chorus]
Long road motel
Where the lost hearts dwell

[Bridge]
Broken signs they point to nowhere
Echoes hum in the heavy air
Every room a silent story
Worn-out beds and fleeting glory

[Verse 3]
Highway hums its lonely hymn
Night creeps in the lights grow dim
Shadows dance in amber glow
Secrets whispered no one knows

Long road motel

NIGHT FREEWAY

Ladies and gentlemen
please fasten your seatbelts
We're about to experience turbulence
in the art of regret

I'm sorry if you noticed
I'm sorry you were hurt
I'm sorry that you feel this way
And now you're throwing dirt
I'd love to care about your wounds
But I'm busy dodging blame
So let's both agree-your pain's not clear
And I'll just look away

Did I do something? (Yes!)
Did I say something? (You did!)
Well, I'd like to apologize...
For the way you feel

I'll blame the weather, blame the moon
Say, "Oops, my bad!" then leave the room
If I must, I'll sigh, look wise
Blame the system, blame my fate
Or, "Sorry I'm late to the sorry parade!"
Take a bow and improvise
That's just how I apologize

I'm sorry that you're angry
That I danced upon your toes
But, hey, I lost my own last week
That's just how karma goes
My PR says to say some words
About the lessons that I've learned
So here's my statement:
"If I caused some pain-I hope the earth still turned"

I regret that you regret
But not the thing you're regretting
I apologize for your confusion
And your unexpected bloodletting
If you're searching for sincerity
It's in my other coat
Or somewhere deep inside a memo
That my lawyer wrote

Did I cross a line? (You did!)
Did I push too far? (Too far!)
Well, I'm ready to say sorry...
For your delicate heart

I'll blame tradition, blame the crowd
Say, "Sorry you're so sensitive now!"
Make it vague and weaponize
Blame the coffee, blame my youth
Blame gravity, blame the absolute truth
Don't expect me to empathize
That's just how I apologize

I'm sorry for my past mistakes
And future ones to come
For all the things I almost did
And everything I've done
Forgive me, or forget me
But don't forget my brand
And if this feels authentic
That was never what I planned

Did I cross a line? (You did!)
Did I make things worse? (You did!)
Here's my vague apology...
If that's what you require

I'll blame my grandma, blame the sun
Blame autocorrect-then run, run, run
If I blush, I'll stylize
Blame nostalgia, blame my shoes
Sorry you're allergic to the words I use!
Modern times, modern lies
That's just how I apologize

If you're waiting for an answer
Or the world to make it right
You'll find me on a talk show
Saying,
"Sorry, not tonight"

Sorry

Official Song Description: Adelheide's Wisdom – "The Day When Metal Died (Act III: The Historical Marker)"

What does it sound like when 250,000 fans mourn their hero in unison?

Adelheide's Wisdom delivers a preview of their forthcoming epic, "The Day When Metal Died," with the release of the monumental third act, "The Historical Marker." This track is not just a song; it's a visceral, immersive experience designed to place the listener directly into the heart of a massive, passionate stadium crowd.

Driven by the raw, majestic energy of classic 80s heavy metal, the song combines galloping rhythms and soaring twin-guitar harmonies with a soundscape that captures the electric atmosphere of a legendary live concert. In this powerful chapter of the requiem, the private grief of the earlier acts transforms into a collective, defiant roar.

"The Historical Marker" is the moment the fans raise their voices, the moment a tribute becomes a timeless anthem. It's a sonic monument where the roar of the audience becomes an instrument in itself, creating a powerful, shared ritual of remembrance.

This is Act III of a larger story, a Glimpse into the epic scale of the full requiem to come.

---

Lineup for "The Day When Metal Died"

Band: Adelheide's Wisdom

Instruments:
•	Adelheide Vogt: Lead & Rhythm Guitars, Akustikgitarre
•	André Moreau: Lead & Rhythm Guitars
•	Rosemarie Kowalski: Lead & Rhythm Guitars (Twin-Guitar Harmonies)
•	Bruno Moretti: Bass Guitar
•	Ian McCullough: Drums
•	Elfriede Ragnarsdóttir: Kirchenorgel & Orchestrale Arrangements
________________________________________

Vocals ("Starring"):

•	André Moreau als "The Voice of the Inner Void" (Lead Vocals in Act I)
•	Bruno Moretti als "The Voice of the First Cry" (Lead Vocals in Act II)
•	Ian McCullough als "The Voice of the Historical Marker" (Lead Vocals in Act III)
•	Adelheide Vogt als "The Voice of the Anthem" (Lead Vocals in Act IV)
•	The Full Band (Gang Vocals / Choir in Act IV)

The Day When Metal Died

Enter Graal

Sereline

Guitars, Bass and Keyboards by Robert Grigg.
Drums by Yamaha keyboard.

Slippin' Out

Reflecting in the mirror what do I see 
A shadowy stranger staring back at me 
Eyes like storms and a heart gone still 
Whispered secrets bending to its will  

Is it me or just a dream 
Truth unraveling at the seam  

Shadows in the glass 
They call my name Echoes of a past I can't reclaim 
Who's the one standing there Is it you or is it me 
A riddle trapped in the mirror’s mystery

The imposter .mp3

Bass - Sickly Just

Feel the Closure

Album Title: After The Bat Was Freed ... But Before Metal Died 

An Ozzy Requiem

Description:

This is more than an album. This is a requiem. A two-part rock opera epic exploring the complete life, legacy, and psychological journey of a rock and roll icon. Performed by the virtual progressive metal band Adelheide's Wisdom.

LP 1: "After The Bat Was Freed ... But Before Metal Died"
A nine-act narrative that chronicles the rise and reflection of a legend. The journey begins in the industrial haze of 1960s Birmingham, capturing the spark of a Beatles-inspired dream ("The Day The Bat Was Freed"). It crashes through the chaotic birth of a new sound ("Sounds Like a Bunch of Cats Fightin'"), explores the creation of the demonic "Madman" persona ("They Call Me The Madman"), and descends into the self-destructive excesses of the 80s ("Wings of Sin"). The album finds its emotional core in the heartbreaking ballad "I Was Just A Dreamer," before culminating in a final, monumental tribute to the man behind the myth ("Prince of Eternal Fire").

1. The Day The Bat Was Freed
The origin story: This 60s-style rock opera piece chronicles the birth of a legend, inspired by the sound of The Beatles in the grim industrial landscape of Birmingham. The track musically transforms from jangly pop into the first, heavy proto-doom riff, capturing the moment a new sound was born.

The Day The Bat Was Freed

Album Title: After The Bat Was Freed ... But Before Metal Died 

An Ozzy Requiem

Description:

This is more than an album. This is a requiem. A two-part rock opera epic exploring the complete life, legacy, and psychological journey of a rock and roll icon. Performed by the virtual progressive metal band Adelheide's Wisdom.

LP 1: "After The Bat Was Freed ... But Before Metal Died"
A nine-act narrative that chronicles the rise and reflection of a legend. The journey begins in the industrial haze of 1960s Birmingham, capturing the spark of a Beatles-inspired dream ("The Day The Bat Was Freed"). It crashes through the chaotic birth of a new sound ("Sounds Like a Bunch of Cats Fightin'"), explores the creation of the demonic "Madman" persona ("They Call Me The Madman"), and descends into the self-destructive excesses of the 80s ("Wings of Sin"). The album finds its emotional core in the heartbreaking ballad "I Was Just A Dreamer," before culminating in a final, monumental tribute to the man behind the myth ("Prince of Eternal Fire").

3. They Call Me The Madman
The birth of a persona: An avant-garde metal circus that explores the conflict between the private family man and the public shock-rock figure. The highlight is a heartbreaking, distorted cello quote of "Mama, I'm Coming Home," representing the real man screaming from inside the cage of his own myth.

They Call Me The Madman

Album Title: After The Bat Was Freed ... But Before Metal Died 

An Ozzy Requiem

Description:

This is more than an album. This is a requiem. A two-part rock opera epic exploring the complete life, legacy, and psychological journey of a rock and roll icon. Performed by the virtual progressive metal band Adelheide's Wisdom.

LP 1: "After The Bat Was Freed ... But Before Metal Died"
A nine-act narrative that chronicles the rise and reflection of a legend. The journey begins in the industrial haze of 1960s Birmingham, capturing the spark of a Beatles-inspired dream ("The Day The Bat Was Freed"). It crashes through the chaotic birth of a new sound ("Sounds Like a Bunch of Cats Fightin'"), explores the creation of the demonic "Madman" persona ("They Call Me The Madman"), and descends into the self-destructive excesses of the 80s ("Wings of Sin"). The album finds its emotional core in the heartbreaking ballad "I Was Just A Dreamer," before culminating in a final, monumental tribute to the man behind the myth ("Prince of Eternal Fire").

4. Born to Crush
The sound of a city: An aggressive industrial metal anthem that explains why the sound of heavy metal had to be forged in the industrial noise of Birmingham. The music itself is the sound of steel mills, of clashing hammers, of a whole new kind of sonic power.

Born to Crush

Dreams My Guitar Told

For all the fallen soldiers and standing veterans. 

Solo by HAZPAIN/Rakeem Naylor

 Now at #36 in the Pop / Rock Top 40 chart on Re-Ex

Dreams Of Fallen Heros

Dark Mind

This was already my favourite track on the album when it was made even better ...by @APi_ZZ remixing the harmonies.

20. The Judgement

New Life

Just having fun xD , I do not own rights to this song ;)

Party Tonight [Cover]

Cynic Picnic

Track 4 out of 5 of the CORRIDO RIDDIM EP!!

ADVM BOMB - PERRA VIDA [CORRIDO RIDDIM 2.5]

This is not just a song. This is a chapter.

The lyrics for this track are taken from a key scene in the unpublished novel "Hinter uns das Land" (The Land Behind Us). It tells the raw, unfiltered story of a young German refugee's "homecoming" in 1948 – not to a welcoming fatherland, but to a landscape of destroyed train stations, bureaucratic coldness, and the quiet, heartbreaking moment a lifelong dream is shattered by a single piece of paper.

Musically, this piece is a fusion of melancholic jazz, blues, and deep, weary spoken-word verses, creating a cinematic, "film noir" atmosphere for this tale of disillusionment.

This is the sound of a generation arriving home, only to find they are more lost than ever before.

---

Das ist nicht nur ein Song. Das ist ein Kapitel.

Der Text für diesen Track wurde aus einer Schlüsselszene des unveröffentlichten Romans "Hinter uns das Land" übernommen. Er erzählt die rohe, ungefilterte Geschichte der "Heimkehr" einer jungen deutschen Vertriebenen im Jahr 1948 – nicht in ein willkommen heißendes Vaterland, sondern in eine Landschaft aus zerstörten Bahnhöfen, bürokratischer Kälte und dem leisen, herzzerreißenden Moment, in dem ein Lebenstraum durch ein einziges Stück Papier zerstört wird.

Musikalisch ist dieses Stück eine Fusion aus melancholischem Jazz, Blues und tiefen, müden Spoken-Word-Strophen, die eine cineastische "Film Noir"-Atmosphäre für diese Geschichte der Desillusionierung schafft.

Das ist der Klang einer Generation, die nach Hause kommt, nur um festzustellen, dass sie verlorener ist als je zuvor.

Scars on the Walls and Dust on the Floor

Albums

Final Frontier

Electric Guitar: Clay Willis
Acoustic Guitar: Milo Deering
Drums: Josh Rodgers
Bass: Pete Miller
Keyboards: Bob Patin
Vocal: Will Montgomery
Backup Vocals: Julie Laverty, Spencer Brochard
Engineering: Paul Osborn @ Audio Dallas
Written, Mixed & Produced by Will Montgomery

LYRICS:

[Verse 1]
Same bed, same room,
But I don’t feel you move.
Eyes wide, your back turned,
Love fades, we don’t learn.

[Chorus]
Half a heart away,
But miles in between.
Too quiet to fight,
Too loud to dream.
You stay,
But you’re half a heart away.

[Verse 2]
Hands close, no touch,
We don’t talk that much.
Used to burn so bright,
Now we hide from the light.

[Chorus]
Half a heart away,
But I still pretend.
Too tired to leave,
Too far to mend.
You stay,
But you’re half a heart away.

[Bridge]
Don’t know who gave in first,
But we made it worse.
Don’t know what it means to be
all alone without you and me.

[Final Chorus]
Half a heart away,
Still lying side by side.
No fire, no flame,
Just the slow goodbye.
You stay,
But you’re half a heart away.

[Guitar Solo]

[Outro]
Guess we’re close enough to stay...
But still half a heart away.

Half A Heart Away

And then I noticed you had these stars in your eyes
And I was so high
And you had this hair of blue
And I was so into you
I just had to have you
I had to steal you
Steal you from the moon

MoonThief

GENRE: METAL/DARK METAL
LYRICIST: ORPHEUS VECTOR 
VOCALS: KEVIN DAVID 
COVER: ORPHEUS VECTOR 
PRIMORDIUM 

BALLAD OF DUST AND BONE

Dont Forget To Follow Me:
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www.youtube.com/user/RazKfir

<a href='https://theartistunion.com/tracks/4eac7c'>Download for free on The Artist Union</a>

Free Download

Psy & Fly

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

A Beyond & Before Music production.

---

Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic