Adelheide's Wisdom - The Project & The Song
About the Project

Adelheide's Wisdom is more than a band—it is a musical saga. It is the sound of a story, a journey from a lost world into the heart of resilience.

This project is the official musical companion to the German historical novel "Hinter uns das Land" (The Land Behind Us) by Frank Talmon l'Armée. Based on the true autobiographical account of Inge Talmon l'Armée (1927-2006), the story follows a family's journey through the loss of their East Prussian homeland during World War II, their traumatic flight, and the arduous process of rebuilding a new life from the ruins of the old. The music translates universal themes of trauma, memory, inner strength, and the search for a new identity into a powerful sonic experience.

Our sound is a fusion of Epic Progressive Rock and Symphonic Metal, infused with elements of melancholic Folk and classical forms like the Pavane and Bolero. The music mirrors the narrative's arc, shifting from delicate, atmospheric passages to powerful, heavy riffs—a constant dialogue between a fragile past and a complex present. The members of Adelheide's Wisdom are virtual artists, their names and personalities drawn from the key characters of the novel, each bringing their unique part of the story to the music.

Featured Epic: "When the River Sings"

At the heart of our concept album lies the monumental 28-minute epic, "When the River Sings." This track is a multi-act symphonic journey that encapsulates the entire narrative arc of the project, exploring trauma, confrontation, and ultimate catharsis.

The song uses the metaphor of a river to tell the story of a refugee's soul. It begins with the arrival of a fragile protagonist (Adelheide) who sees only her painful past in the water's reflection, asking, "Will it heal me… or just drag me deeper?" The river (voiced by André) responds as a majestic yet menacing force, leading to a powerful confrontation. After a chaotic inner struggle, she finds strength not by defeating her pain, but by embracing it ("THE PAIN YOU INFLICTED IS NOW MY THRONE!"). In the triumphant finale, the river becomes a cleansing stream, leading to the profound realization: "I AM BOTH THE WRECK AND THE SHORE!"

Musically, the song is a masterclass in fusion. It opens with an instrumental Pavane/Bolero carried by a classical wind ensemble, establishing the melancholic theme of a lost world. This fragile beginning explodes into a driving Progressive Rock section, led by a virtuosic and aggressive flute in homage to the pioneers of 70s prog. The song’s core is a long, complex instrumental piece that shifts between a brutal symphonic dialogue—where orchestra and rock band "answer" each other—and moments of profound silence featuring a sorrowful cello solo and whispered words. The journey culminates in a slow, majestic, and hymnic finale, where all the sonic worlds—orchestral, metal, and baroque—merge into a single, soaring statement of healing and redemption.

DEDICATION

This music is dedicated to the inspirations who shaped its sound:

Ian Anderson

Maurice Ravel

Gabriel Fauré

Martin Turner

Manfred Mann

And in a very special way, this work is dedicated to the memory of
Carlo Borocco (1931-2007)
(https://www.leo-bw.de/detail/-/Detail/details/PERSON/wlbblb_personen/1019496355/Borocco+Carlo)
A former music teacher and conductor whose passion for music inspired a lifetime of creativity.

When The River Sings

Heavy Metal and Electronic Music (approved by Corporate) to get you through your work day.

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

OUR VISION & MISSION

Our Vision: We believe that resilience can make even the deepest wounds bearable.

Our Mission: This project is dedicated to a profoundly human, true story to achieve two things:

To Bear Witness: To show what war does to ordinary people and how its scars echo for generations.

To Give Courage: To strengthen and inspire anyone who has suffered loss or lived through difficult times.

This is music as a testament. A story that repeats itself every day.

A Beyond & Before Music production.

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Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

UNSERE VISION & MISSION

Unsere Vision: Wir glauben daran, dass Resilienz selbst die tiefsten Wunden erträglich machen kann.

Unsere Mission: Dieses Projekt widmet sich einer zutiefst menschlichen, wahren Geschichte, um zwei Dinge zu erreichen:

Zeugnis ablegen: Zu zeigen, was Krieg mit normalen Menschen macht und wie seine Narben über Generationen nachhallen.

Mut machen: Jeden zu stärken und zu inspirieren, der Verlust erlitten oder schwere Zeiten durchlebt hat.

Das ist Musik als Vermächtnis. Eine Geschichte, die sich täglich wiederholt.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic

Elyssia (Paul Landry and Marianne Lihannah), an Anglo - Danish duo creating new age music, ambient music and progressive rock with beautiful female vocals.
This channel also features songs by Marianne Lihannah in various genres

i’m hannah.

20 but an old soul.

singer songwriter. grand rapidian, studying in germany.

thanks for listening to my songs.

first album ‘kids’ out 01/30/26.

contact me at hannahloganmusic@gmail.com

check out my curated SONGCRAFT playlist on Spotify as well:
https://open.spotify.com/playlist/6MdKImo2UXLLqi8i9TsnkM

❤️

Pseudonym of Rod Ibanez. 
Mexican musician from Oaxaca State, composes, arranges, performs, is a irredeemable dreamer.

Pseudónimo de Roddy Ibanez músico oaxaqueño, compone, arregla, interpreta, soñador irredento.

https://www.facebook.com/profile.php?id=100089245065363

https://youtube.com/@menelic77

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”