2 Bad Mice ft. Major Ranks @ Volks 2022

Mr. G - Lights (G's Out Dub) [Rekids]
U.R.Trax - You Are Your Own Distraction [Lobster Theremin]
Aleksi Perala - FI3AC2140080 [AP Musik]
David Scopes - Mind Games [Junction Records]
Whyte Fang - 24 HRS [FMU Records]
Vil, CRAVO - Fuck This Dub [Klockworks]
Stephen Brown - My Drums (DJ George's Remix) [Diki Records]
Addison Groove - Make Um Bounce [Tectonic]
Quinten McKee - Sustain and Desire [Groove Estate]
Dead Or Alive - You Spin Me Round (Like A Record) [Hypnotic Records]
Smith N Hack (Errorsmith & Soundhack) - Space Warrior [Smith N Hack]
Severed Heads - Dead Eyes Opened [Dark Entries Records]
DJ Swagger - Noseblunt [Nerang Recordings]
Paul Johnson - Feel My M.F. Bass [Dance Mania]
W/CYA - What Were You Doing in 99 [Float Records (NL)]
2 In A Room - Carnival (Armand's Kokonut Killa Mix)	[Cutting Records]
Planetary Assault Systems - Devotion (Truncate Remix)	[Token]
Air Max '97 - Enthusiast [Decisions]
Itoa - B 2the B [Bad Taste Records]
Beesmunt Soundsystem - Playin' Myself [Honey Soundsystem Records]
Crashead - Voidwalker [Amen Brother]
Pessimist - The Crawlers [Ilian Tape]
Altinbas - Ionosphere [Non Series]
Aaron-Carl - Tears [Subject Detroit]
DJ Deeon - Work this Dick [Chiwax]
Sally Shapiro - I'll Be by Your Side (Club Mix) [Paper Bag Records]
Wata Igarashi - Question and Answer [The Bunker New York]
DJ Rolando - Knights of the Jaguar [Good For You Records]

PURE GROTTY

Doctor Jeep at Waking Life 2025

Jennifer Loveless at Dekmantel Selectors 2025

A sun-soaked broadcast from two of Naarm's most loved selectors.

Asked once how the name for their joint project started, Simon TK and Edd Fisher responded casually: "We were asked to produce a record fair many moons ago, Wax'o Paradiso was the name of that event," they recounted in an interview. 

Happy accident or not, the name rings true more than a decade later. What started as a record fair has since evolved into an event series and now a record label, with Fisher and TK becoming true pillars of Naarm's local scene in doing so, crafting paradisiacal musical worlds wherever they go.

Wax'o Paradiso is a live act first and foremost. Rarely relying on conventional venues, their parties have become the stuff of urban lore, held everywhere from Fairfield Amphitheatre to an old convent and even a children's farm. Often outdoors, these gatherings carry a breezy, open-hearted feeling, and that flows directly into their sets. Think of it as Australian Balearic: eclectic explorations through warm and rolling shades of dance music, laced with licks of '90s prog and tech house, the spiritual foundation of any good bush doof.

Their RA Mix captures the essence of why the pair have become stalwarts of their local circuit. It isn't a recreation of those beloved open-air sessions, but at nearly three hours long, it settles around you like a summer night—and, for listeners in colder climates, perhaps a bittersweet reminder of one. Most tellingly, RA.1014 is bookended by tracks from two Australian artists across two generations.

Ten years in, TK and Fisher's  focus remains steady: build community, elevate local voices and share the eclectic, joyful sound that has made them a cornerstone of Naarm's scene. Their RA Mix is a clear extension of that mission: warm, generous and rooted in the place they call home. 

Find the tracklist and interview at ra.co/podcast/10333
@waxo-paradiso

RA.1014 Wax'o Paradiso

"Rissa Garcia is a celebrated New York house DJ, producer, and NightChild Records label boss, widely regarded as a driving force within NYC's underground dance music scene. Influenced by her Staten Island upbringing and the legendary atmosphere of clubs like Vinyl, where Danny Tenaglia's sets captivated her, Rissa’s career has been shaped by a deep connection to House Music. That moment of discovery remains her "Paradise Garage" spark, fueling her passion for crafting immersive experiences on dance floors across the city and beyond.

Over nearly two decades, Rissa has earned her place among the greats, sharing decks with icons such as Danny Tenaglia, Tony Humphries, Danny Krivit, Kenny Dope, and TODD TERRY, among others. Praised for her ability to seamlessly blend house, funk, soul, classics, and beyond, her sets reflect a nuanced mastery designed to move bodies and unite spirits.

As the founder of "Dancing Room Only," Rissa champions authentic club culture, crafting spaces where the music takes center stage and the crowd reconnects. Her ethos is simple yet powerful: put the phones down, feel the beat, and dance together.

Her work with NightChild Records, relaunched in 2018, showcases her commitment to advancing house music’s artistry. With a catalog approaching 100 releases—including collaborations with legends like Todd Terry—her label has become a hub for soulful, high-quality productions. Her releases also appear on distinguished labels like Plastik People Recordings and Rhythm & Culture.

Rissa’s talent has drawn accolades from peers and legends alike— King Britt called her "unreal," Tony Humphries hailed her as "an immense talent," and Danny Tenaglia praised her selections and mixing as "wonderful." A DJ, producer, event curator, and label head, Rissa Garcia is not just a standout artist; she’s an untapped gem whose dedication to NYC’s house music heritage continues to resonate globally."

Episode 79 w/Rissa Garcia

Reposting one of my favourite holiday-leaning sets that mysteriously vanished from Soundcloud

Room 4 Resistance @ Trauma, Berlin 2018.12.29

On the first day of the new year, we kick off 2026 with absolute sonic precision. Our 100th mix captures a live recording of Objekt (@keinobjekt) at the PURE G event in FINAL Taipei, a fitting document of an artist widely regarded as one of the most formidable of our generation. Objekt is TJ Hertz, a Berlin-based producer and DJ whose background is as multifaceted as his sound: born in Tokyo to British-American and Filipino parents, raised between Belgium and the UK, and settled in Berlin in 2009. He first turned heads with the self-released white-label 12"s Objekt #1 and #2 in 2011, before a string of defining releases on labels such as Hessle Audio and a remix for Radiohead. Tracks like “Cactus,” “Unglued,” “Agnes Demise,” and “Ganzfeld” didn’t merely shake dancefloors—they rewired them, introducing a generation of clubgoers to a sound that felt both violently disassembled and eerily controlled.

Listening to Objekt is like watching a vast structure built from nanomachines collapse and reassemble in real time. His music reveals an almost pathological obsession with spatial depth and sonic texture—precision so severe it borders on the cruel—yet within the fractured grids and skewed rhythms pulses a startling vitality. Cold digital signals are transmuted into something fiercely alive, futuristic without losing its physical impact. This approach earned early admiration from figures such as Aphex Twin and Autechre, led to a split EP with Drexciyan pioneers Dopplereffekt (with “Ganzfeld” crowned Resident Advisor’s #1 track of 2014), and produced crossover moments like the breakbeat house anthem “Theme From Q” on Objekt #4. Even his slowest record to date, Objekt #5 (2022), twists dancehall rhythms into something unmistakably his own—measured, menacing, and exacting.

That same hyper-detailed vision extends to his album work on Berlin’s PAN label. Flatland (2014) and the landmark Cocoon Crush (2018) treat the LP as a canvas for immersive, hyperreal sound worlds—synthetic simulations of splintering wood, dripping caverns, and insect wings that trigger an acoustic uncanny valley, at once familiar and alien. Pitchfork awarded Cocoon Crush an 8.0, praising it as containing “some of the most meticulously arranged compositions that dance music has ever produced,” and the project later evolved into a full-spectrum live A/V show with visual artist Ezra Miller, touring festivals such as Unsound, Atonal, and Primavera. Parallel to this, Objekt has built a fearsome reputation as a DJ: crowned Mixmag’s DJ of the Year in 2018, capable of guiding a room through half a dozen genres or plunging it into a psychedelic wormhole of self-discovery with surgical precision. His 2016 mix CD for Tresor, Kern, Vol. 3, was described by Resident Advisor as “a window into the very essence of DJing.” 

Underpinning it all is relentless quality control, a genre-agnostic ethos, and a deeply technical mind—honed not only in clubs and studios, but also through his ongoing work as an engineer at Native Instruments, developing audio and machine-learning algorithms. In Objekt’s world, rational calculation and visceral intensity are not opposites, but twin forces locked into a singular, unmistakable circuit. With the launch of his own label Kapsela, he continues to conjure dancefloor weapons that are both fiercely experimental and immaculately detailed, carving out a singular sonic circuitry where rational calculation and visceral intensity collide.

PURE Guest.100 Objekt

thx 2 c2c. memorable gig from 2025 . here 2 many more :D in 2026 .. and BEyond....

DJ Python live at C2C Festival

Nicola Cruz performs live at Theatre De La Mer for Worldwide Festival 2019.

Nicola Cruz DJ Set: Worldwide Festival 2019

I dont have an off switch

An archive of mixes I've recorded

PURE GROTTY

BEZ OCLOCK