Put up the tracklist if possible so we could raid Bandcamp!

unleashing a real fun memory from the archives.. 
me & @jmmoser going peaktime festival set style at main stage friday night at sustain-release in 2023.

dj fart in the club b2b jm moser @ sustain-release year 9 [2023]

sub alchemical unreleased gems 

https://www.instagram.com/ccl_url
https://www.soundcloud.com/ccl_url



CCL @ The Lot Radio 10-09-2025

This is the recording from my set at Parameter 10, Public Works, San Francisco on 17 May 2025. 

The room was comically packed by the time I started (11pm) and the crowd was visibly itching to lift off, but it was so early in the night and the rest of the (stacked) lineup leant so heavily towards UK and bass-heavy music that I decided to leave the dubstep to the professionals, keep it slow and go in the opposite direction: mid 120s, wriggly, psychedelic, gurgly, engrossing, a little weird but also sometimes fun. Maybe on some level I was level preparing myself for Return To The Source in Detroit the following weekend – though ironically I ended up playing much faster and with more broken beats at RTTS than I did here. In any case, I had a blast. Been really enjoying exploring the 120-130 zone recently. Thanks to Nick for having me back, hope you all enjoy the recording.

Tracklist:

Alexi Baris - Tilde
Kaoru Inoue - Etenraku
Facta - SLoPE
Heiko Laux - Granulate One
Meat Beat Manifesto - TRS2
Emmanuel Top - Bon Acid
Kumo - Kromotron
Sun Electric - Osram 418
Ogoya Nengo And The Dodo Women's Group - Orutu Run (Lena Willikens Remix)
Mutsumi - Paris Hilton
Freaky Chakra - Get Up, Get It
Housebound - Electro Rhythms
Zersetzung - Chaos Vortex
Terrence Dixon - No More Time A3
Mordant Music - Olde Wobbly
Monolake - Digitalis
AOKI Takamasa - mnd-sng01
Exos - Hood
Clay Wilson - Osho (Jasen Loveland’s Twisted Interpretation Remix)
Shards - SHARDS004 A1
Sepehr - Monokrome (demo)
Gong Gong Gong 工工工 - Inner Reaches III 慾望的暗角三 (Zaliva-D Remix)
Beroshima - Volca Polka
Esser'ay - Forces
Xyrex - Psychedelic
Accessories to Murder - Danger
Xes Noiz - B1
Tres Demented - Demented (Or Just Crazy)
Call Super - Mothertime

Objekt at Parameter 10 San Francisco 2025.05.17

Have I been to Amara? Like anyone who has, I’ve no way of knowing for sure. 

I am told she is wrapped in a blue-grey fog that extends like an aura for miles in all directions. As certain kinds of fog have a way of doing, it only makes itself known to you when you are already well within its grasp. At best, the traveller may remember entering and exiting the hazy periphery of this city, but whatever comes to pass within is impossible to recall, and one can only recognize signs in the traces it leaves behind in the mind and body. This may be as subtle as a change in the way you speak, as disquieting as an unaccountable bruise or scrape on the skin, or as drastic as a sudden change in the length of your hair. 

Recently, lovers have told me that my way in bed has somehow changed, that the color of my eyes has grown cooler and softer. Flavors that I once detested are now among my most cherished. Certain objects or images — a marble figurine, a drop of blood hanging from a small cut on my finger, a glass bowl shot through with broken sunlight — have stirred up in me the faintest and most curious ecstasy. It is as though, by some association conjured in these moments, I behold not a memory in itself but the effects it has on everything around it, the lines of sentiment that ripple across the waters of my mind from the invisible impression of an unknown stone.

A city will change you, slowly in time, in ways you may not notice as they set in. But what if the city that changes you is not so much a place as a strange and beautiful void, one that quietly haunts the heart, and from which no memory can escape?

Words: Devon Hansen
Image: Mike Midnight

Invisible Cities II:  ​🇦​​🇲​​🇦​​🇷​​🇦​

upsammy at Draaimolen Festival 2025

CCL b2b Yushh at Draaimolen Festival 2025

We’re so thrilled to publish this incredible recording of one of the most beautiful and healing memories on the subglow dancefloor — NM DJ’s set artfully descended from 160bpm into a soulful mid tempo deepness that feels increasingly rare on Berlin dancefloors — inciting warmth, heavenly groove, and many tears along the way. 

"The DJs Ceci has booked often leave me awestruck, especially when I hear a paradigm of mixing that feels more like sculpting: sound is made almost visibly malleable, without clear borders of where one track ends and another begins, and reality in that nightclub is warped, refolded, churned. I’m more basic I guess – I’m just a girl who loves her deep cuts and her vocals. And what defines “deep”? To me it’s a track’s capacity to hold both abstraction (spatial, textural, tonal) and soul, regardless of genre. If a door to the divine could be hinged in it, then it’s deep. At the end of a party, if the floor was hot, my mind is already so bent and the body so broken, that’s all I want. Or, as D’Bora Rivers sings in the canonical “Ncameu” that ends the set, “something strong and sweet, like honey in my drink…”

-- NM DJ @tabloidpress

subglow/Live 8: NM DJ @ subglow anniversary

On the first day of the new year, we kick off 2026 with absolute sonic precision. Our 100th mix captures a live recording of Objekt (@keinobjekt) at the PURE G event in FINAL Taipei, a fitting document of an artist widely regarded as one of the most formidable of our generation. Objekt is TJ Hertz, a Berlin-based producer and DJ whose background is as multifaceted as his sound: born in Tokyo to British-American and Filipino parents, raised between Belgium and the UK, and settled in Berlin in 2009. He first turned heads with the self-released white-label 12"s Objekt #1 and #2 in 2011, before a string of defining releases on labels such as Hessle Audio and a remix for Radiohead. Tracks like “Cactus,” “Unglued,” “Agnes Demise,” and “Ganzfeld” didn’t merely shake dancefloors—they rewired them, introducing a generation of clubgoers to a sound that felt both violently disassembled and eerily controlled.

Listening to Objekt is like watching a vast structure built from nanomachines collapse and reassemble in real time. His music reveals an almost pathological obsession with spatial depth and sonic texture—precision so severe it borders on the cruel—yet within the fractured grids and skewed rhythms pulses a startling vitality. Cold digital signals are transmuted into something fiercely alive, futuristic without losing its physical impact. This approach earned early admiration from figures such as Aphex Twin and Autechre, led to a split EP with Drexciyan pioneers Dopplereffekt (with “Ganzfeld” crowned Resident Advisor’s #1 track of 2014), and produced crossover moments like the breakbeat house anthem “Theme From Q” on Objekt #4. Even his slowest record to date, Objekt #5 (2022), twists dancehall rhythms into something unmistakably his own—measured, menacing, and exacting.

That same hyper-detailed vision extends to his album work on Berlin’s PAN label. Flatland (2014) and the landmark Cocoon Crush (2018) treat the LP as a canvas for immersive, hyperreal sound worlds—synthetic simulations of splintering wood, dripping caverns, and insect wings that trigger an acoustic uncanny valley, at once familiar and alien. Pitchfork awarded Cocoon Crush an 8.0, praising it as containing “some of the most meticulously arranged compositions that dance music has ever produced,” and the project later evolved into a full-spectrum live A/V show with visual artist Ezra Miller, touring festivals such as Unsound, Atonal, and Primavera. Parallel to this, Objekt has built a fearsome reputation as a DJ: crowned Mixmag’s DJ of the Year in 2018, capable of guiding a room through half a dozen genres or plunging it into a psychedelic wormhole of self-discovery with surgical precision. His 2016 mix CD for Tresor, Kern, Vol. 3, was described by Resident Advisor as “a window into the very essence of DJing.” 

Underpinning it all is relentless quality control, a genre-agnostic ethos, and a deeply technical mind—honed not only in clubs and studios, but also through his ongoing work as an engineer at Native Instruments, developing audio and machine-learning algorithms. In Objekt’s world, rational calculation and visceral intensity are not opposites, but twin forces locked into a singular, unmistakable circuit. With the launch of his own label Kapsela, he continues to conjure dancefloor weapons that are both fiercely experimental and immaculately detailed, carving out a singular sonic circuitry where rational calculation and visceral intensity collide.

PURE Guest.100 Objekt

SonixUniverse - The Praise (Original Mix)

5Ø,  a live mix from a few years ago, for the girls and boys all dancing on the floor.

Support the Artists.

Jamie XX - Gosh
Ebende - For Love
Laurent Garnier & Chambray - Feelin' Good
Kabi & Polo - Cromo (Weird Sounding Dude Remix)
Emphi - The Box
Kda - Hate Me (KiNK Remix)
Jan Blomqvist - The Space In Between (Ben Böhmer Extended Remix)
Stiven Rivic, Michael & Levan - Hidden Stairs (D-Nox & Beckers Remix)
Rodrigo Lapena, Gonzalo Sacc - Beyond Our Senses (Leo Perez, Dhany G Remix)
Juliet Fox - Evolution of Thinking
Randall Jones, Ariaano - Thunderbird
Josh Wink - Nuclei
PBR Streetgang - Transfunction (Tom Demac Remix)
Kostya Outta Bodai Dmitry Molosh - Imagine (Dmitry Molosh Remix)
Jesuan M & Pedro Belardo - Collapse
Confidence Man - Feels Like a Different Thing (Daniel Avery Remix)
Kabi - DNYO
Rudra - Bhavishya
Egbert - Tering
Rüfüs Du Sol - Always (Monkey Safari Remix)
Rocco - Be Quiet! (Klement Bonelli Remix)

Original Track by RealDiamandis ♡ • Code 065 
A soft, melancholic journey through longing, motion and the space in between.
Somewhere between longing, home and the words we never said.

PURE Guest.100 Objekt

PURE G

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