A new project with my good friend and collabrother Hilario Rellosa of https://soundcloud.com/gintong-bahaghari

The title of the song is found in encountering meaningful learning experiences as we go about our lives. These meaningful learning experiences is like a Page in the Book of Life and so we turn another Page, ready for the next one...

Idea, keyboards, synths and drums: Hilario Rellosa
Bass, production and artwork: Peter Hofland

Next Page |  Big Beech and Gintong Bahaghari Music

Les intentions qui ne découlent que du désir clairement affirmé d'aller jusqu'au bout de l'hypothétique et absolu besoin, sans cesse annihilé, repoussé et sublimé de mieux saisir les contours incertains d'une affirmation à jamais remise en cause ne participe que d'une évidente hypothèse ne visant qu'à confirmer l'aptitude relative de chaque chose à participer à un modèle d'évolution concrétisant l'absolutisme des raisons qui l'ont fondé. L'angoisse devant l'incompréhension du rejet formulé par l'incompatibilité omniprésente et omnipotente n'en sera, de fait, que sublimée par la réduction d'une infime partie qui reste encore et toujours à définir. Cette partie la plus imposante des différents degrés d'une formidable description engendre l'explosion caractéristique d'une refonte de tous les élément contenus dans l'espace compris entre les informations d'un imaginaire incertain et la construction d'un ultime ensemble de constitution unique. Inutile de préciser à quel unité toute cette architecture est liée, surtout en considérant la valeur infime mais non négligeable de la durée tout autant positive que déterminée par la résultante ainsi rapportée. Il n'est donc pas aussi simple que pouvait le laisser entendre la manière d'appréhender la totalité dans son ensemble, de conclure à autre chose que l'interrelation complémentaire de toutes les ouvertures qui ont précédé ainsi que la nécessité de ne pas prendre en compte autre chose que ce qui constitue le fondement même de l'absence de nouveau effective. Le moyen d'ajouter sans risque les complètes informations indispensables au bon déroulement logique à l'origine d'au moins une fraction de ce que l'on pourrait considérer comme une bonne progression devient substantiellement l'opposé à chacune des contraintes non encore définitivement énoncées. On voit très bien qu'alors les complémentarités des différents constituants perçus comme l'insurmontable objectif de cette partie alliée au retour, pour résumer, du reste d'une information subjective atteint les limites de ce qui peut être admis en considérant l'impact des nombreuses zones formées par la libération d'un enjeu contradictoire. La conclusion pourrait en être de ramifier toutes les structures émergentes en un point donné mais ce serait sans tenir concrètement compte des contraintes physiques toujours présentes à l'intérieur des bases ainsi créées, lesquelles deviennent constituées des renouvellements périodiques et continus de plus en plus sujets à de profondes études. Nous devrons malheureusement nous rendre à l'évidence de l'impossibilité du bien-fondé d'une opposition des conclusions précédemment énoncées avec celle encore plus antérieures...

Nan ? Franchement !

Qu'en penses-tu, ami qui a tout lu ?

https://johnpalmer1.bandcamp.com/track/i-could-be-anyone
https://music.apple.com/us/artist/john-palmer/81680846
https://open.spotify.com/artist/5O3DVQrinTJHbNYJCFLlyE?si=plG2rBUGS5W-6cmXR3FErw

I have been experimenting with sounds since I was really young , when I was about 6 or 7 years old, after lots of pleading, from me, I managed to get my hands on a very old reel to reel tape machine, that everyone thought I was too young to have, and I discovered and loved recording. 
I played guitar and wrote songs in a indie punky band ,toured, made albums and worked in Studios. Now I work from my home studio in SW Germany,  using synths, groove boxes, guitars and vocals to produce electronic music. I also produce images through photography and  make ceramic sculpture.

https://open.spotify.com/album/2yGCqhznpvLLuGPDKD66in…
https://itunes.apple.com/…/faint-glow-in-the-sky/1458147207…

I keep bees and write music
Big thanks for your support!!! You find my music also on Drooble https://drooble.com/sergey.chuprikov and Hearthis https://hearthis.at/sergey-chuprikov/

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
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During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute)

SEPTEMBER 6, 2025: WATERFALL (part 1). Another part will follow in 2026!
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Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D. Svensson Sept. 2022

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All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

All music, songs, lyrics and artwork are original, unless noted. No AI used, I have spent a lifetime learning.
Collaborations welcome.
 I advise playing on a good Hi-Fi or at least good headphones, otherwise you will miss all the lower frequencies and  only hear half of the music : )

Exploring a blend of improvisation, styles, minimal composing and maximal production.

Music saves lives.
All that is uploaded is raw, and from a pure source; 
 Enjoy :)
❤☮

Mountain Songs is a project dedicated to my brother Brian Reeves (aka Rocky Mountain, 1948–2012), an accomplished songwriter, guitarist and arranger.  He was the creative force behind so many of the songs on this page.  If you have time, please click for lyrics and track history. 
This is for you Bri, with love and thanks from us all.   We miss you. (Gary Reeves)

Composer and performer of (mainly) synth based music. Interested in soundtracks, synthwave, darkwave, industrial and synthpop.