Hi again, been a while !

After five years apart from composing and creating ; I tried to take the time and not pressure myself ; making what I like and do the "best". Experiencing the lack of imagination for so long is quite difficult but, in the end, you'll find a way in the ocean of melodies and mix it up to new pieces. I'm happy to find the path to creation again, after so long. Hope you'll enjoy this very new stuff.

Don't forget to like if you do, share if you can, comment if you want !

Cheers !

All music and arrangements by Rahab
Cover art by Rahab

Sensitive Entropy

August 2025 Currently on residency in Italy !
These are the 2nd batch of 3 short sketches using field recordings captured around Montegiovi, Tuscany. With these little works I am experimenting freely with what can be produced from each days sounds - manipulating them and stitching them back together with the aim of producing a long format work at the end of the residency. I have done a dozen or so since arriving a fortnight ago but not sharing them all (some are pretty rubbish). The idea is to have them done by the end of the day (or night) then move on to something fresh the next day. 
I am truly thankful for this opportunity that has been provided for me by the Salamanca Arts Centre in Tasmania and Cultivate Projects/La Baldi residency in Italy and The USA.
And of course the wonderful people of Montegiovi !

Tuscany Experiments 4- 6

K-Retrograde Motion

Always cool to participate in @cosmic-ratzzz funkin' with his guitar friend Torben Schmitt !
My part is the Sax - I love Hendrik's "angry" organ in this hot track !
Image by Hannibal Height from Pixabay

Lunatics 240 / dead fish funk / Schmitt - joerxworx & Ratzzz

A special Thank You to Brandy Nicole Hammock for letting us use her beautiful poem, 'Oh Savannah, I Long for You'. 
Instrumental, Production by Oussama Arichi
Vocals, Mix, Production by Nadia Selvaggi
Trumpet by Francisco Grillo
Lyrics by Brandy Nicole Hammock: https://medium.com/@telleroftalesinbooks/a-poem-about-savannah-georgia-f4cbc67898ab

O Savannah by Oussama Arichi & Nadia Selvaggi w/ Francisco Grillo

My sound is appealing to me, but I can't structure the sounds in a good order. Like ocean waves. If it was at least like the waves of a lake or river, I'd be able to structure my music as tasteful waves of sound.

I want to play among the waves of sound(329)

Original composition Neno j., september 2025.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi midi interface Behringer UMC204HD

Hypnotic waltz (For two + guitars)

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 
  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.
Original lyrics by The Beautiful Dark:Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom (Eclectic Collective)

Anomalous Cognition

Recording sessions from 19/07/2025.
presets, mixing, processing and editing: Pier WILL.
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🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, 
Samsung, Sony, SoundCloud, Teac, Techniks, Yamaha.
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Attic Room No. 9

Attic Room No. 9  ❤️🕊️🙏

A new project with my good friend and collabrother Hilario Rellosa of https://soundcloud.com/gintong-bahaghari

The title of the song is found in encountering meaningful learning experiences as we go about our lives. These meaningful learning experiences is like a Page in the Book of Life and so we turn another Page, ready for the next one...

Idea, keyboards, synths and drums: Hilario Rellosa
Bass, production and artwork: Peter Hofland

Next Page |  Big Beech and Gintong Bahaghari Music

Exploring a blend of improvisation, styles, minimal composing and maximal production.