Amazing tribal energy! Awesome fusion of sounds 🔥

Really great mix of instruments and vocals and supercool vibe.

Magnifique œuvre musicale collective! 👍🏻 👏 🎶

Good stuff Josh.  Bass is groovin.  Glad you and JJ turned me on to Fela Kuti!

Top class bass groove Josh - great composition 🙏🙏

Super setup man. Great bass line here. Funky. Cheers bro 🫡🔆

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Fake

August 2025 Currently on residency in Italy !
All sounds here (melody, texture, harmony, percussive sounds etc) are made from a field recording of the dogs in the valley below my balcony... well except for my whistle : ) 
They have been my sonic companions
Residency is coming to end, its been a month of complete experimentation with more than 20 little sketches done, all using field recordings captured around Montegiovi, Tuscany. With these little works I am experimenting freely with what can be produced from each days sounds - manipulating them and stitching them back together with the aim of producing a long format work at the end of the residency. The idea is to have them done by the end of the day (or night) then move on to something fresh the next day.
I am truly thankful for this opportunity that has been provided for me by the Salamanca Arts Centre in Tasmania and Cultivate Projects/La Baldi residency in Italy and The USA.
And of course the wonderful people of Montegiovi !

Tuscany Experiments - Whistling with the Dogs of Mount Amiata : )

Undeclared War - Ακήρυκτος Πόλεμος

Made in August 2025

Video; https://youtu.be/BbGC5w64RuM

Dreams Ahead

A special Thank You to Brandy Nicole Hammock for letting us use her beautiful poem, 'Oh Savannah, I Long for You'. 
Instrumental, Production by Oussama Arichi
Vocals, Mix, Production by Nadia Selvaggi
Trumpet by Francisco Grillo
Lyrics by Brandy Nicole Hammock: https://medium.com/@telleroftalesinbooks/a-poem-about-savannah-georgia-f4cbc67898ab

O Savannah by Oussama Arichi & Nadia Selvaggi w/ Francisco Grillo

■概要(Overview)
みんにゃについていけなくて、にゃんかノレにゃい自分・・
そんな感じの曲にゃ。みゃぁ、このギターが一番ノレてにゃいにゃん！
いい子だね！いい子だよぉ！
It's a song about not being able to keep up with everyone else and feeling a bit left out. Well, this guitar part isn't the most catchy though!
What a good kid! What a good kid!

■歌詞
夜の街をただ
あてもなく歩いた
どこかの客引きが
舌打ちをする夜

過ぎて行ったもの
探しているように
冷たいビルに紛れ
灯を探している

紛れていたい
同じものを見て
クスッとしたりさ

はやりの歌
友達同士で口ずさみたいな

でも何をしたって上の空
どうにもノレない
ズレてる感覚
自分を塗りつぶす
夜の灯　色を付けて
私を隠し　混ざり合ってゆく

真剣なまなざしで
作り話をする
無意味な時間さえ
捨てることも出来ない

過ぎて行ったもの
つかみ取った人が
冷たいビルに紛れ
灯を浴びる夜


誰かの歌　聴こえてきて
口ずさむふりをした
その時　少し混ざれた気がしたのだけど

でも何をしたって上の空
どうにもノレない
ズレてる感覚
自分を塗りつぶす
夜の灯　色を付けて
私を隠し　混ざり合ってゆく
夜をほどいてく

■Lyrics (English translation)
"Out of Sync Night"

I walked the city streets  
With no destination in mind  
A tout somewhere clicked his tongue  
On a night like that  

As if searching  
For things that have already passed  
Blending into cold buildings  
Looking for a light  

I want to disappear into the crowd  
See the same things  
And smile quietly with someone  

A trendy song  
I wish I could hum it with friends  

But whatever I do, I’m not really there  
I just can’t get into it  
This offbeat feeling  
Paints over who I am  
The city lights tint me  
Hide me, and I begin to blend  

With a serious gaze  
I tell made-up stories  
Even meaningless hours  
I can’t bring myself to throw away  

Those who’ve grasped  
What has already gone  
Blend into cold buildings  
And bask in the glow of night  

Someone’s song reaches me  
I pretend to hum along  
And for a moment,  
I felt like I belonged—just a little  

But whatever I do, I’m not really there  
I just can’t get into it  
This offbeat feeling  
Paints over who I am  
The city lights tint me  
Hide me, and I begin to blend  
Unraveling the night

ノレない夜(Out of Sync Night)

Guitars, bass and production - Llanpsych
Beats - Inactive Caller & Active Caller by fakestarstudios (Looperman)
Should you ever find yourself in Scotland check out The Crawick Multiverse
https://www.crawickmultiverse.co.uk/

Open Multiverse

Free Eye Atlas

Korg Gaget track on ipad. 
I mixed this on the internal ipad pro speakers..
This is kindof like an electronic music rhapsody ;)

Deep Dive

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 
  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Kalakuta Kingdom (Eclectic Collective)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Kalakuta Kingdom (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

Recent comments

The Beautiful Dark

Llanpsych

Blaffy

TexMex Shaman

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