Absolutely exist on my favs

楽しい事しかしないときめたら楽しい音楽になった

[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 336

creation: 2023/02/20

These tracks were uploaded to SC between 12/2022 and 02/2023,
except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Fantaisies_tracks_336

Happy experimental

Anders8

Kobalts Japan Spezial 2

A new selection from the collection playlists Anders 1 to 9 and new Tracks.

Anders I

SARAH TERRAL - LE MENISQUE ORIGINAL
LP, digital
27 août 2021

https://wearethreefour.bandcamp.com/album/le-m-nisque-original

Un pique-nique de fou

TR177 - Akira Sakata - 'Tosaka to Watashi'

Nerve Illumination(Sevdaliza Remix)

Clinical Voodoo

from the 2021 reissue of Eukaryotik's 2006 album "Zoological Pardons" (https://listen.rubbercitynoise.org/album/zoological-pardons)

Zoological Pardons

Lw Bdgt Actn Mv 1992

Eukaryotik ~ Lw Bdgt Actn Mv 1992

Available on Spotify, Apple Music and other platforms:
https://open.spotify.com/track/4RgaTYWx2iQe5IYwydx361
https://music.apple.com/album/shallow-vibe/1623832436?i=1623832437

Content With The Form

Shallow Vibe

From the compilation "Sous juju"(2CD) [EM1111DCD].

Kuupuu - Mapau (from "Kuupuu", 2003, self-released) (clip)

Chopin Dai-sensei said that he would use the sounds that his ears allow, but once the failed work was completed, my song was finally completed by exchanging the sounds here and there. The swapped sounds are stimulating, humorous and I like them.
 But is that sound the sound that my ears allowed? I think somebody's ears may have chosen the [forgive] sound.
 Because I am not a big teacher, let's stop thinking around here.

Music is the only sound that your ears allow (No. 194)

Please listen to one song "Sizumu" from the album "Prepared Bass C99" which was released in the event held in Tokyo on New Year's Eve in 2021, "Comic Market". In addition, the distribution of this album has begun in Apple Music etc.

Aoki satoru - Sizumu - (Prepared Bass C99)
Acoustic bass: Aoki satoru
December 31, 2021 [ TOD 211 ] [ TODA 17 ]

[jp] 2021年大晦日のコミケで頒布した アルバム『 Prepared Bass C99 』からの一曲『 Sizumu 』です。どうぞよろしく。

Here is the link to stream the album
https://tr.ee/KU6z0dTkpD

Apple Music

[C99] Sizumu

Buy or stream 'Motion of Change' here: https://makoto.ffm.to/motionofchange.PBT

Hospital Record’s soulful drum and bass aficionado Makoto is back with his seventh studio album, ‘Motion Of Change’. Following on from his popular ‘What You Need’ EP and the vibrant ‘Maybe We’ll Make It (feat. Mark Force and Archaik)’, his new album brings a blend of jungle, jazz, funk, and soul with Makoto’s signature euphoric touch. With over twenty years in the game, Makoto’s immaculate discography and signature sound have seen the Japanese born producer pave the way for liquid drum & bass all the way into 2022. A true pioneer of his craft since his Good Looking Records days of the late 90s, he’s since racked up an impressive amount of releases on Innerground, UKF, Liquid V and his very own imprint Human Elements.

More recently, Makoto’s output includes his two Hospital albums ‘Salvation’ (2017) and ‘Tomodachi Sessions’ (2019), and the hugely popular ‘What You Need’ ft Vonne selected as the first ever drum & bass track to be played on Sarah Story’s BBC Radio 1 Future Dance show, alongside support from the likes of DJ Marky, Bryan Gee, Flava D, Nu:Tone, Lenzman and more.

The motivational ‘Step Into Your Power’ features ravishing vocals from rising D+B superstar Ruth Royall. Makoto’s production skills don’t go a miss as he cooks up luscious pad hits and a booming bottom end. With the pair recently releasing the flavourful ‘New Love’ on Soulvent Records, expect good vibes galore as two of the most uplifting sound suppliers in drum & bass collide once again.

Makoto unleashes spaced out synth work, soulful guitar licks and a dynamic crescendo of instrumentation on album title track ‘Motion Of Change’ with Hospital Records’ latest signing, the immensely talented singer-songwriter, SOLAH delivering sweet melodies and majestic high notes.

Makoto travels into deeper territories on ‘Explorer’ ft Degs, as he provides grittier production complete with a moody bassline. Labelmate and multi-talented vocalist, MC and producer Degs dishes out a slew of dynamic bars and dreamy harmonies for the pair’s first collaboration since ‘Illuminate’ on Makoto’s ‘Tomodachi Sessions’ in 2019.

Embracing his love for the original sound of the 90’s, the junglistic instrumental ‘Ascender’ brings future-retro synthesis, crisp cut breakbeats and a summery ambience that lays the foundation for the perfect sub-heavy slammer.

Makoto and London-based singer Karina Ramage reunite on ‘Without You’ after previously collaborating on ‘Shine On Through’, ‘I Don’t Wanna Wake Up’ and Forza favourites ‘Wading Through The Crowds’ and ‘Trial Mountain’. Karina’s soothingly crafted vocals compliment the sincere violins and trademark production prowess from Makoto, making ‘Without You’ another future soulful singalong anthem.

The album also features an eclectic mixture of both fresh and legendary talent from across the drum & bass circuit and beyond, brace yourself for a dynamic streak of sonic contributions from the likes of Singing Fats, Cleveland Watkiss, Liane Carroll, Lauren Archer, Rasmus Faber, Pete Simpson, LXT, and Helena May. You’ll be able to catch Makoto in the Albanian sun this summer at Hospitality On The Beach to soak up those ultimate feel-good vibes!


Follow Makoto:

www.facebook.com/makoto.humanelements
www.twitter.com/Makoto_Music
www.instagram.com/makoto_humanelements
@makoto-humanelements

Follow SOLAH:

http://www.facebook.com/SOLAHMUSIC
http://www.instagram.com/solahmusic
http://www.soundcloud.com/solahmusic
http://www.twitter.com/solahmusic



Follow Hospital Records:

www.hospitalrecords.com
www.facebook.com/Hospitalrecords
twitter.com/hospitalrecords
instagram.com/hospitalrecords
play.spotify.com/user/hospitalrecords
www.google.com/+HospitalRecords
@hospitalrecords
www.mixcloud.com/hospitalrecords/

Makoto - Motion Of Change  (feat. SOLAH)

aerobic in nature

Recorded practice session 23/11/2022
Fragments from 
Linda Catlin Smith: Galanthus
Ihlara McIndoe: Ushuaia Fragments

Work-In-Progress, Practice Diary 1

Improvisation in online session (Yamaha Syncroom)

Enjoy!!

New!!! Kogarashi 5 : -Improvisation with Sora san(Pf) and BP(Vn)

Paradise (lush sensitivity digitally designed) was specially conceived for sheng player Li Li-Chin (TW) as part of her project Autour du Sheng à Paris.
Special thanks to my friend Heng Cheng, without him, non of this would ever happened.

This piece is going to have its Taiwanese premiered in Dec 24th, 2022 at C-Lab in Taipei, and it's going to be extended as part of a new project in 2023, commissioned by C-Lab and Ministry of Culture of Taiwan.

Paradise (lush sensitivity digitally designed)

I have started a morning page for daily routine.
I write anything in 3 pages .That it!!
I enjoy realy creativve time every morning.

this song was played with New Arturia Pigment 4 and my Prophet 600.
Pigment 4 becomes creative ,original synth,Awesome!!

Enjoy!!!

mono-log - 1 : for morning page Pigment 4 and Prophet 600

made in Reaper 6.67

Kilohearts Phase Plant
Dawesome Kult

both patches from scratches, MPE, played with MPE...

(Nobody (Half-Life))

EYMH - (Nobody (Half-Life))

Lofi ambient
Emotional and Lofi sounds experiment

I've been making music hoping to reach perfect beauty and ideals someday, but recently I've realized that I'm wrong. The world is always missing something important. I realized that it is the artist's mission to notice what is missing and present a bloody figure that fills it.

Let's reach out, look at each other, and walk towards the hollow of the world. I will never let go of this hand that I have tied.

This is my love song for you.

Enjoy!!

You laughed even in a life full of scabs :Lofi ambient

Soundscape or Drone for experimental

please comment  "Tell me the reason why rust is beautiful"
or
Enjoy!
ChatGPT made this poem about Rust

The taste of reddish iron
Emotion that marks the passage of time
Even if it's a fate that eventually rots away
The brilliance never fades

A pale red scar emerges vividly
tell the history of the times
Oh, beautiful rust, that color
Eternal beauty that never fades

Love your hometown and put your thoughts into it
A treasure that is still remembered
The texture of the iron in my hand
Be a proof of your love for your hometown

It shines in the scenery covered with rust
all the joys and sorrows of life
Oh, beautiful rust, that existence
It warmly envelops people's hearts

Tell me the reason why rust is beautiful ：Experimental drone

My promised land #11400411#

Happy experimental project.
Crreativity make you smile and be happy.
Join the project!!

Enjoy!

幸福な家はどれも似ている：Happy Experimental project has started!

No exhilaration, just a happy minimalistic experiment

Happy experimental project.
Crreativity make you smile and be happy.

Put tag:
＃Hapopy experimental

Enjoy and Peace!

Happy experimental2:Tears come out even when you yawn,Bit Crusher Counts Electric Sheep?

Duo piece for Piano + Dispositive (eccentric rotating mass vibrating motors - amplitude: from 6G to 13G} & MIDI Keyboard.

Piano & MIDI Keyboard: Henrique Vaz 

"In 1947, the composer Conlon Nancarrow—frustrated with human pianists and their limited ability to play his rhythmically complex music—purchased a device which allowed him to punch holes in player piano rolls. This technology allowed him to create incredibly complex musical compositions, unplayable by human hands, which later came to be widely recognized by electronic musicians as an important precursor to their work.

A similar interest in seemingly impossible music can be found today in a group of musicians who use MIDI files (which store musical notes and timings, not unlike player piano rolls) to create compositions that feature staggering numbers of notes. They're calling this kind of music "black MIDI," which basically means that when you look at the music in the form of standard notation, it looks like almost solid black"

- MICHAEL CONNOR {http://rhizome.org/editorial/2013/sep/23/impossible-music-black-midi/}

Score Follower:
https://www.youtube.com/watch?v=hxhIoxRU0xk

Samples from the score:
https://www.facebook.com/henrique.vaz/media_set?set=a.10203245645969268.1073741833.1452650501&type=3

░▒▓█ Black MIDI [2013] - for piano & MIDI keyboard {or disklavier}.

Dark ambient based on a guitar solo with atomo.

Guitar :Fender Stratocaster 1956(Vintage)
             with Helix native
atomosphere :Omnisphere,Pigmenets 4 with Sandman pro(Delay)

Enjoy!!

Light Behind The Dark

Sound test of unfiltered audio plugin(Creative,High quality)
I will test the plugins in Plugin alliance 

Silo  :Granular synth
Sandman pro :Deley
Fault:Pitch shifter

Enjoy!

Voices :Glitchy soundscape -test of unfiltered audio plugin ,Silo,Snadman pro etc

Dark ambient.

I love the sound on iOS .

Sound vitality:

Modular synth > iOS sound  > Daw on PC

Check application on iOS! Cheep and Hiquality and creative!
Enjoy!!

Rainy day:Dark ambient with ipad only. Loopy pro,Samplr,Turnado,Blackhole,,etc!

Experimental

I love Unfiltered audio plugin !
Creative and ultra high sound quality!



Enjoy!!

Stutter Zone:Experimental

山/完全版 MOUNTAIN/FULL EDITION

One more.  :)

Decided to go outside, and record a clip.  The SQ-64 is just sending some triggers over, and one pitch CV.  The rest is all done on the synth itself.  Reverb and Delay from ZOIA.

StrohModular-OneMoreOtherThingHeeHeeHee

INSIDE

Old modular sounds and tunes that weren't created on my own modulars.  :D

216 - NoiseRingCV

トークンを挿入したその瞬間からゲームセッションは始まり、プレーヤーは一気にいくつもの「ライフ」を持つ。これらのゲームの中では、「ライフ」要素を勝ち増やす事もでき、それらはスクリーンの端に小さなアイコンとして蓄積される。
プレーヤーはゲームが終わるまでに何度も失敗することができることから、この機能は陽性強化としてプレーヤーに働く。Pier Luigi Cappucci教授は自身の本、"Il corpo tecnologico"にて次のような現象を説明する：人は常に「バーチャル」構図（構成）を創造してきており、物理的且つ直接的な現象界の体験（経験）から距離を置く事を学ぶ。(…）モデル（模型）や物（作り物、芸術品、人工物）を使う事によりその関係を調節（仲介）し、置換えているのだ。
この要求の重要な証明となるのは神話や伝説における口承、または影絵やマリオネットといった形での再解釈などにある。様々なアニメーション（命を吹き込むという意味で）技術、バトンの使用、ワイアートリック（仕掛け）、手袋や目の錯覚を引き起こす様々な方法、それらは現在の進歩したと言えるであろう「バーチャル」なデジタルイメージを操作（コントロール）する技術と遠くではあるが同じラインをたどっているのである。ナイジェリアの宗教的習慣とし扱われる儀式的スペクタクルGledé人形劇を例にとろう。操り人形師はパペットマスクを身に付ける。それは彼らのダンス（動き）と操り糸を通して動きが調和され、唯一動きを持つオブジェとなる。それは人形師と人形とのハイブリッド、マジックと幻想を展開させる神々しい者となるのだ。70年代末から80年代にかけて日本ではOVA、オリジナルビデオアニメーションというものが続々と造られた。その中では人間のキャラクター、主にティーンエイジャーが彼らの体の機械的な感覚の延長かのように大きなロボットの内部を操作する。
1979から80年の機動戦士ガンダムでのモビルスーツ、1985年、強殖装甲ガイバーでの共生有機デバイスなどといった、ある人物に宿る人間のポテンシャルを拡大させる科学技術などが例としてある。
2006年にはシングルプレーヤー向けにガンダム世界のシミュレーションとして先進的なアーケードゲームがいくつか造られた。これらの新しいゲームカプセルにはパノラミック・オプティカル・ディスプレイ（半球スクリーン）を搭載され、アーケードシステムを再起動させ、しばらくの間、日本国内外で大きな反響をよんだ。From the moment that you insert the token and the gaming session starts up, the player suddenly has multiple lives. During these games, you can win additional “life” elements, which accumulate as little icons around the edges of the screen.

This function creates a positive reinforcement in the player; they have the possibility to fail many times without the game finishing. Professor Pier Luigi Cappucci, in a paragraph of his book "Il corpo tecnologico" descibes to us this phenomenom: Man has always created “virtual” constructs, learning to distance himself from the physical and direct experience of the phenomenal world.(..) mediating and substituting this relationship through the use of models and artifacts.


An important attestation of this desire are the myths and legends of the oral tradition, a version of which we can also see reinterpreted in shadow puppet or marionette shows. The different animation techniques, the use of batons, wire tricks, gloves and other ways of deceiving the eye, trace a line, though long, towards the current, more or less advanced, techniques for controlling “virtual” digital images.

Let's take the example of the Nigerian Gledé puppet theater, a ceremonial theatre which serves as a religious rite. The puppeteer wears a puppet mask, a single object which moves unison with their dance by means of the puppet strings. It is a kind of hybrid between a puppeteer and a puppet, a divine being who deploys magic and illusionism.

At the end of the 70s and throughout the 80s in Japan, a series of OVA, or original video animation, were created, in which the human characters, usually teenagers, had internal control over giant robots, as if they were mechanical sensory extensions of their own bodies.

Take the example of the Gundam Mobile Suit 1979-80 or The Symbiotic Organic device of Guyver, 1985, a technology which amplifies the human potential of the people that it hosts. I

n 2006 some advanced arcade game were created as simulation for a single player of the Gundam universe. These new game capsules, with a panoramic optical display, have relaunched the arcade system which has been all the rage for a while, in Japan and elsewhere. Divinity, mythological figures, ties with tradition and historical events, have often been the starting point for the creation of scenes and characters for games and video games, often fused together in a bizarre and entertaining manner. 

Capogiro degli Dei (EBM(T) mot Tokyo)

https://linktr.ee/goldefish

Out on @gatedrecordings

Originally a remix for @DareBalogun from his EP 'Empty In Eaton' - go and check it out !!

https://soundcloud.com/moskalus/premiere-dare-balogun-we-could-have-had-brunch-three-point-oh

https://www.youtube.com/watch?v=9M4T5m5mfa4&frags=pl%2Cwn

Passive Pleasure

Obtain

We Could Have Had Brunch (Goldefish's Breaks For Brunch Remix)

organ/perc

(彼女の誕生日に捧ぐ。）
歌詞
真実の愛を探し彷徨う私の魂の哀れで儚く滴のように美しきよ。
偽りなき愛はどこにあるのだかわからないけれどたぶん。ダイアモンドのようにまれなものだろう。
優雅に飛ぶ空の鳥たちはあんなにも自由に見えるけれど彼らもまた悩みを抱えているのだろう。
神様だけしってるあの空の向こうのなかの国。
すべての恐れも悩みもない豪奢な天の国。
煌びやかな宮殿。それはただひとつだけのあなたの心の中にある愛の宮殿であるのでした。
君のほかには何もいらないと思うからいつまでも私とともにいてほしいけれど美しさははかないからこそ美しくなるのだと思いその儚さをめでるのにすべての心をささげつくす。

愛を探して

New album of my unit Electric Seagull in my studio Live
https://xix-japan.bandcamp.com/album/blueprint-of-the-electric-seagull

new Live Movie: Please follow on my Channel!!!
https://youtu.be/6uO1EnwI_Kg?si=AQm574zyXMKRscyG

Thank you for your listening and following.
I am Japanese Violinist,Improviser,Composer,Sound designer,
Experimental ,Noise,Ambient,Drone,Neo classical,etc

Now,I try to explain why I make music in inprovisation style.
As you know,
We had the big accident last year (2011.3.11)in Japan.

We lost and many people in that accident.Many people now lost their house,
or can`t return their home because of Nukes accident.

I could not play,listen music at all.

But,After several years,I started play music again.

I improvise for lost and living people at the same time.
It is the reason .

New!
Experimental Video on Youtube. Please Check it and follow my channel!!
https://youtu.be/oNdwvPrkYtk

29/Oct/2022  Electric Seagull online live !!
Here  ->https://youtu.be/KCzUQtqLkMU
Please put likes and Subscribe on my channel!! 

iTunes Music store
http://itunes.apple.com/jp/artist/big-papa-shonan/id516489801

Amazon.com
http://www.amazon.com/Everyday-have-Blues--Sing-you/dp/B007RAIIW8/ref=sr_1_2?ie=UTF8&qid=1333765302&sr=8-2
From Papa`s studio in my house(Yamaha Avitex)

Guitar Stratcaster (Fender 1956)
          J-200 (Gibson 1962)
         Dobro,National,  I love vintage guitar.
DTM:Logic pro,Ableton Live,Studio One,and many litlle gadgets

Good music for you.

幸福な家はどれも似ている：Happy Experimental project has started!

Keigo Bigpapa Sano