Mesoform 1222

ARCTV (PAPO + PREMØ + SUBJXCT 5 X D'EON)

Claviceps Purpurea by jjjacob (@jjjacob). Taken from evo natura (@evo-natura) new V/A, out November 5, 2021.

Read: https://bit.ly/2ZzwcTb
Pre-order: https://bit.ly/3nE8dLh

evo-lation two is evo-natura's second fundraising compilation and it's featuring Sangam, jjjacob, Lonneker, Ryouko, user-24012015, Celes and Montross.

The project focuses on field recording manipulation with the help of hardware and digital editing.

All the earnings will be donated to Eden Reforestation Projects (https://edenprojects.org/)

Artwork by Karina 
https://www.instagram.com/ekaterinashoots/

Mastered by Ioannis Nafpliotis, except Track 1 Mastered by Sangam

Released by evo-natura

Premiere: jjjacob - Claviceps Purpurea [evo-natura]

@wasmusic-1
The second katharsis release of the year is the EP “Chasms Where Streams Fall And Disperse” by Italian artist POL100, coming out on February 28th. On its five tracks, POL100 takes you on a deep reflective journey through his meditative sound design, by combining uncanny airy pads with stuttering effects and delicate synth melodies.

With each track named after a mineral, the artist aims to interpret how the flow of water sliding through the rocky veins of the earth creates unique textural objects. The technological nature of our planet is embodied by digital and organic ambiances throughout the EP. This very ambient sound expression is novel to the artist, whose latest release was the intense clubby EP “Sepsis” on Bound Centre in September 2020.

Mixed by Jacopo Massaretti
Mastered by jjjacob
Artwork by jjjacob
Video for Onyx by Cecco Meraviglia

Chasms Where Streams Fall And Disperse

Cadmium

POL100 - Cadmium

xquisite release is proud to present ‘broken blossoms’ the new release by Frederick Jaffalato (aka jimel)

through its ten minutes ‘broken blossoms’ fashions a freeform ritual of percussion and chant.

like a recording found years after, this release feels like a personal log of emotion and confusion, born of industrial catharsis.

music that drags you into a trance and holds you, but always with a beauty at the core.

@xtereaa for more from jimel

mastered by oscar khan

Frederick Jaffalato - Broken Blossoms (XQU021)

Celes is an artist based in New York. Her music melds the enigmatic and the technical, traversing uplifting rave performances, crushing drone, synthetic machinations and beyond. She mines hidden, deeply felt emotional territory, capturing and channelling chaotic sensory entities and redirecting them toward a heartstopping emotional release.

Café is her debut Club Paradiso release. The album is a transference of divine energy, bound, distilled and purified. Artificial angels reconstituted from charred selkie matter: strobe haloes, hardcoded virtue sensors, plied and fused mechawings. Brutal cyborgian femininity, a slow-swaying dance on the border of Nothingness and Totality. Café sighs and shimmers like a digital mirage, blissed out and blessed up in equal measure.

**+++___+++**

Celes: @celes11235
streaming: artists.landr.com/692531896988
Bandcamp: clubparadiso.bandcamp.com/album/caf

Master: Cell van Lommel @axemblem
Cover design: @daffyscanlan
Text: @madjestickasual

**+++___+++**

CD + Download

Buy/Stream

Beth Sawlts - Radiance

23/12/2022

Sculpture (My Habitat) by Nilüfer Satana

Dünyam / Ortam

Track taken from "Climate Denial Machine" by @forces-music that will be released 20th of December. 
Pre-order album: https://bio-future-lab.bandcamp.com/album/climate-denial-machine


In 2012 there was a survey of the US public that asked the question: “Do scientists believe that Earth is getting warmer because of human activity?” Out of the people chosen for the questionnaire 43% replied no and another 12% didn’t know. Only 45% accurately answered yes. 

One reason for this uncertainty is the continuous and ongoing media saturation of falsified information regarding climate change. This is done by shadowy institutes, committees, foundations and even departments inside universities that largely operate with funding from conservative oil and fossil fuel millionaires like the infamous Koch brothers. These pseudo-scientific institutions have been successful undermining the genuine research into climate change. 

The environmental organization Greenpeace maintains an archive of these institutions and all the track titles of Forces’ “Climate Denial Machine” album are derived from there. The album was made after Summer ‘18, when record high temperatures were measured around the Globe – yet an another worrying sign of anthropogenic climate change. 

Soundwise, the album should not to be taken as a literal sonification of a dystopian future, where the Earth is left barren and destroyed, or of a shiny utopian future, where technology has solved the climate crisis. Rather, it’s a collection of tracks that operate independently in many different levels of sonic experimentation. The sometimes mellow, sometimes harsh sounds form futures that are not binary, but shifting in tonalities and narratives. 

The undisputed reality is that we need to recognize the influence of the people and institutions hijacking the scientific discourse of climate change for their own benefits. The album is dedicated to raise that awareness. 

References: 

Greenpeace, "The Anti-Environmental Archives": polluterwatch.com/anti-environmental-archives 
Robert J. Brulle: “Institutionalizing delay: foundation funding and the creation of U.S. climate change counter-movement organizations”, PhD study, Drexel University, 2013: 
drexel.edu/now/archive/2013/December/Climate-Change 
The Guardian, “How Donors Trust distributed millions to to anti-climate groups”: 
www.theguardian.com/environment/2013/feb/14/donors-trust-funding-climate-denial-networks

PRE-ORDER ALBUM

Forces - Institute For Humane Studies

written and programmed by Aestum
additional lyrics and vocals by Bobbie 0rkid
mastered by Kassian Troyer at D&M, Berlin
artwork by Emma Pryde
© 2021 Aestum

Aestum’s self-titled debut album is an in-depth journey into supreme and transformative soundscapes. Oscillating around the apex of spacious power ambient and drone, the compositions recorded during 2020 combine monolithic electronica with decaying fantasies and slow-motion euphoria.

https://aestum.bandcamp.com/album/aestum
www.instagram.com/aestumnet
www.aestum.net

Inter–inert

Symphonies of Industry 4.0

biofuturelab@outlook.com

Forces - Institute For Humane Studies

Bio Future Laboratory

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