Disco-Klassiker aus den 70er-Jahren sind der neue Stoff, den die Menschmaschine verarbeitet (Oli Kuster, piano / Domenic Landolf, sax / Christoph 
Utzinger, b / Kevin Chesham, dr). Zusammen mit der Sängerin Helena Danis interpretieren sie Disco-Klassiker wie «Ring my bell»,«Lost in Music» oder «Stayin' Alive» neu. Ein Wundermittel gegen den Disco-Kater.

Inquiries: ✉ info@bureau-b.com ✉

Bureau B is a Hamburg based label which releases past and future classics unearthed from genres including (but not limited to) electronica, avant-garde, Kraut(rock) – a colourful spectrum of diverse, yet contigiuous musical genres. Applying the expertise deployed in trawling the archives, Bureau B has gone on to champion new and contemporary acts with similar musical sensibilities to their pioneering antecedents.

Die EP «Dr Lido isch zue» erscheint am 21. Juni!

Auf seiner neuen EP besingt das Berner Electro-Poetry-Duo Die Astronauten die schöne Bäckerstochter, die geschlossene Strandbar und den Ginster auf abschüssigen Strassen. Während das poppige «Amore» am Lido laufen könnte, sind die Töne in «Marina & Superiore» leiser und nachdenklicher, und in «Ig heisse» sucht ein modernes Rumpelstilzchen nach seinem Namen. Kusters elektronische Beats verschmelzen mit Marinos berndeutschen Versen und erfrischen wie ein Wasserglacé. 

Der Musiker Oli Kuster (Züri West, AEIOU) spielt elektronische Musik. Der Autor Patric Marino («Nonno spricht», Reporter beim NZZ Folio) performt berndeutsche Texte. 2015 veröffentlichten Die Astronauten ihr gleichnamiges Debütalbum, seither haben sie 50 Konzerte gespielt und gehen im Herbst wieder auf Tournee.

The artist and producer Ohnesorg touches upon the full spectrum of sophisticated electro. His atmospheric tracks, inspired by classical music and movie soundtracks transmit the deepest emotions, which also prevail in his live performances.

WIE KUNST UNS AUFMERKSAMER MACHT: 
MAKING OF
Es gibt tolle Künstler*innen & es lohnt sich

KREIDLER are Thomas Klein, Alexander Paulick, and Andreas Reihse.

The band was founded in 1994, with their debutRiva released 1994 on the Parisian label En Contresans. This was to be the first of 28 releases, with #29 the upcoming album SPELLS AND DOUBS in 2022.

KREIDLER played throughout Europe, Asia and America. In techno clubs, in rock venues, in concert halls. At festivals like Sonar, Roskilde, Nrmal, SXSW, or Cervantino. Commissioned by Goethe-Institut the band toured Sout-East-Asia and Mexico.
KREIDLER performed in museums and art galleries: at the Van Dyck retrospective in Antwerp, for Rosemarie Trockel, Thea Djordjadze, Mike Kelley, or in The MoMA NYC and in the Centre Pompidou Paris for Andreas Gursky. For a project of Djordjadze and Trockel they collaborated in 2019 with singer Asmik Grigorian at Elbphilharmonie, an extension to an exhibition at Deichtorhallen Hamburg.

KREIDLER'S music was presented in installations at Transmediale, at Image Movement , at italic Berlin, or - for 2 years - in Mischa Kuball's res·o·nant at Jewish Museum Berlin.
They contributed to artists books such as Deutsch - Young German Photography, Toit du Monde, Romantik. Their videos are regularly screened at film-festivals e.g. in Barcelona, Valencia, Baden-Baden, and Munich. Au-Pair, La Casa, Moth Race, and Tornado were awarded at Internationale Kurzfilmtage Oberhausen.

KREIDLER'S musical collaborateurs include Klaus Dinger (NEU!, la Düsseldorf), Add (N) to X, Pyrolator, Young Gods, Leo Garcia, Chicks on Speed, or Anika.
They remixed artists like Einstürzende Neubauten, Depeche Mode, Edward, Faust, or Eurythmics.

KREIDLER music has graced the catwalks of Lagerfeld, Chanel, Lacoste, 22/4 _Hommes_Femmes, or Giles Deacon.
It is featured in films, plays and in the modern-dance - e.g. in Pina Bausch's Ten Chi or in Eva Meyer-Keller's Polaroid.
They worked with authors like Jacob Wren, Nick Currie/ Momus, Theo Altenberg, Mark von Schlegell, or Ricardo Domeneck. In 2015 KREIDLER'S collaboration with Sibylle Berg started, participating in touring lecture performance Der Tag, als meine Frau einen Mann fand, continued in 2018 supporting p≡p coop at re:publica#18, and in 2019 and 2020 for exclusives shows in Kassel respectively Augsburg.

KREIDLER composed soundtracks for Alexandra Sell's acclaimed movie Durchfahrtsland / Remote Area / Terre de Transit, for Tommy Pallotta's / Femke Wolting's The Last Hijack and it's extended online version - that was awarded with a Digital Emmy in 2015.
KREIDLER has an ongoing collaboration with Heinz Emigholz. Emigholz accompanied their album DEN in 2012/13 with 7 films. In 2014 KREIDLER contributed the music to The Airstrip. Emigholz' movie 2+2=22 (The Alphabet) is built around KREIDLER'S ABC recording session in Tbilisi, and premiered at the Berlinale film festival in 2017. In 2020 the band provided the score for The Last City.

In March 2019 KREIDLER celebrated the 10th anniversary of Mosaik 2014, with a remastered edition with an updated track list, and in a surround audio installation, Mosaik 2014 Seven Speakers, at italic Berlin. In Autumn 2019 KREIDLER released FLOOD. Forthcoming, in January 2022 is the album SPELLS AND DAUBS.

For bookings or other business inquiries contact:
arteriammusic@gmail.com

Chaos Ark is a badass crossover project, mixing the easiness of neo soul with the coziness
of early hip-hop and artful words. And a spoon of butter. It features Michael Schatzmann
(ROBB, Ankathie Koi), Roger Szedalik (Suzie Candell, Wavetest, Kalif) and Karin Ospelt
(AEIOU), who are based in Liechtenstein and Austria.
All three participate in writing and producing, and try to find new ways to combine their
diverse influences and ideas in one big flaming pot of waveforms.

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