arts can be:
                  - places, where we have not been to before.
                  - the immune system of a society/community.

> A dedicated page for experimental projects under collaboration with musical collectives and composers. 
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" ...On'kkkrrr.... Arr'RRktzz''kh.... Ouaaa'rktzss....! ‡‡∂∂†† !!!.... 
"Homo sapiens. Grotte de Lascaux - 200 Siècles avant J.C.
DO SOL. ( XIIIeme)
DO MI SOL ( XIVeme-XVIeme)
DO MI SIB ( XVI-XIXeme)
DO Mib Si Do# Fa ( XXème)
‹≈©◊ß~∞‹≈©◊ß~∞…÷_*.;; .;; ‹≈©◊ß~∞…÷_*.;; ‹≈©◊ß~∞…÷_*.;; ‹≈©‹≈©◊ß~∞…‹≈©◊ß~∞…÷_*.;; ß~∞…÷_*.;; ( XXI ème )
" ...On'kkkrrr.... Arr'RRktzz''kh.... Ouaaa'rktzss....! ‡‡∂∂†† !!!.... " ( XXIIème )

                                                                                                                                                           
                                                                                                                                                    - Philippe Schoeller {2013}

Diana Rotaru (b. 1981, Bucharest) has written from chamber and orchestral music to chamber opera and soundtracks for multimedia or dance shows and short films. Her music explores different expressive directions, from hypnagogia or pre-oneiric aesthetics, feminine psyche, humor or imaginary folklore. 

She is also active as a promoter of new music in Romania, as the artistic director of MERIDIAN International Festival and the main coordinator of the Romanian Music Information Center (CIMRO.ro). Since 2019 she is president of the ISCM Romanian National Section. 

Diana Rotaru has won numerous prizes, among which the Romanian Academy’s "George Enescu" Award (2010), the ISCM-IAMIC Young Composer Award (World Music Days, Vilnius, 2008), the Irino Prize (Japan, 2004) or the "George Enescu" Prize ex-aequo (Romania, 2003 and 2005), as well as multiple awards from the Union of Composers and Musicologists in Romania. Her works have been commissioned by Ryoko Aoki (Japan), Ensemble XXI (Dijon), Stockholm Saxophone Quartet, Pärlor för svin (Sweden), Ernst von Siemens Foundation, Takefu International Music Festival, etc. 

She was a resident at the Cité Internationale des Arts in Paris (autumn 2007), on a George Enescu grant from the Romanian Cultural Institute. In April 2011 she was an Artist-in-Residence at Villa Sträuli, Winterthur (Switzerland), at the invitation of Ensemble TaG, who performed her music in two concerts during that period (Verborgen in einer Muschel/ Hidden Inside a Shell – Theater am Gleis and Meet the Artist: Diana Rotaru -Villa Sträuli). In April-June 2015 she was Artist-in-Residence in Vienna, with a grant offered by the Austrian Federal Chancellery & KulturKontakt Vienna. 

Diana Rotaru is currently teaching composition at the National University of Music in Bucharest, where she studied with Ştefan Niculescu and Dan Dediu (2000-2005) and where she has a PhD in Composition (with the dissertation "The Recent Trance and the Principle of Repetition in New Music", 2012). She also studied composition with Frédéric Durieux at the Conservatoire National Superieur de Musique et de Danse de Paris (2005-2006). She participated at different summer composition courses such as Acanthes (Metz, 2008), Voix Nouvelles-Royaumont (2002 and 2006), or the International Bartok Seminary (Szombathely, 2003), thus working with Jonathan Harvey, Savatore Sciarrino, Brian Ferneyhough or Michael Jarrell, among others. In September 2018 she was invited to be an assistant professor to Toshio Hosokawa at the Takefu International Music Festival in Japan.

http://cargocollective.com/mirelaivicevic

Maxim Kolomiiets
Composer, oboist, music curator.
Maxim was born in 1981 in Kyiv.
He graduated from the National Music Academy of Ukraine as an oboist (2005) and as a composer (2009) and from the Hochschule für Musik und Tanz Köln as a composer (class of Johannes Schöllhorn, 2016). He took part in International Young Composers Academy in Tchaikovsky city (2013), and reading sessions by Ensemble MusikFabrik.
He is the winner of the national competitions Gradus ad Parnassum (Kyiv, 2000), Step to the Left (Saint Petersburg, 2012) and III Prize on Vareler Komponistenpreis (Oldenburg, 2015).
He took part as the performer in many Ukrainian and foreign festivals and master courses: historically informed performance with Freiburg Baroque Orchestra (2007) and contemporary music with Ensemble Recherché (2007, 2008), Internationale Ferienkurse für Neue Musik Darmstadt (2010), impuls academy (Graz, 2011), Per suonare l'oboe (Freiburg, 2011).
As a solo-oboist played with orchestras Kyiv soloists, Musica Camerata, Russische Kammerphilharmonie St. Petersburg. Together with the Ukho Ensemble he realized the Ukrainian premiere of the concert for oboe No.2 by Luca Francesconi, as also ensemble pieces by P.Boulez, S.Gervasoni, B.Ferneyhough, L.Berio, G. Kurtag and many others.
Maxim took part in master classes in Montepulciano (Italy, 2015) under direction of Johannes Schöllhorn, Florence Millet and Werner Dickel as an oboist, a composer and a conductor.
He was a participant of the Kyiv conductor master classes under the guidance of Luigi Gaggiero (2016).
His music has been performed at the international festivals : MATA-Festival (New York), Summer New Music Courses in Darmstadt (Darmstadt), New Talents (Cologne),  Donaueschinger Musiktage, Warsaw Autumn (Warsaw), World Music Days  (Leuven), Other space (Moscow), Gogolfest (Kyiv), Contrasts (Lviv), Randfestspiele (Zepernick) etc.
Among the performers of his music are Ensemble MusikFabrik (Cologne), Ascolta (Stuttgart), Lions Gate Trio (U.S. und Europe), Neo Quartet (Gdansk), Ukho Ensemble (Kyiv) , the National Symphony Orchestra of Ukraine (Kyiv), Kyiv Chamber Orchestra (Kyiv), Syrinx Flute Quartet (Moscow), Ensemble Nostri Temporis (Kyiv), GAM-Ensemble (Moscow), Moscow Contemporary Music Ensemble (Moscow), Vladislav Pesin (Moscow), Ian Pace (London), Helen Beldsoe (Cologne), Hayk Melikyan (Yerevan).
Since 2015 he is the solo-oboist of the Ukho Ensemble for contemporary music (Kyiv).
Co-founder of Ensemble Nostri Temporis and founder of the ensemble of ancient music Luna Ensemble. Gogolfest music curator (since 2017).

Zesses Seglias is a composer of sonic bodies and lingual structures. His compositional output focuses on the relationship between the sound of voice and its semantic, as defined by language. Much of this repertoire is staged, although concert pieces also share the same principle. Latest compositional activity focuses on unifying musical and spoken language in an hybrid of sound and meaning described as spoken sound theatre.

read more: http://zesseseglias.com/about

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