Born and raised in the Bronx, NY, The Martinez Brothers are two of the most consistent and recognizable names in the world of house.  Stevie and Chris continue to push themselves creatively in the studio collaborating with global and Latinx artists such as Rauw Alejandro, Fuego, Rema and Tokischa. 

In 2023, we find The Martinez Brothers in a moment of creative renewal, kicking off an exciting new chapter in their illustrious career. They continue to cast a wide net with their collaborations, stepping into the studio with a new generation of artists like Eliza Rose, Tommy Genesis and Mochakk.  

The brothers are furthering their love affair with Ibiza in their second year residency at Hï Ibiza voted #1 Club in the World, after 10 years as residents at Circoloco, Ibiza. Paying homage to the isle that catapulted them to stardom, it was in Ibiza that they met Riccardo Tisci who brought them in to do the music design for his iconic years at Givenchy (2014-2015). 

Last year, the brothers headlined London’s hottest show of the year at Beams warehouse alongside Skepta, who debuted his first house music DJ set in his hometown.  Alongside this, they played the Met Gala afterparty hosted by Dua Lipa and at LOEWE’s Paula’s Ibiza pop up at the Sheats-Goldstein home in LA. 

In 2023 stage hosts include Kappa Futur Festival in Turin, Italy, Panorama Festival in Southern Italy, Eastern Electrics, London, Fabrik, Madrid, Audio Obscura at Amsterdam Dance Event and III Points Festival, Miami. 

The duo are avid sneaker collectors and vinyl record collectors, from all eras of Latin salsa, disco, funk, soul, jazz house and techno.

When We Dip Magazine
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Dance Music Magazine | Montréal

https://www.whenwedip.com/

Founded in Dublin, Ireland, and now having its main office in Montréal, When We Dip has become a respected magazine for supporting both established and local talent in the arts. The WWD network strives to bring its readers unique and engaging content as we descend over the horizon in search of both great innovation and audio-visual stimulation. 

Label: @wwdxyz

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Please submit track, mix, repost, and Spotify request to : http://tinyurl.com/wwdsubmission

(We listen to everything, if you don't have an answer after two weeks, the submission has been declined)

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Discover and support the next generation of artists.

We repost dope music on The Artist Union. To be considered, please import your music to our platform first.

The Debut Album ‘𝐕𝐀̈𝐒𝐄𝐍’ out now 💚
lafleur.ffm.to/vasen

Bookings

Worldwide:
martje@primarytalent.com

North America:
john@analog-a.com

South America:
diego@analog-a.com

La Fleur is nothing short of a visionary, with her every move an impossibility to ignore.

At almost 20 years since her first footsteps into the music space, the producer, DJ and labelhead meticulously fuses house and techno with infectious melodies to trigger even the deepest emotions. Her sonic palette carefully curates a story – and when lauded by names including Kerri Chandler, Sasha, Pete Tong and Kenny Larkin, its narrative is one of genius.

With her label Power Plant and consequent debut ‘Flowerhead’ becoming immediately lauded in underground communities, La Fleur’s discography has blossomed from strength to strength; including - but not limited to - releases via revered labels including Kompakt and Cocoon, a residency and valued relationship with Watergate Berlin, her remixing Kerri Chandler and Sasha (including a hit 2018 collaboration with the latter on ‘Förbindelse’), a remix by Carl Craig and an abundance of high-profile party and festival appearances. Think Awakenings Festival, Tomorrowland, Life Festival, Creamfields and Warung, an array of Ibiza’s superclubs, Printworks London and Motion Bristol to name merely a few — the Swedish artist shows no sign of slowing down.

Looking to the future with new album ‘Väsen’, she brings listeners on a journey with her intrinsic self — the archaic Swedish word models not only an entity, but also an essence, added to its associated meanings embodying the natural world, strength and noise. It is a truly introspective collection of tracks, embodying La Fleur’s journey-like sound.

La Fleur’s trailblazing ascent shows no signs of deceleration. Her beautiful sonic concoction of house and techno creates the perfect storm for dancefloors young and old — and her curation comes directly from within.

Electronic mutiny based in Paris
@Polocorp + @djpeterpan
http://www.poloandpanmusic.com

Follow us on Instagram : https://www.instagram.com/poloandpan/
Follow us on Spotify : https://open.spotify.com/artist/45yEuthJ9yq1rNXAOpBnqM
Follow us on Discord : https://discord.gg/FbxDg9kj
Follow us on Facebook : https://www.facebook.com/polopan.music
Follow us on Deezer : http://www.deezer.com/artist/5400149

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FRANCE - AEG PRESENTS
Geraldine Cayrou 

EUROPE (FR. Excl.) - WME Agency
James Simmons (live)
Matt Smith (dj sets)

US/CAN/MEX - UTA
Christian Bernhardt
Parker Glenn

BOOKING LATIN AMERICA - UTA
Carlos Abreu

dj phono 
has no fear of failing, for if he shall fail it will be with utter jubilation. he has nothing to loose, but is willing to risk everything. this makes him uncomfortable and unpredictable for all those who dare nothing in life. one thought that never troubles him during his morning toilet is: "impulsive menschen kennen keine grenzen".
even though being a member of the formation deichkind has evolved dj phono into a different person one should refrain from confusing the two. neither does dj phono produce music for deichkind, nor does their repertoire appear in his dj set.
he is the brain behind the deichkind liveshow and the whole overriding concept hidden within the techno lunacy. right from the off he has continuously and tirelessly attempted to force a gap between proletarian and sophisticated culture. he is a hellbender and merciless critic of the band luring them towards the end of the branch.
dj phono and bon jovi have nothing in common. this is why phono composes music that he likes. “party is my profession” is what he usually replies when being asked, why at 5 am in the morning he is still to be found at the pudel club - sober. there is always something new to discover, no matter where you look.
this explains why he has turned his back on the usual “hau den lukas”-method and ignores expectations. he rather likes to pick the bananas from the trees of slow mounting tensions, because dj phono is never bored on stage: yes, he will even turn of his mobile phone off just to be alone with you.
categories and limitations are only to be vanquished. people often create strange convoluted sentences in an attempt to describe his music. someone once said very fittingly: “emotional-temporary-minimal-but-then-more-and-more-techno-with- pop-appeal-thru-techhouse-suitable-for-dancing-taking-the-cake-techno-electro+surprise”. music associated with labels like kompakt, get physical, dial, playhouse, smallville, systematic, dfa, environ, ibadan, border community, ostgut ton, pampa, circus company, bpitch control and liebe detail. boring, dreary minimal-poppycock, is simply left out.
2011 he will start a new chapter.
dj phono will finally release his new album “welcome to wherever you’re not” on hamburg’s record label diynamic. the release will be flanked with a supranormal liveperformance. LEDs, hydraulics, roboter, radio technology and projections alternate the room. daft punk and etienne de crecy will be delighted. the concept comprises artists developing individual visual concepts for each album song and implying the respective localities and contexts.
dj phono is also a member of the band extra (1978). in 1998 he was european-vice-scratch-champion and incidentally, when he’s in the mood, he also produces and mixes music for others – former cooperation’s include artists such as erobi- que, egoexpress, commercial breakup, international pony and die goldenen zitronen.
dj phono has no hobbies.
DJ PHONO

bjoern kleinert is following