Just so good. Making me regret selling my Phonogene.

@user-335568301: Thanks man, glad you enjoy it.

really interesting layers or modulation. Was this a modular track? be interested in seeing your setup- i can see from other comments the PG is there! Just building up my first modular and interested in interesting opads/progressions such as thei

Loving this sooo much and following you thread on MW

just discovered your channel, this one has completely inspired me. thank you.

A Chord (Patch Evolution)

To celebrate the beginning of the second hald of Unsound 2014, we present an eclectic Unsound Podcast, a mix created by members of the Young Echo collective, waiting eagerly to take over Hotel Forum’s Room 3 on Saturday. 

99.9% vinyl & acetate, mixed with two turntables, a delay unit and a spring reverb.

Tracklist:
Brandy - Angel (El Kid Version)
Claudja Barry - Love For The Sake Of Love
Powell - No U Turn
Osamasm - Obeah
Ossia - Red X
Nocturnal Emissions - Accumulator 1
Vessel - Euoi
xxxxxxxx
Killing Sound - Six Harmonies
Jabu - Limousine ft. Rider Shafique
Unitone Hi-Fi - Babylon (Muslimgauze Babylon Iz Iraq Remix)
2 Lava - Tek Dat V2
Muttley - Architect (Ishan Sound Remix)
Young Echo - Radial Sheaves
Acen - Close Your Eyes (Optikonfusion) (Remix 1)
Kahn & Neek - Can't Look Away

Unsound Podcast 20: Young Echo

The aim for this mix was relatively straightforward: to present what I am doing with my ‘drone and bass’ DJ sets. In keeping with the forward thinking attitude of ‘Electronic Explorations’, I focused on presenting new music. Except for an old Conrad Schnitzler production I couldn’t resist including, basically everything else has been released in the last year. I also made an effort to include tracks from artists I think are exploring interesting territory. So if you like the mix, I strongly encourage you to look further into their discographies. The vast majority of the music here is easy to find in digital and other formats. Thanks to Rob for the kind invitation to contribute to this excellent series, to Wata Igarashi for mastering the mix, and to Sae Murakami for the picture.

The mix was recorded in one take on a Sunday afternoon in September 2015. It is entitled ‘music for nominal spaces’.


01.	Drew McDowall – ‘Live at the Silent Barn’
02.	Kemper Norton – ‘Departing’
03.	Sarah Davachi - ‘Flowers and other voiceless things’
04.	Tengui – ‘Shadows’
05.	Atom TM – ‘Texturen I’
06.	Barnett + Coloccia – ‘Rose eye’
07.	Imaginary Softwoods – ‘Describing pain’
08.	Abul Mogard – ‘Drooping off’
09.	Monolake – ‘Error’
10.	Ryo Murakami – ‘Wall’
11.	Brett Naucke – ‘Cellar beat’
12.	Charles Cohen – ‘Mankind and mannequins’
13.	Caterina Barbieri – ‘Undular’
14.	Conrad Schnitzler – ‘Trigger one: solo rhythmics I’
15.	Lumisokea – ‘Risacca’
16.	Peder Mannerfelt – ‘The limits of control’
17.	Yko – ‘Minako (Bee Mask remix)’
18.	Fis – ‘Kal’
19.	JG Biberkopf – ‘Air coltan carbon lithium’
20.	Logos – ‘Metropolis’
21.	Source Direct – ‘Approach identify (Demdike Stare remix)’
22.	Klara Lewis – ‘Untilted’
23.	Shackleton – ‘Silver keys’
24.	Aisha Devi – ‘The saviour on spilled blood’


Editorial

Electronic Explorations - 390 - Chris SSG

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NTS x PAN w/ Bill Kouligas - 25th February 2019
https://www.nts.live/shows/pan/episodes/pan-25th-february-2019

@nts_live

Damon Zucconi - 10 240°, 100°, 100°
Drekka - Instrumental 3
Jio - Already_Dead
Martina Lussi - Movement in Mono (Stereomix)
First Circle - Paper 
Oqbqbo - The Way of Tea
Akira Rabelais - If Error and Upon Me Proved
Dis Fig - Why
Untitled
Tenko & Ikue Mori - I Know You
Untitled
Gabber Modus Operandi - Hey Nafsu
Regno Maggiore - La Danza Di Sabasaa
AMET - You Had Me (PETIT SINGE Remix) 
First Circle - DOWN
BAD@MATHS - TECHNOPKgfet i.e LISP BONE skaffolding
Ecko Bazz feat Bigga Yut - Tuli Banyo 
untitled
untitled
untitled 
untitled 
untitled
KYO & Oqbqbo - To All My Future Lovers
JH1.FS3 - At the Bottom of the Night
Sim Hutchins - Druk Pak 
Belief Defect - Deliverance (Telefon Tel Aviv Dub) 
NPLGNN - Empathic New Utopia

PAN x NTS February 2019

NTS x PAN w/ Bill Kouligas - 25th February 2019

From Expo 74 @ Mass MoCA, North Adams, MA
Friday, April 26, 2019 • 10:30am - 11:15am

"Keith will perform a version of one of his "Playthroughs" pieces on his Max 4.5 setup, and then talk about the approach to their creation, and ways he's been updating and rewriting it all in Max 8. The talk will investigate how these systems can be refined to allow for more hands-off, automatable, algorithmic control, which can allow for focus on the central real-time elements of performance."

Hands Off the Computer and Other "Playthroughs" Lessons

Usually when people ask what the requirements are for a Bandcloud mix I say nothing beyond "35-80 minutes and make sure it's you". In this case, the mix submitted by Glasgow producer and DJ https://soundcloud.com/production-unit was a hefty 137 minutes, but that's quite alright. It's a bit special. We originally spoke in February of this year, with plans in motion for a summer mix. Then the poor lad broke his collarbone and tore some ligaments, so things got put on hold for a while. Several months, pins and plates, here we are with a mix that's both powerful and enlightening. 

In his own words: "I wanted a mix that really focused on clattering, sometimes polymetric drums, and I was trying to educate, inform and entertain through lots of use of spoken word snippets. Mixed live in Traktor on two real decks and one virtual deck."

It's similar in a sense to his 2019 release Why Do The Birds Sing?, which came out on Broken20, the label he runs with ruaridhTVO. That release featured glacial ambient, birdsong (of course), gorgeous metallophonic rhythms and spoken word concerning the ever-changing state of the planet. In this mix, the ambience is replaced with trepidatious beats and the environmentalist's perspective is set aside for the urgency of the activist. It moves from skittery percussion to slamming techno (shouts for the inclusion of 'Flash') and never really lets up. I hope it brings you some hope, life and energy.

Image by skeeze from Pixabay (chosen for the season)

Bandcloud Mix - October 2019 - Production Unit: Drums And Revolutions

Our new Logos release is available in these places 

Digital:
https://berceuseheroique.bandcamp.com

Vinyl:
Honest Jon's: https://bit.ly/2CxLMQH
Juno: https://bit.ly/36TuXNZ
Boomkat: https://bit.ly/2K9pWXX
RWDFWD: https://bit.ly/36VzX4A
Redeye: https://bit.ly/2qthXOg
Rush Hour: https://bit.ly/2pKZ7Co
HHV: https://bit.ly/33mo4T9

Logos "Techstep Mix" For Berceuse Heroique's Noods residency

Tracklist:
https://dissonanzerecordings.com/podcast59

Links:
https://soundcloud.com/jakojako_live
https://www.instagram.com/jakojako_live
https://www.discogs.com/artist/7245796-JakoJako

Biography:
Self-taught and primarily a live performer, JakoJako makes extensive use of modular synthesis in her productions and on stage. ”Depending on how you configure your system, you can design a completely different instrument every time. I love when it’s surprising me.” When not in the studio, her expertise is put to use advising well-established artists on their own systems at Berlin’s synth-mecca SchneidersLaden.

Dissonanze Podcast 59 | JakoJako

Juanita's Mix 001 with J. Albert @jiovanni-nadal

Q. How would you describe yourself?
A. I like to consider myself an artist, who produces and DJs.

Q. How long have you been involved in the NY music scene?
A. I’ve been a part of the scene for almost 5 years.

Q. Tell us a little bit about this mix.
A. I just wanted to make a mix of really sonically pleasant songs. I definitely would say this mix took a bit of research to put together.

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