Facebook: https://www.facebook.com/BlackearacheXD
YouTube: http://www.youtube.com/user/BlackearacheXD

I remember renting this game from Blockbuster when I was an early teenager and it affected me. Not just the fact it's an intense horror franchise with great symbolism and psychological terror up the anty, it visually intrigued me to later make me appreciate the beauty that can be found in many other horror games and films but this one in perticular has certain asthetics that sets it apart from the other games in the franchise. Silent Hill 3 is my favourite of the series and one of my favourite horror games behind Resident Evil 3 and before Fear Effect 2 (yeah I know, a weird choice). And Heather Mason is just a fantastic female protaganist. 

Akira Yamaoka is a brilliant composer. It's a shame he doesn't do much with the SH games anymore after the travesty that was Homecoming! But he has a way to manipulate sounds and emotions with simple guitar twangs and strummings that moves me in other ways that other video game composers can't do.

Some more exprimental ideas and what not like usual. I'm not afraid to test out anything that comes to mind! :P A lot of Mars Volta influence in here.I messed around with a harsh slapback delay that can be achieved by experimenting with settings on the Boss ME-50, a multi-effects pedal I've used for years but never had the urge to dive into it's other enormous sounds it can produce. I highly recommend a Boss ME-50 if you can get a hold of one! Bloody brilliant stuff! 

LONG LIVE OLD SCHOOL SURVIVAL HORROR!!!!11

Recorded on: Mixcraft 6
Guitar: Squier Affinity Telecaster
Guitar Tech: Podfarm 2
Pedals: Boss ME-50
Drums: Addictive Drums

Arranged and performed by: BlackearacheXD
Composed by: Akira Yamaoka

Video Software: Windows Live Movie Maker
Video Camera: iPhone 5


.'x'.

Silent Hill 3 - You're Not Here (Cover by BlackearacheXD)

Marvin Dawe aka BlackearacheXD. I'm a musician and gamer (mainly RPG, Platformers and Survival Horror!) Here you will find my interpretations of video game music I both love and/or want to give a spin onto. Most of these are a mixture of experimentation while keeping traditional to the original with heavy alternative influences ranging from acoustic to progressive metal.