BOOKING
booking@ryandavis.de 

BIO
The Concise characteristics of Ryan Davis's music are within the inexhaustible dimensions of sound, taking the listener on a journey full of stories which describe dreams, desires and create imaginary worlds within oneself.

Since 2006 you can follow Ryan's traces on almost every important melodic electronic music label worldwide such as Erased Tapes, Anjunadeep, Watergate, Traumschallplatten, Bedrock or Last Night on Earth. Touring the globe constantly being invited to iconic venues like Bilbaos Guggenheim Museum, Stockholm’s Fotografiska or Berlin´s legendary Funkhaus inspires Ryan´s musical aesthetics whose quality brought him an international fan base and a remarkable reputation.

Over the years he collected notable attention by a variety of artists out of every electronic music genre such as Aphex Twin, Olafur Arnalds, Stephan Bodzin, Apparat, Max Cooper, Sasha, Hernan Cattaneo, Boys Noise or even Depeche Mode including his music on their ‘Sound of the Universe‘ tour.
Nowadays Ryan represents a fundamental name in the modern electronic music culture, in which compositional qualities are a must. 

His remixes for masterminds like Olafur Arnalds and Nils Frahm, collaborations with Robot Koch and Alex Banks or placements of his music in shows like ‚How To Get Away With Murder‘, documentaries like ‚The Last Glaciers‘ or Cadillacs ‚No Perfect Formula‘ underline his work and musical mindset to celebrate & push the compositional form of electronic music which leads the way to establish a world on its own besides pure dj-functionality.

Booking: redlightmusica@gmail.com
Promos: denitepromos@gmail.com

Borderless ⦚ Organic Vibes
Music on
✶ Ohxala Records
✶ Cosmic Awakenings
✶ Cosmovision Records 
✶ Netflix 
✶ Claque Musique 
✶ Three Hands Records
Hello, info ➣ phonicus@gmail.com

probably the laziest netlabel in existence

class tunes though



Rob's sounds were established on the Isle of Man, where as a youth Rob taught himself how to play bass and guitar, and how to wing it at drums enough to surprise people who thought he was a one trick pony.  He also had a really old version of what became cubase, that ran on his Atari ST when he wasn't playing Sensible Soccer, and he learnt how to use this too.  After buying some decks and learning to mix, he moved to London and learned to mix properly.  After smashing up (in a musical sense) some of London's most riotous underground parties, he figured he'd give cubase another go and was happy to see that it was now in colour.  Sitting down one day he decided to write a track with a melody, for a change, and this became QF736, which was played out by James Holden.  It was such a powerful statement that after hearing it once, Ripperton wanted to remix it, and when it was finally released on vinyl it was a weekly recommendation from both Trackitdown and 3Beat.  Not bad.  
Rob figured that he'd had enough rain, however, and left London for Australia's worst-weathered city, Melbourne.  He had barely set up his speakers when he got a call from EQ Grey, who wanted to sign Ligne Rouge - another track that Holden had been using to blow holes in subwoofers (listen to the bass, you will see).  Hernan Cattaneo loved it too, even.  In many months between this and Ligne Rouge's release, Daso & Pawas made an awesome remix of Rob's tribute to the London Evening Standard TV Desk 2006, Room 228, and this started appearing in Beatport charts and being played on Triple J and lots of other cool stuff.  So all this was mad awesome, but Rob still had musical muscles to flex, and was secretly concocting some music to release in 2009.  Morbo was the first one to make a big splash, being again much beloved of Hernan Cattaneo, with Scarlett sneaking slowly up on the world and getting props from a who's who of former-prog-house DJs.  In fact, in November Sasha was even playing it on his tour of Australia, which was best ever.  As for 2010?

Many times, biographies of techno acts start by singing their praise of an extremely early,
extraordinary talent on synthesizers and other electronic devices.

In Heron’s case, things are different. Because Martin Spittel has been shaped musically since his childhood, the influences were as diverse as music can be.

On one side, there was his grandfather, who played various instruments, and to whom young Martin related closest to and whose influence still lasts until today. On the other side there were his cousins who were not much older than himself, enthusiastic about AC/DC, and band members themselves. Over the course of the following years, he explored the diversity of Black, Death and Trash Metal, EBM and Industrial, right up to Detroit Techno.

Ever since then, Heron's environment served as compensation to ferce parties and expanding his musical horizon. This symbiosis from the love of nature and the musical influences from his early childhood are a direct reflection of Heron’s entire life.

Following the scream of the waders (limicoline birds), he moved to picturesque island Norderney in 2003. There, exploring the island’s national park, he decided to live up to his enthusiasm about nature by going to study landscape ecology at the University of Münster. It turned out: The relocation to Münster was the initial spark for his career; the months in Norderney were inspiration for the name of his label “Limikola” which was founded in late 2008 and enjoyed enormous support by both DJs and fans.

After launching his now very successful °Schaltkreis-parties with four friends in mid-2007, everything went quickly: His first own radio show “The Grasshopper Warbler”, contacts to prominent players like Someone Else and Heartthrob, and finally the moment in early 2008 during the season’s opening at Time Warp, when Richie Hawtin played all three tracks from Heron’s Retro EP. It was merely his second EP, released on a netlabel (Minisome), and it became immediately successful. A knightly accolade.

The journey that Heron started lead to his bombshell track “Welcome to the Adventure Club” that charted in the Beatport charts in 2008, and continued with remixes and releases for Synewave, Supdub, Swap, micro.fon, Prosthetic Pressings and Sleaze Records. In 2010, it culminated with a tour across North America during the summer.

Two years later he released his very first EP on the legendary Detroit label KMS Records, owned by Kevin Saunderson, followed by remixes for Drumcomplex, P-Ben and Chris Gekä, one collaboration project with Inner City's Ann Saunderson and his second solo release „Ride The Pride“. Furthermore he made the step into the Soma family by publishing three solo EPs and an EP with Kevin's son Dantiez Saunderson, as well as he started to release on Florian Meindl's FLASH Recordings.

Bookings: hello@heron-music.com

https://linktr.ee/heronmusic

Orlando Solis also known as Submerge is an American electronic music producer and DJ from Chicago. Impact Mechanics label owner.

Mote Evolver / Planet Rhythm/ Suara

Hi friends,
Hanz S. now is named Schultzinger.
Life, music and nearly anything else changed in the last couple of years, so i came to the decicion to start over with something new.
Stay healthy and watch out for upcoming Informations.

✌️ Schultzinger

blart-trax is following