https://linktr.ee/djste_turner all links dj and artist label and productions and radio links

Brazilian Electronic Music Digital Label created in 2009 in São Paulo by the Artist MARCIO GROOVE, looking for Promote and release good quality music for all E-music lovers!

To be part of a strong and respectable scene we started to work very hard to support new talented producers, helping them to release their tracks in the top Digital Stores.

Digital Music Industry has gonne to a crazy way, with more interests...

WE SUPPORT MUSIC!

We are interested in Tech House, Progressive, Electro, Minimal Techno 

We are against piracy on the web, and we think that a good artist always supports other artists, and music has its value!


Contact us here by do not send demos, use our dropbox Group:
mdsdigitalrec@gmail.com


Owner:: 
TENTACULOS RECORDS & Sub-Labels
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Record Labels::
Shibiza Recordings (Iran)
Huambo Records (Spain)
Duff Music (Colombia)
Klexos Records (Brasil)
Monkey Stereo Records (Italy)
Go On Records (Brasil)
Uranobeat Records (Colombia)
Dacusan Music (Spain)
Reshape Black (Italy)
Ovest Music (Italy)
Relyt Records (Spain) 
Relyt Limited (Spain)
Mooncircles Lab (Italy)
Black Turtle Records (Spain)
Pure TNT Records (Spain)
Nocturnal Sound Records (Spain)
Riben (Spain)
Over Records (Spain)
The Society (Mexico)
Ganesha records (Russia)
Scarlett Music (Spain)  
High Contrast (Colombia)

Starting to buy vinyl in late 1993 and been an lover or all types of dance music from house to hardcore, garage to the next big thing.

Working hard to move up the ladder and into the club scene got my first break around 1997 playing in a very very strange club but was a wicked experience for me., then moving on to a DJ competition and a full time spot in a couple of local bars and clubs around the Bradford area like Milkbar, Mashed, Ivegate and more.

Then came the time to start producing music got my first track signed to DOD Rekords almost two years ago in 2012 and has moved on with many tracks to follow this up.

with great support for local and world wide DJ's im looking forward to what the future holds for me

Since the moment Dave Askani Coates first heard house music back in the mid 80s Dave was hooked that remained an important part of his life since the age of 9 Driven by an almost childlike curiosity, a vivid imagination Dave started DJing gaining his first gig at the City Bar in Chester back in 1997. 
Dave eventually hooked up with Paul Bugby and Paul McGuinness who together formed Inbetween DJs a deep house production and DJ-ing team who first got signed to the late Aaron Carl's Wallshaker Music based in Detroit there first EP gained critical acclaim by some of biggest DJ's within the music industry such as Laurent Garnier, John Larner and Paul Woolford.
Over the years Inbetween DJ's also got tracks signed to 3am Recordings, Fragile Records and Disco Revolt and Harkee Records.
DJ-ing wise Inbetween DJs started hosting the Chibuku Pre Parties back in 2004 as well as gaining regular appearances at the infamous nights in Chesterfield known as Detune playing along side the like of Al Bradley and  Rythmn Plate they also played regular within the Liverpool and North West area playing at Aztec in Liverpool and Stylus based in Manchester they also gained a residency at ETC playing along side DJS like 16bit Lolitas.
In 2009 Dave decided to set up a solo project called Askani and push more of a tech house sounds within a couple of months Dave's first EP called Revenge of The Lizards EP was picked up by a Spanish label called Harkee Records which Dave also released 2 more EPs and a couple of remixes as such Dave tracks even got picked up and played on John Digweeds Transmission radio show following Harkee Dave was also signed to 3AM Recordings, Bullet Dodge, Devoted Recordings, Doormat Sounds, Groove Life Recordings, Structive Recordings, Soho Recordings and Purple Gorilla Records.
Dave is also label owner of Jingo Recordings which set up in 2013 concentrating on bringing the best up and coming artists through to more established producers Dave ethos with Jingo Recordings is based on early influence from Chicago house through to the deeper organic sounds that you would find on the dance-floors of clubs like Fabric.
How would you describe Dave's sound well a mixture of deep tech house with Detroit overtones though to Chicago House and anything in between basically to sum it up House Music. 

Blease & Reeves is a new project that see's Cream & Creamfield's Legend dj Paul Bleasdale join forces with Big fist Records owner Andy Reeves. This duo have set there sights high and will be releasing music from house mainroom and some original vocals lined up ready for 2014.

Paul has his own productions already doing the business for Big Fist Records hitting number 1 in the trackitdown techno chart for a whole week back in june, with releases due out in september november and december the end of the year is looking like a busy time for Paul with gigs here in the UK also in Ireland and Ibiza.

Andy has got his timetable full at the moment working on productions for himself and running Big Fist events  and the label. Also alongside his T3CH-2 partner Daz Monaghan they are preparing for a new 2014 alias with loads of exciting productions already under wraps next year is to be a big 1.

Respected DJ, producer and promoter that has been rocking the dancefloors from Bolton to Brazil for the past 20 years.
People around Mark realised his talents; when as a teenager he hijacked his fathers reel to reel and started to cut and splice many genres together from funk, soul, disco and early electronic music and was then let loose on vinyl turntables.
Having grown up down the road from the legendary Hacienda in Manchester and Cream in Liverpool and heard that jacking Chicago sound for the very first time, I was instantly hooked. This was the sound that changed the world for me and was something I wanted to be part of.
Mark started his trate on the illegal rave scene at the Revenge parties in the early 90's and then secured a residency at Wigan Pier, which helped launch K Klass, Dream Frequency and many more. After visiting all the major clubs in Europe, Mark was honoured to play at the likes of The Temple, El Divino, Swoon, Bagleys, Legends,Emporium, Cafe De Paris, Millenium, Lemon, The World, Pure Space and then moved into a promoter role at various establishments and lead The Temple to , "Club of the Year", as quoted by Ministry magazine, where he packed 2,500 clubbers in week after week for almost 4 years. This enabled Mark to bring Sasha and Digweed and their Northern Exposure Tour to the club and was delighted to support them as a resident DJ.
Most of us in the early years of the scene had to constantly fight. We had to fight for space, for sound, for music, for a voice, for validity. Many of us didn’t even know we were fighting, we were just deeply connected to the music and had to express it, whether making it, playing it, or dancing to it. It was even a fight just to get the music.  It was expensive, limited, and you had have the hook-up to get the choice new releases in your area before someone else did.
The music was a necessity for us, the very essence of us. We were mocked, we were told it was garbage, it wasn’t real music, that it was a passing fad.  Because we were so connected to the music and identified ourselves through it, this meant they were calling us garbage.  We banded together, we built communities, philosophies, and we danced our asses off because it was who and what we were.
Every record was special, it was a weapon in the battle for validity.  Every scratch, imperfection, and skip was a memory of a party, an experience, a good time, a bad time.  We didn’t replace our music every week, we played it until it wouldn’t play anymore.  And even then we might try to play it a couple more times hoping that it had somehow magically healed itself through our pure love of the song. Long story short, we weren’t just connected to the music, we were the music.

After graduating with a batchelors degree in engineering, Mark decided he wanted to discover new sounds from around the world and was fortunate to land a residency in the summer of 98 at El Divino in Ibiza. Here he met Ron from Submission, London and was a regular at their events, playing alongside the legendary Paul Oakenfold.
The years to follow helped Mark carve his production passion,  starting with duties on a Submission compilation with Lee Gourman from Bow Wow Wow and was catapulted to Miami to represent Trackmoon records and his very own Psyence records, after collaborations with Watkins, King Unique and Northern Underground, under the guise of Magistus, who were regular buzz chart winners on Radio 1. 
After an educational trip with Sony, acting as A&R business development manager representing their Japan department for Toryumon, Mark now works as head of operations for many corporate companies, most recent; the MTV awards held in Liverpool.
Embracing technology, Mark now spreads his sound through the medium of radio, after successfull shows on Manchester's Key 103, Mundro Live in Brazil and recently won a mix competition on Proton radio; based in the USA.
You can catch Mark every year at the world famous carnival in Brazil, were he is a regular on a months tour and has been for the past 6 years.

http://soundcloud.com/mark-kennedy

http://www.myspace.com/djmarkkennedy

  Brazil Carnival Feb .

  15th - Lique Club, Curitiba.
  17th - The Loft, Floripa.
  19th - Deseo Lounge, Camboriu.
  20th - Goa Bar, Estaleiro Beach, Santa Catarina.
  

Blease &amp; Reeves is following

Blease & Reeves is following