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can anyone recommend similar style mixes? I'm obsessed with this and loving with the souly/funky samples alongside the dance beats but the related mixes are good but more electronic samples - can get away with this one at work

Martyn’s music transcends the constraints of genre… 

Pick a track from his extensive back catalogue and you’ll be sure to hear influences from Drum ’n’ Bass, Garage, Detroit, Chicago or Dubstep - the latter of which Martyn was probably known best for having been influential in the evolution of the “Post-Dubstep” sound in London that was so closely connected with institutions like Plastic People and FWD>.   

This broad collection of influences has created a sound that is distinctively, Martyn, and as an extension of that, a sound that is very much associated with his own label, 3024. It has also found it’s way on to the best labels across the electronic landscape, including Ninja Tune, Warp, Hyperdub, Brainfeeder and Ostgut Ton to name a few.  

His ability as a DJ runs parallel to his achievements as a producer, having secured his place in fabric history over 10 years ago with his contribution to our fabric CD series. A perfect snapshot of a place in time with music from Kode9, Actress, Zomby, Joy Orbison and lot’s more. 

He joins us on July 30th as part of a weekend of music curated by Goldie. Which features sets from LCY, rRoxymore B2B Fiedel, Goldie B2B DJ Bone & more. Tickets and more info can be found below: 

https://ra.co/events/1517086

Martyn:
https://soundcloud.com/3024world
instagram.com/martyn3024/
twitter.com/martyn3024

004 - Martyn - fabric podcast

Welsh artist Kelly Lee Owens has a special grasp on techno. She can make it sound wild and naturalistic, like wind blowing through a dense forest, or make it feel cold and sleek, like a gleaming slab of chrome. Either way, though, it's always full of emotion, thanks to the intricate textures and distinctive tones of her voice. You might even say she takes a singer-songwriter approach to techno, but that doesn't mean her music isn't suited for the dance floor.

Her most recent album, <a href=/reviews/34853 target="_blank"><i>LP.8</i></a>, marks a step away from the dance floor, however, and into a place a little more dark, more unpredictable. It's also some of her most gorgeous work, centering around "Anadlu," an eight-minute cut that feels perfectly pitched between ambient and techno, with heavy, lumbering drums but an otherwise lightweight, almost wispy feel.
 Owens' RA Podcast occupies this zone almost perfectly. Beginning with 11th century music from Hildegard von Bingen, it ties all sorts of traditions together, from Pan Sonic to Throbbing Gristle to Marco Shuttle to Oneohtrix Point Never & Rosalía. It floats, it accelerates, it loops and doubles back in on itself, an hour of gripping electronics from one of techno's most distinctive voices.

Read more at https://ra.co/podcast/841

RA podcast

RA.841 Kelly Lee Owens

Recording of Carlos Souffront's set at Dekmantel festival 2022.

TASCAM DR-40X

Carlos Souffront at Dekmantel Festival 2022

Here is Batu’s set from Tresor 313, the opening night of Return to the Source on Saturday May 28, 2022. This year was a legendary year in every way, so we celebrate the relaunch of our podcast series with this equally epic set from Batu, closing the main room directly after Underground Resistance’s world debut of their Wavejumpers project.

@batuuk

Interdimensional Transmissions Podcast

IT.podcast.s11e17: Batu at Tresor 313

As part of RA2122, our ongoing celebration of 21 years of club culture, we'll be featuring some of our favourite DJs from around the world, highlighting the parties or clubs most important to their lives in dance music. DJ Voices will be playing our RA2122 party in New York this Saturday, November 29th.

DJ Voices is a prime example of an artist that really can do it all. The New York-based artist, originally from Florida, has been an integral part of New York's electronic music as a DJ and as a booker at one of the city's best venues, Nowadays. Voices got her footing as a selector as a founding member of the DJ collective Working Women, but these days she performs solo through her Nowadays residency and her radio show on The Lot, Nothing In Moderation. Her sets are known for their psychedelic dynamism—her selection, with which she prioritizes "energy and drama over genre," often flits from rolling low-end music, uptempo tracks (that she then slows all the way down) and wonky leftfield beats. 

"It would be hard to overstate how much Nowadays is part of my story at this point, personally and professionally," Voices told RA in the following interview. Her approach to assembling this mix she recorded for us makes that abundantly clear. The mix she recorded for RA—which sprawls out over almost three hours—features tracks that she has either played in her five-year tenure at Nowadays or that she plans to play there in the future. She organized the set in a similar way to the way she goes about her Nowadays sets. She kicks off with fast and nimble bass music ("I like to start fast in hopes of people dancing half-time"), then transitions into a knotty web of dubstep and bright percussive tracks and closes with weightless jungle. The playlist she sourced from to create this mix featured music from every Nowadays resident. It's this same thoughtfulness and meticulous attention to detail that has made her a household name in her local scene.

RA.858 DJ Voices

Further information and tracklist: bleep.com/features/bleep-mix-251-plaid

"This is half a mix of influential tracks from our Feormative years and half of more recent material that has excited us." - @plaid

Bleep Mix #251 - Plaid

Daniel Avery marks the release of his ambitious new album Ultra Truth with a two hour special featuring cuts from the record alongside sounds that inspired him... 

https://www.nts.live/shows/daniel-avery/episodes/daniel-avery-25th-november-2022

Daniel Avery - Ultra Truth Special - 25th November 2022

Further information and tracklist: https://bleep.com/features/bleep-mix-252--nathan-fake-ai-mix

"This mix is intended to evoke the original spirit of the Artificial Intelligence series - electronic music intended for close listening, which can also cross over into a club music aesthetic. This is also my relationship with the AI compilations, I always saw them as a benchmark in electronic music which was "danceable" but also you could sit still and be immersed in it, listening loud on headphones. This has been my ethos for making music since the 1990s. Autechre ‘The Egg' is my fav on the 1st AI comp." - @nthnfk

Bleep Mix #252 - Nathan Fake - Artificial Intelligence Mix

This is a booth recording of Huck playing the headline slot of the September 2015 edition of Midwest Fresh held at MINT Gallery in Columbus, OH.  Midwest Fresh was a series of warehouse parties thrown by a changing cast of Columbus DJ's and promoters including Jed Fenton, Kevin Brugger, Tony Fairchild, Alexi Vlaar, Brian Cheng, Titonton Duvante and Mike Amerine.  It ran from August 2014 - October 2019.

This mix is shared publicly for the first time as part of a series of interviews paying tribute to Huck and his legacy.  The first edition of this multi-part tribute will be published December, 7 2022 at https://presstest.substack.com/.

Note: The sound can be a little hot in the beginning but things level out after a bit.

Mike Huckaby Live @ Midwest Fresh September 2015

Looking to his early years for inspiration, deep house hero Fred P dedicates his butter-smooth Sunday Mix to "love, the lovers, those in search of and the idea of recognising it when it may appear".

Find out more on crackaud.io: crackm.ag/3HXGro7
Still Independent. Help us keep it that way: crackmagazine.net/subscriptions

Sunday Mix: Fred P

Further information and tracklist: https://bleep.com/bleep-mix-257--matt-anniss

"When Bleep.com asked me to contribute a mix to their series in honour of the publication of the new edition of my book Join The Future: Bleep Techno and the Brith of British Bass Music, I quickly decided that I wanted to showcase my love of bleep & bass old and new, but also throw in sub-heavy cuts made at different points since the ‘90s – after all, one of the key arguments in the book is that bleep had a profound impact on the future direction of British dance music. The new afterword chapter, written last autumn, also references the recent wave of revivalist bleep productions, so I wanted to give a flavour of those too.

So, there are important innovators (Unique 3, Nightmares on Wax, LFO, and Sweet Exorcist), overlooked or under-celebrated acts (Rhythmatic, Tomas), a nod to the short-lived NYC bleep and breakbeat hardcore scene (How & Little), a couple of sub-heavy 1990 workouts from London (Moody Boys, the Leftfield produced ‘Difference’ by Djum Djum), a dash of bleep & breaks (Bass Culture, an early Rennie Pilgrem project), recent revivalist bleep cuts (DAWL, iNFO, Dan Piu, Tom Carruthers), some mid-90s Brummie dub house (Rockers HiFi), sub-heavy 21st century workouts (SuPaFiX, Toddla T remixing Working Men’s Club, Bakey), tons of my own re-edits (over the years I’ve amassed a sizable library of ‘Join The Future edits’ as I call them) and even a completely unreleased (though re-edited) Tuff Little Unit track, ‘Blow Up The System’. Oh, and the crazy dancefloor dub that is Alfanso’s Rob Gordon-produced ‘Dub Feels Nice (Version 4)’, which is exclusively available on the Join The Future:UK Bleep & Bass 88-91 compilation on JD Twitch’s Cease & Desist label (which is, of course, available via bleep.com).

In order to accommodate both original records and digital tracks (particularly the edits), it was mixed on two turntables connected to a DVS box." - Matt Anniss

Bleep Mix #257 - Matt Anniss

http://bleep.com
High Quality Music and Media

Bleep Mix #251 - Plaid

Bleep

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Hannah Jepson

👽🐰🤖LEPIDISOSCELES🤖🐰👽, om.florifer,ement alis

👽🐰🤖LEPIDISOSCELES🤖🐰👽, om.florifer,ement alis

Fee Parker 1

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