A great listening experience, great sounds and echoes!

A self-generating patch on semi-modular and modular and sent through a spring reverb before being recorded into Ableton. There, the 'melody' was converted to MIDI using Ableton's built-in converter. Both them melody and MIDI were then played at half-speed. The melody was forced into the Lydian mode, and played with Reason Studios' Objekt. At the same time, Objekt was being resonated by the original recording (pitch processed into Lydian), via its sidechain channel. The resultant combination was then processed with the Remants granular delay, a Valhalla Supermassive delay, and the Wavesfactory Echo Cat tape delay simulation.
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More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: https://disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: https://www.eventbrite.com/e/expanded-listening-music-that-listens-to-itself-tickets-712124101357

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

gwrandewch (disquiet0611)

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

more halF unusuaL

halF vectoR [disquiet0612]

You can find my notes on this track via this link at the Lines forum: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/64175/9

Disquiet Junto Project 0612: Drum Vector
The Assignment: Walk the listener through variations on the same percussive instrument.

Thanks to Mahlen Morris for having proposed this project.

Step 1: Pick a single percussion instrument.

Step 2: Record between 4 and 12 different short examples (roughly 20 to 60 seconds each) of playing that instrument. Imagine that each recording is by a different musician exercising a different aspect of the instrument. Make no deliberate attempt to match key or tempo or sonic quality between them.

Step 3: Imagine moving through space over the course of time, and encountering the sounds — overlapping somewhat — as you proceed. Arrange the recordings over the course of a track so that at least one and at most five of the examples are audible at any one time. To further the spatial movement, each could fade in at the beginning and fade out. They might, as well, move from position to position within the stereo field.

Step 4: If you wish, consider adding a noise bed underneath the entire piece to sew all of the pieces together, to provide a sense of the space one is moving through.

[Disquiet_Junto_0612] The Lure of Bells

Electronic percussion sequences created in Pure Data with a touch of reverb & additional noise.

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Drum & Hum (disquiet0612)

"The silence comes in waves"

Music by Stu King
Korg Kaossilator
Synth
Digital Delay
Reverb
Hologram Microcosm
Mixed in Cubase

Rippling Silence

Rippling Silence (naviarhaiku507)

Recorded, mixed & mastered 22-23 Sep 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, outside.

Snare drum, landscaping equipment & effects

This original version of "My Resistance Is Not My Personality" was submitted as part of Disquiet Junto Project 0612: Drum Vector. The Assignment: Walk the listener through variations on the same percussive instrument.

More on the Disquiet Junto at: disquiet.com/junto/
Conversation took place here - https://llllllll.co/t/disquiet-junto-project-0612-drum-vector
Artwork/photography by Jim Lemanowicz, 23 Sep 2013, Bryant Park, NYC, NY, USA

Look for me at patreon.com/blisterpop - patrons get my albums for free!
Sign up for my mailing list - http://eepurl.com/ciZNa5

This track was originally released under the artist name "The David Conspiracy."

Music & art ©2013, 2023 Jim Lemanowicz

Patreon & Soundcloud - blisterpop
YouTube - Jimmy Lem
TikTok - jimmlem
Bluesky - jimmylem.bsky.social
Mastodon - blisterpop

My Resistance Is Not My Personality (disquiet0612)

using the rings module as the 'percussive instrument', played by marbles - eight different recordings, each using variations on marbles settings (rate, jitter, ...) - snippets recorded using tascam in room instead of directly - arranged in ableton live, specifically adding panning, some filtering, dynamics

--

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

disquiet0612 - "the conversation"

Disquiet Junto Project 0612: Drum Vector
The Assignment: Walk the listener through variations on the same percussive instrument.

Dragged my wooden tongue drum out of the closet for this one. Recorded too many variations and had to cut a few. Basically just used different reverbs and delays to give each variation it's own space.  Also played with panning on the cross fades to make it seem like you're walking from one area to the next.  Then for a noise bed I routed everything to a new track with more reverb, resonator, effects and so on.  Automated the stereo width on that one rather randomly.

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

splinter vector (Disquiet0612)

I assembled a handful of drum vignettes using different types of sequencing methods, using recordings of rusty metal sounds from an airbnb I visited in Elmore, VT in July 2023. (Notes to follow)

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"Rust Drum Collage" was submitted as part of ​the Disquiet Junto Project 0612: Drum Vector. The Assignment: Walk the listener through variations on the same percussive instrument.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

Rust Drum Collage • [disquiet 0612]

Step 1: Pick a single percussion instrument.

Step 2: Record between 4 and 12 different short examples (roughly 20 to 60 seconds each) of playing that instrument. Imagine that each recording is by a different musician exercising a different aspect of the instrument. Make no deliberate attempt to match key or tempo or sonic quality between them.

Step 3: Imagine moving through space over the course of time, and encountering the sounds — overlapping somewhat — as you proceed. Arrange the recordings over the course of a track so that at least one and at most five of the examples are audible at any one time. To further the spatial movement, each could fade in at the beginning and fade out. They might, as well, move from position to position within the stereo field.

Step 4: If you wish, consider adding a noise bed underneath the entire piece to sew all of the pieces together, to provide a sense of the space one is moving through.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0612” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0612” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How long a walk do you want to take the listener on?

Deadline: This project’s deadline is the end of the day Monday, September 25, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 21, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Tin drum ( DIY drum sample maker ) - disquiet0612

Tesseract: So the times has come as we meet to the judgement day

I can witness that your fill with determination.

Sans: I think I am determined enough to strike you down sending you back to hell

Badeline: You Killed people, Destroyed worlds, and Hacked real player

Tesseract: Killing? Destroying? Hacking?

Tesseract: I am the internal embodiment of the coronation to make this eternal nightmare to ever lasted forever, and yet you little star warrior is so what called DELTARUNE?

Sans: Welp, There one way to find out.

Lets the Final Ultimate Omni Battle Has Begin!

The First Half Belongs to Desolo Zantas of Kirby My Enthusiasm Fan Series

Sorry I took your music but I really love your soundtrack Desolo Zantas :3

The Other Half is my own Soundtrack enjoy!!! <3

MEGALOVANIA (INGESTE)_SANS_AND_BADELINE_VS_TESSERACT_ZERO

Making music is about being surprised.
https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

My Resistance Is Not My Personality (disquiet0612)

Jimmy Lem

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