Realms Of Foreshadowing And Hindsight

Unchanged

Reflections On The Stone

MECHANICAL DECISIONS

DELUSION    9

Shapes blur in the void, trembling at the edges of thought

I shake with the wind. 

Recorded, mixed & mastered 17 Oct 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, effects

This original version of "Shaking Air" was submitted as part of Naviar Haiku 563, autumn wind…

autumn wind...
I am stringing
a plain-wood bow

by: Mukai Kyorai

Kyorai was a Japanese haiku poet who first trained as a martial artist before he started writing and became one of Basho’s first disciples.

This is one of Kyorai's most famous poem, and one that Natsume Sōseki used as an example of great haiku poetry when teaching at a high school in Kumamoto.

Look for me at patreon.com/blisterpop - patrons get my albums for free!

Artwork/photography by Jim Lemanowicz 19 Aug 2011, LIRR, NY, USA

Music & art © 2011, 2024 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

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Shaking Air (naviarhaiku563)

More on the 670th weekly Disquiet Junto project, Right of Way — The Assignment: Music for turn signals — at https://disquiet.com/0670/

Right of Way

Disquiet Junto | Right Of Way - disquiet0670

A look back into a place we can't really remember. Did it ever exist? 

DEATH

Bird of Passage began in January of 2023. The loose idea was to compose a full album of piano pieces with an overarching atmosphere, not a concept, that tied them all together. By April I had composed and recorded one piece per month leaving me with a total of four piano pieces.

At this point in time I felt slightly burned out and uninspired, and so rather than forcing myself to compose more (which I had already unsuccessfully attempted numerous times); instead I approached a number of artists and invited them to contribute to the four tracks that were completed.

Iker Garmendia, who releases music as Sugaar Pan, was the first artist that I reached out to and he generously contributed improvised flute parts to the first three tracks. The flutes are beautifully minimalistic and he overdubbed different flute tracks to create a sort of a woodwind cushion.

Simon McCorry, who releases music under his own name and under many other guises, contributed cello to track one and three. On the first track, Simon made a dry recording with the mic at some distance from the cello (1m to 1.5m) to fit in with the rest of the recording. He kept quite a lot of rosin on the bow to keep it gritty to fit in with the pianos distortion and played closish to the bridge for the same reason. He didn’t use any overdrive or anything, leaving it to the bow, cello & pre amp to do this. I couldn’t be happier with how it turned out!

Jez Thelwell, who operates the Moolakii Club Audio Interface label and performs and releases music under the name Loopatronica, contributed an amazing rhythmic part for track two that complements the opening piano refrain before building into an epic climax.

Around this time I had begun noticing that several artists were releasing entire albums consisting of nothing but remixes. The concept of remixing really started to fascinate me and I started becoming genuinely curious to hear what these tracks I had been working on might sound
like in the hands of another. It would also have the added benefit of (probably) doubling the length of my rather short album.

Simon McCorry, The New Emphatic, hyacinth, and autumna each remixed one of the original four tracks. Their versions are a welcome complement and intriguing contrast to the original four tracks. They all had complete creative freedom to approach the remix in whatever way they desired and I’m so grateful for their generosity and for what they made.

The solo piano versions of the first three tracks are the same as the original tracks, with the exception of track one which, on the solo version, is extended by almost two minutes.

Released January 12, 2024
Flute on Tracks 1, 2, & 3: Iker Garmendia (sugaarpan.bandcamp.com/music)
Cello on Track 1 & 3: Simon McCorry (simonmccorry.bandcamp.com)
Rhythm on Track 2: Jez Thelwell (loopatronica.bandcamp.com)
Keyboard, VST (Track 1 & 4), Artwork, & Mixing: Levi Taschuk
(cabbaggage.bandcamp.com)
Mastering: James Edward Armstrong

Buy it out on Bandcamp

Rushing Water

Hematitics 101:

1. Refuse premature transcendence
2. Allow weight to complete its work
3. Endure the density without conversion to meaning

Hematitics

I HATE SPAMMERS! - If you follow me and you don't listen to my music, I will report you and have you removed from the platform.  

My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

Shaking Air (naviarhaiku563)

Jimmy Lem

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