thanks to Derek (from Music for Cars discord) for guitar chords that I made into a soundscape and beautiful plucky bass! https://soundcloud.com/derek_barlas?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

thanks to Jennifer for sending me some lead guitar that I used in this track, beautiful playing and fitted well. https://soundcloud.com/jennifer-lea-231598588?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

kiss me (be free)

Embrujo

The Distributed & Vertical Relish Concerto for Electronic Quartet and Water (disquiet0649)

Recorded on 19 Apr 2024, 27-31 May 2024 & 06 Jun 2024. Mixed and mastered on 07 Jun 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Process notes - 

I set the track up to roughly follow the golden ratio alongside the conventions of a concerto, like this -

1:36 - presto 158bpm
2.56 = 153.6 = 2.33 - adagio 44bpm  (4:09)
0.625 = 37.5 - allegro - 120bpm  (4:46.5)

I am calling this "distributed" because I threw away the notion that a concerto needs a solo instrument but instead leaned closer to Ornette Coleman and "collective improvisation," which I have always believed was inspired by the older "Dixieland" jazz.

The Electronic Quartet - Modal CraftSynth 2.0, Max/MSP, Volca Modular, QuNexus/Arturia MS-20 V & Bitwig/Arturia Buchla Easel V. 
The Water - Rain falling on 27 May 2024

©2024 Jim Lemanowicz

Photo - Bethpage State Park, NY, USA - 07 Jun 2015

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This original version of “The Distributed & Vertical Relish Concerto for Electronic Quartet and Water” was submitted as part of Disquiet Junto Project 0649: Concerto for []. The Assignment: Write a piece of music informed by the concerto form

More on the Disquiet Junto at: (http://disquiet.com/junto/

Subscribe to project announcements here: http://tinyletter.com/disquiet-junto

More on the 649th weekly Disquiet Junto project, Concerto for  — The Assignment: Write a piece of music informed by the concerto form — at https://disquiet.com/0649/

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The Distributed & Vertical Relish Concerto for Electronic Quartet and Water (disquiet0649)

Phoebe: For Piano

More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at https://disquiet.com/0651/

The cover image for this project uses a photo by Ioan Sameli, thanks to a CC BY-SA 2.0 license; it’s been cropped and text has been added to it.

nawak

Druidic random sampling_disquiet0651

4.9.1

Timeline : 0m00s : 08h16 ~~~ 1m50s : 10h56 ~~~ 2m40s : 12h56 ~~~ 3m20s : 15h30 ~~~ 3m45s : 16h10 ~~~ 4m20s : 16h58 ~~~ 05m00s : 19h36 ~~~ 05m50s : 00h36 ~~~ 07m05s : 00h31 ~~~ 07m45s : 01h55

zuunzug.com/2023/05/28/struga/

A Hundred Days in the Balkans

Marshal Tito Street, Struga (Macedonia), from 8:16 to 1:56

you threw my trust in the mud

Just A Number

it's the calm before the explosion. Energy loading. Universe trembling.

"GOKU ARE YOU FINISHED" (Slowed + Reverb)

Making music is about being surprised.
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The Distributed & Vertical Relish Concerto for Electronic Quartet and Water (disquiet0649)

Jimmy Lem

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