Recorded, mixed & mastered 23 Jun 2019, 02/03 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Instruments -
Ableton Live 12 beta, Operator and other native devices, iOS/iAbyssal, field recordings of train provided by Todd “toaster” Elliot.

Process notes -
From the original audio recording of a train by Todd Elliot - 
- I derived the melodic elements and drum bits with Live’s audio-to-midi features. 
- I further split, duplicated, stretched & gated the original shorter audio train recording - heard here as rhythmic bursts. 
- Looped a section of the original audio to form a very loose rhythm. 

I also added another rhythmic element using a segment of an iPhone recording I made on 23 Jun 2019 using the app iAbyssal.

Artwork: From the LIRR, NY, USA, 27 Jan 2011, by Jim Lemanowicz

©2019, 2024 Jim Lemanowicz - music distributed under CC BY-NC-SA 3.0 DEED
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This original version of “There’s More Under The Sheets” was submitted as part of Disquiet Junto Project 0635: ’Round the Bend. The Assignment: You’re in a duo, and your bandmate is a train.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements: https://juntoletter.disquiet.com/

More on the 635th weekly Disquiet Junto project at https://disquiet.com/0635/

This track was originally released under the artist name "Bubble Memory."

There’s More Under The Sheets (disquiet0635)

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

Making music is about being surprised.
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" Musica saltatoria mihi finita est "



TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

 ( LCEEM ® )  founded    by Max Elzholz

PLEASE  VISIT  OUR  MAIN  PAGE  :

https://trampelfad.bandcamp.com
and
https://maxelzholz.bandcamp.com

Note: This site deals with Art - All scientific aspects are artistic considerations - All contributors have respect for scientific work and the research of reputable Institutes .

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

producer/performer of all/any forms of sound/rhythm.

All here, in reality, are works in progress and are therefore apt to change at any time. All those except XIII Sisters and RAW which, as many of you may have done, I literally gave away in return for their placement in a library. Something I won't be doing again any time soon. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

During the early 1990s I studied Mathematics and Computer Science. The world wide web was still largely text-based and mostly empty. Today things are obviously different, though I still thoroughly enjoy art, design, cinema and music in all its forms. I have traveled all over the world for nearly two decades, visiting just over 140 countries. Japan is my favorite. All of this I attempt to incorporate into my music and art.

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

There’s More Under The Sheets (disquiet0635)

Jimmy Lem