Recorded, edited, mixed & mastered in 27 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Sample instrument & effects

Photography/Art - Jim Lemanowicz, 25 Oct 2025, Grand Central Station, NYC, NY, USA

Music & art © 2025 Jim Lemanowicz

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This original version of “To The Restricted Limits Of Some Regular Pursuit” was submitted as part of Disquiet Junto Project 0726: Work It The Assignment: Chord of Omnis. The Assignment: Make music with a browser-based Omnichord as your sole sound source.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 726th weekly Disquiet Junto project, Chord of Omnis — The Assignment: Make music with a browser-based Omnichord as your sole sound source — at https://disquiet.com/0726/.

Discussion at https://llllllll.co/t/disquiet-junto-project-0726-chord-of-omnis/ 

Patreon - patreon.com/blisterpop
Soundcloud - @blisterpop
YouTube - www.youtube.com/@JimmyLem
TikTok - www.tiktok.com/@jimmlem
Bluesky - jimmylem.bsky.social
Linktree - linktr.ee/blisterpop

To The Restricted Limits Of Some Regular Pursuit (disquiet0726)

I HATE SPAMMERS! - If you follow me and you don't listen to my music, I will report you and have you removed from the platform.  

My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

troksnis ir patvērums no pasaules kņadas.
noise is the shelter from tumult of the world.
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marginal electronics since 1996.
antireality since 1999.
ambientoid and visionary noise, abstract soundscapes, drone meditation.
using feedbacks, vintage tone generators, acoustic objects, field recordings, tape manipulations and some modulars lately.
there are/were several sideprojects and kollaborations - an, syndrome, surreogate, i.m.plant, b.r.a.k.e., stalkspace, logos 29.11., jaunā vienmuļība, shamanorgru.
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perpendikulāri visam.
omniperpendicular.

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

To The Restricted Limits Of Some Regular Pursuit (disquiet0726)

Jimmy Lem