Tetrahedron

Performing and producing atmospheric electronic music in London.

New album LIFE RITE out now

Igor Iofe is a
composer whose musical
paths lead to diverse stylistic destinations. Currently Igor's focus in music is Armenian traditional duduk repertoire which he performs on trumpet. He brings the beauty and warmth of the duduk into his trumpet playing.

At the Conservatorium van Amsterdam he studied with  Wim Hendrickx,Richard Ayres,  Fabio Nieder,Willem Jeths and Jorrit Tamminga. Igor attended masterclasses with Misato Mochizuki, Dmitry Kourliandski, Tristan Murail andTan Dun. His music was performed at the Composers’ Festival Amsterdam (2012 and 2013), Atlas Academy (2010-12),  Looptail XXX and at such venues as De Link, De Duif, Het Bethaniënklooster, Het Veem, STEIM, Muziekgebouw aan 't Ij and CvA in Amsterdam and other cities of the Netherlands. His piece Y+Ywas performed by the Joint Venture Percussion Duo at several venues in the USA and Europe.

Parallel to his Classical Composition studies Igor studied Composing Music for Film with Jurre Haanstra and graduated as a Master in Composing for FIlm at the CvA. During his studies he wrote music for several movies which were shown at the Beeldbuis Filmfestival, Keep an Eye Film Festival, VERS Awards, Cinekid Filmfestival, M2M Filmfestival and Pleinbioscoop Rotterdam.

Igor is one of the organisers of the Toets des Tijds Concert Series

Welcome! My name is Kace, I am a Music producer, promoter and content creator. Please feel free to contact me for collaboration or anything else. My main area of production is Pop, House, Reggae, Amapiano & Afrobeats. Thanks for visiting. You can visit my website by click on the profile link info. God bless!

I am an Electronic artist, who doesn't create within one genre 
I like to blend random genres that fit what I see for each track,  There are way to many sub genres within electronic music to try to fit into ane one or even two. I go where the music takes me

🎧BEATMAKER/ARTIST🎧
⚠️BEATS FOR SALE⚠️ https://www.beatstars.com/spvceychvsey

You need to watch your nightmares for being able to watch your dreams. The synesthesia makes you unique.

Multi-instrumentalist, composer and lover of all things musical.  To me, music has the most fundamental abilities to connect, transcend barriers and join us together.  Music is made to be shared and sharing music is one of the greatest things we can do.

Friends:

@datsweetbiowaremusic
@yoyobasscharles
@TheSwingNinjas
@simon-ng-1

Silence in Surrender (SinS) are a rock band born and based in SW London, UK. Brought up on a primary diet of 90s and 00s rock, punk and grunge, but supplemented heavily over the years by a huge variety of genres ranging from blues to thrash metal, SinS have forged a sound  which seeks at its core to pay homage to the riff-based rock of yesteryear, but presents it in a new and evolved package which reflects the band’s diverse range of influences as well as the modern music industry. Fusing riffage, melody, emotion and aggression, SinS hope to take their listeners on a journey which emulates the turbulence and challenges of life as it exists across the world as we know it. 

Ben Lopez - Guitars, Lead Vocals, Bass
Paul Young - Guitars, Backing Vocals
Pete H - Drums, Percussion

Vyomanaut is a psychedelic project created by Shreyas from Bangalore, India. 

I'm a electronic music producer and a DJ. I love the art of producing DJ sets. It gives me an opportunity to put together songs by my ever growing list of favourite artistes around the world. 

Genres I work with currently - Full On Psytrance and Ambient Psy Chill. 

For Label DJ mixes and production collaborations, please email me on the ID below. 

Follow my insta profile to stay updated with my releases and news. 

Cheers!

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Tetrahedron

Bloom's Taxonomy