Featured on our blog: https://lefuturewave.com/2025/05/15/blue-monkey-gleaming/

Runway

Lovesick (feat. Anderson Rocio)

Gleaming

Miya Zawa sails between the world of Pop and Folk to bring peace between the lands. The songs are an emotional outlet. The aural manifestations of words and ideas from Miya Zawa’s diary. 

“I was scrolling on my phone and came across a photo of my best friend and her boyfriend. And I thought: “She’s way out of his league! She could do so much better”. Feel like a lot of us have high standards for our friends' love interests. So I'm sure people can relate to this. So that sent me into a spiral of how many amazing women end up dating shit men (most often, with names starting with J - The J name phenomenon is real!). This song is about that situation, and how it really gives me the ick - still does. We wanted the song to be cheeky and playful with the silly vocal ad libs and autotuned outro. To make the most out of a silly situation, and reflect some of the personalities of these silly guys.”

Miya Zawa - 'So Sick'

Second upcoming single from the new Siiga album 'Nostalgia Burns'

RECOVERY

Can't Stop The Rain

Little Highways

The Less We Talk

On What Once Was, American folk artist meka delivers a hauntingly poetic tribute to the archetype of the hag—an ode to forgotten power, feminine chaos, and the flickering persistence of hope. With stripped-back acoustic textures and evocative storytelling, this standout track from her album The Rabbit channels the spirit of myth and mischief, casting a spell that lingers long after the last note. For fans of Adrianne Lenker, Joanna Newsom, and Alela Diane, meka is a voice that demands quiet and rewards deep listening.

This track will be released with the new album THE RABBIT on May 21st on Dumont Dumont

Link: https://idol-io.ffm.to/therabbit

Follow meka in instagram https://www.instagram.com/meka.laments

meka - What Once Was

All I Get

How long can I live here
In this garden 
While I’m calling you by name
Your voice in echos
Through the hallways
And the honeycomb air
 
(How long?)

Swimming with the koi fish
In the mindpond
Filling up the emptiness 
I try to reach you
But I lose myself
Amidst your murky end

(How long?)

(How long will you)

Stay
In tandem spinning
Our faces blurring out
Entangled in it
We’re swimming round and round
Our bodies sinking

(Entangled in it
We’re swimming round and round
Our bodies sinking)

(Entangled in it
We’re swimming round and round
Our bodies sinking)

I’ll leave any minute now

Mindpond

In 2020, Charlee Remitz put out her final pop album, admitting to a complicated love affair with pop music and leaving it in the hopes of finding something simpler. Four years later, inspired by Ursula K. Le Guin's concept of "self-loss," Remitz returns as the genderless, ageless Blue Monkey, carving out a space in the indie continuum for eleven-minute debut, “Pylons,” a song about transcendence, endurance, and the fatigue of dreaming.

Gleaming

Blue Monkey

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